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Welcome to the CEC

Canadian Electroacoustic Community (CEC)

New

2018

JTTP 2018: 19th Jeu de temps / Times Play

Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 19th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. (September 2018)

Call for Contributions

eContact! 20.3 — Media-Specific Music

In discussing “media-specific music” we consider situations (practices, pieces) where the media of music in their qualities and limitations are addressed as a subject of æsthetic practice rather than a storage format. Here, music resists translation into another media since its very essence is bound to its means of creation, performance or distribution. Deadline for submissions: 30 November 2018.

eContact! 21.1 — Take Back the Stage: Live coding and laptop orchestras

For many electroacoustic composers and sound artists, coding and programming are by no means new concepts. However, their manifestation as an aspect of live performance has proven an engaging development over the past decade. The Laptop Orchestra configuration is commonly encountered in live coding contexts. Deadline for submissions: 1 December 2018.

SONUS.ca

Open and ongoing call for contributions to the CEC’s electroacoustic Jukebox.

Recent Activities

20.1

eContact! 20.1 — JTTP 2017: 18th Jeu de temps / Times Play

Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 18th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. JTTP 2017 events include a special concert in the 3rd Sea of Sound Festival, held in Edmonton in April 2018. (February 2018)

19.3

eContact! 19.3 — Notation for Electroacoustic and Digital Media

Any discussion of notation for electroacoustic and digital media necessarily addresses several related and equally important issues. An understanding of the nature, needs and intentions of visual representation help ensure the effective, appropriate communication and transmission of the notated work or performance practice. (January 2018)

19.2

eContact! 19.2 — Light+Sound

Guest editor: Nicolas Bernier

Sound artists have always maintained a strong relation with the visual. This issue of eContact! is more specifically interested in the creative use of sound and light. Historical and analytical reflections are complemented by contributions that bring “to light” different artistic perspectives and practices. (October 2017)

19.1

eContact! 19.1 — JTTP 2016: 17th Jeu de temps / Times Play

Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 17th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. JTTP 2016 events include a special concert at the Centro Mexicano para la Música y Artes Sonoras (CMMAS) in Morelia, Mexico. (October 2016)

18.4

eContact! 18.4 — TIES 2016: 10th Toronto International Electroacoustic Symposium

Prolific media artist, composer and saxophonist John Oswald was the Keynote Speaker for the tenth edition of the Toronto International Electroacoustic Symposium (TIES), where presentations questioning the nature of the performance space and the roles of those involved in articulating works within these spheres featured prominently. (August 2017)

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SOCAN Foundation / Fondation SOCAN Concordia University

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