Welcome to the CEC
Canadian Electroacoustic Community (CEC)
Any discussion of notation for electroacoustic and digital media necessarily addresses several related and equally important issues. An understanding of the nature, needs and intentions of visual representation help ensure the effective, appropriate communication and transmission of the notated work or performance practice. (January 2018)
Call for Contributions
The Canadian Electroacoustic Community (CEC) is now accepting submissions for an upcoming issue of eContact!, the online journal for electroacoustics published four times a year by the CEC. eContact! 20.3 focuses on media-specific music . Deadline for submissions: 31 March 2018.
Open and ongoing call for contributions to the CEC’s electroacoustic Jukebox.
Guest editor: Nicolas Bernier
Sound artists have always maintained a strong relation with the visual. This issue of eContact! is more specifically interested in the creative use of sound and light. Historical and analytical reflections are complemented by contributions that bring “to light” different artistic perspectives and practices. (October 2017)
Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 17th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000. JTTP 2016 events include a special concert at the Centro Mexicano para la Música y Artes Sonoras (CMMAS) in Morelia, Mexico. (October 2016)
Prolific media artist, composer and saxophonist John Oswald was the Keynote Speaker for the tenth edition of the Toronto International Electroacoustic Symposium (TIES), where presentations questioning the nature of the performance space and the roles of those involved in articulating works within these spheres featured prominently. (August 2017)
- eContact! 20.1 — JTTP 2017: 18th Jeu de temps / Times Play
- eContact! 20.2 — TIES 2017: 11th Toronto International Electroacoustic Symposium
- eContact! 20.3 — Media-Specific Music [CALL for Contributions]