[traduction française non disponible]
Elizabeth Hoffman’s electroacoustic music appears on empreintes DIGITALes, NEUMA, Centaur and Everglade. Prizes have come from Bourges, Prix Ars and Pierre Schaeffer International Competitions, the Seattle Arts Commission and the Jerome Foundation. Hoffman joined the faculty of New York University in 1998 when she created the Washington Square Computer Music Studio to provide resources for on-site research and composition in response to the Department’s commitment to electroacoustic sound study. She also writes on analysis and æsthetics and representation in electroacoustic and avant-garde musics, with recent articles in Computer Music Journal, Organized Sound, and Perspectives of New Music. Live electronics projects include recent collaborations with numerous NYC artists. Across media Hoffman has explored spatialization as an expressive signifier, the integration of sampled and synthetic materials, and timbral and micro-rhythmic complexities.
[TES 2013, 2013]
bio@CP-3648
générée par litk 0.600 le jeudi 22 septembre 2022.
Conception: DIM.