Welcome to the CEC
Canadian Electroacoustic Community (CEC)
Bulletin published six times a year to provide updates to members about the CEC’s activities. In this edition: JTTP 2023, eContact!; Recent Activities; Membership. (October 2023)
New creative works by young and/or emerging electroacoustic artists from (or living in) Canada are featured in the 24th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. (October 2023)
Call for Contributions
Electroacoustic and sound art practices presented in the context of an indoor or outdoor installation or in a site-specific location afford the listener-viewer a completely different temporal experience than concert hall-oriented works. Here, it is possible for individual visitors to tailor or even create their own experience of the work. Deadline for submissions: 1 April 2024. http://facebook.com/events/350924469303230
Open and ongoing call for contributions to the CEC’s electroacoustic Jukebox.
Join us at the CEC’s Annual General Meeting on 14 September, either in-person in Montréal or tune in to the live-streamed webcast. This year’s AGM is enhanced with a performance by Jean-François Laporte on one of his most recent instrument designs. The performance starts at 14:45, the AGM at 15:00.
Bulletin published six times a year to provide updates to members about the CEC’s activities. In this edition: Membership; AGM 2023; JTTP 2023; new issue of eContact! (Conceptual…); email communications. (August 2023)
eContact! 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices
In contrast to works in which sound materials, gestural characteristics and musical or sonic structures are paramount, the “material” per se in some artists’ practice is rather the concept. This inescapably leads to unique works that in many cases demand a rethinking of listening paradigms and presentation formats.
[EN] The 23rd edition of JTTP was held in collaboration with CMMAS — Centro Mexicano para la Música y las Artes Sonoras. The CEC therefore opened the submissions beyond Canada to include young and/or emerging electroacoustic artists from or living in Latin America as well those from or living in Canada. (October 2022)
[ES] La 23ª edición se realizó en colaboración con el CMMAS — Centro Mexicano para la Música y las Artes Sonoras. La CEC abrió entonces sus oportunidades mas allá de Canadá para incluir artistas jóvenes y emergentes originarios o residentes en América Latina además de aquellos de Canadá.