eFlash! 2026-09
2026 AGM — Annual General Meeting / AGA 2026 — Assemblée générale annuelle
President’s Report for the 2025—26 Fiscal Year / Rapport du président pour l'exercice 2025-26
Index & Agenda | Treasurer’s Report
Overview of Activities
JTTP
JTTP Prizes
- Alex Brisson — A a Ba A ɓA Bɐ (2026 / 8:00)
- Maurice-Gaston Du Berger — Noir de Mars (2026 / 8:40)
- Nicholas Ma — Assembly Line Apparitions (2025 / 6:30)
- [ex æquo] Hugo Menchi — Ourobors (2026 / 12:50)
- [ex æquo] AC Riznar — filandre (2025 / 7:00)
JTTP Thematic Awards
The Hildegard Westerkamp Award for soundscape and sound installation
Arash Famiilirani — Misophonia (2025 — 15:00)
The Micheline Coulombe Saint-Marcoux Award for self-identified female or non-binary electroacoustic artists
Yilin Wang — Echo of Gamelan (2023 — 11:47)
The Jean Piché Award for videomusic, new media and creative coding
AC Riznar — filandre (2025 / 7:00)
The Martin Gotfrit and Martin Bartlett Award for live electroacoustic practices
Alexandre Sasset-Blouin — Permutations (2025 — 9:59)
The Barry Truax Award for Environmental or Ecological Audio Practices
Alexandre Marchand, Rory Cogley — Flekete (2026 — 19:22)
The Yves Gigon Award for the Most Outrageous Electroacoustic Work
Lauré Lussier — Strange Symphony (2024 — 38:00)
The jef chippewa Award for Indigenous Cultural Background
Cordell Collett — Limen (2026 — 3:47)
JTTP Concerts
Works by last year’s JTTP winners were presented at concerts in Saskatoon, Edmonton, Toronto, and Montréal. In addition, the CEC’s strategy for the promotion of public workshops was launched with a workshop by JTTP winners Michele Selvaggi and Justin Tatone at Pulsworks Audio Arts, Saskatoon.
As is tradition since 2014, Akousma presented JTTP work in October last year: Vivian Li’s Sonic Memories of Fleeting Times (2025). Work from amongst the recent winners of the 2026 edition of JTTP will be presented in the upcoming edition of Akousma (October 2026). In addition, the JTTP winners received radio play on a number of national and international stations.
JTTP Bandcamp
The CEC has also launched a Bandcamp page, on which the annual JTTP compilations will now be released online. The 2025 compilation is available here: https://cec-jttp.bandcamp.com/album/jttp-2025-prizewinning-works
eContact!
As mentioned at last year’s AGM, one of the top priorities for this year was the revival of the CEC’s eContact! journal. This is well in hand, with a revised format and a ’relaunch’ issue scheduled for January 2027, simultaneously with a refresh of the CEC’s online presence.
RNASO Status
In response to the current period of significant financial uncertainty, the board proposes to move the CEC towards certification as a Registered National Arts Service Organisation (RNASO). This would allow the CEC to accept donations and offer tax receipts, in a similar manner to registered charities. We will very shortly be holding a dedicated members meeting to discuss this change, at which members can discuss and raise any questions or issues about this proposed change.
Board Update
There have been some changes to the CEC Board of Directors, which is as follows for the upcoming year:
James Andean President
Louis-Olivier Desmarais Vice-President
Simon Chioini Secretary
Shawn Pinchbeck Treasurer
Antoine Lussier
Stephanie Moore
Rick Nance
Alyssa Ryvers
Departures:
Pauline Patie Pelicaut
Darsha Hewitt
Ana Dall’Ara-Majek
Admin Team & Special Projects:
Yves Gigon
Etienne Mason
Michael Palumbo
Conclusion
In closing, I would like to thank l’Université de Montréal for hosting this year’s AGM, as well as our admin & special projects team — Yves Gigon, Etienne Mason and Michael Palumbo — for their steady efforts on behalf of the CEC.
James Andean, President of the Board
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