Welcome to the CEC
Canadian Electroacoustic Community (CEC)
Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 21st edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. (October 2020)
Call for Contributions
For many electroacoustic composers and sound artists, coding and programming are by no means new concepts. However, their manifestation as an aspect of live performance has proven an engaging development over the past decade. The Laptop Orchestra configuration is commonly encountered in live coding contexts. Deadline for submissions: extended to 1 February 2021.
Open and ongoing call for contributions to the CEC’s electroacoustic Jukebox.
Shortwave Radio, CD Players, the Inner Ear and Waltzing Goldfish: Medium-specific practices in sound
Theoretical discussions of medium specificity within electroacoustic and sonic art disciplines often draw on individualized works definitively bound to a singular medium. In practice, however, artists engage with the idea through a somewhat broader reflection on practices, projects and processes that prove challenging or impossible to “translate” into another medium.
Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 20th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. (October 2019)
With renowned sound artist Chantal Dumas as Keynote Speaker, presentations at the 11th edition of the Toronto International Electroacoustic Symposium (TIES) reflected an increasing engagement with non-fixed sound-based practices such as installations and generative works in which the relation between viewer and work alters the presentation of the work itself. (September 2018)
Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 18th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. JTTP 2017 events include a special concert in the 3rd Sea of Sound Festival, held in Edmonton in April 2018. (February 2018)
Any discussion of notation for electroacoustic and digital media necessarily addresses several related and equally important issues. An understanding of the nature, needs and intentions of visual representation help ensure the effective, appropriate communication and transmission of the notated work or performance practice. (January 2018)
- eContact! 21.1 — Take Back the Stage: Live coding and laptop orchestras
[CALL for Contributions]