The idea of the piece goes back to June 1980 when I first went across the desert of Utah, especially across Arches National Monument, infinite space of massive arches of stone, curved by time. Besides the visual connotation, a principle of independent interlacing arches is applied to the architecture of the piece, as well as to the filling of the quadraphonic space, helping the apparition of ephemeral “sound holograms”. TL
oeuvre@40293generated by litk 0.600 on Tuesday, January 11, 2011. Development: DIM.