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 1968-1980
 DEMOCRATIZATION OF THE MEANS OF PRODUCTION
 
 
  
 
                    
                      
                        
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                                | 1968 USA
 Wendy Carlos, Switched on Bach.
  
 Morton Subotnick’s Wild Bull is the second commission made specifically for a disc.
 
 Vladimir Ussachevsky’s Compositional Piece no. 1 is a composition played in real-time.
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                                | 1969 USA
 Some of the pioneering composers using sounds transformed using the computer include J.K. Randall (Princeton), Charles Dodge (Columbia) and Otto Koening (Utrecht).
 
 Steve Reich composes Pendulum Music and It’s Gonna Rain. The first piece uses a controlled feedback principle and the second, the possibilities of tape loops.
 
 France / Sweden
 Luc Ferrari’s Music promenade is a permanent installation using natural sounds.
 
 France
 Jean-Claude Risset’s first experiences with sonic paradoxes, such as sounds that seem to rise and descend simultaneously.
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                                | 1970 France
 François Bayle’s Jeîta ou murmure des eaux is a work that is realized using real world sounds and diffused in the lieu in which the sounds were recorded.
 
 Second generation of sequencers.
 
 Beginnings of “sound art”, an artistic approach that treats sounds as “objects”. This movement  will have its heyday in the mid-1990s.
 
 Canadian composer R. Murray Schafer founds the World Soundscape Project, out of which ”Acoustic Ecology” would emerge.
 
 
  Ivan Parik - Music to an Exhibition Opening II (00:10:59)   
 
  Bengt Emil Johnson - 1970/05; (lecture on...) (00:08:37)   |  |  
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                                | 1971 
 
  Alcides Lanza - Ekphonesis IV (00:14:41)   
 
  Michel Pirro - Untitled  (00:12:25)   
 
  Léo Küpper, Exequiel Virasoro - Automatismes Sonores (00:26:08)   |  |  
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                                | 1972 
 
  MetaMusic (Kevin Austin) - 1972/05/23 RE VO (00:31:11)   
 
  MetaMusic (Kevin Austin) - 1972/08/08 As quiet as ostinado (00:19:38)   |  |  
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                                | 1973 France
 Luc Ferrari’s Presque rien nº 1 is the first “naturalist” work, predating much of the work of artists working in the genres of Ars Acustica or Acoustic Ecology.
 
 
  Alcides Lanza - Hip’nos I (00:13:40)   
 
  Roman Berger - Epitaph for Nicolaus Copernicus (00:19:24)   |  |  
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                                | 1974 
 
  Peter Kolman - E 15 (00:11:54)   
 
  Denis Lorrain - Générique (I) (∑) (R) (00:24:28)   
 
  Ted Dawson - Concerto Grosso I (00:13:21)   
 
  Barry Schrader - Basilisks (from Bestiary) (00:07:39)   |  |  
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                                | 1975 The first personal studios.
 
 
  John Wells - Maggies Workshop in a Curving Space... (00:21:03)   
 
  Eric Brown - Train Tape — Hudson Heights Station (00:15:55)   |  |  
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                              | 1976 
 
  Denis Lorrain - P-A, version “Luminy” (00:11:27)   
 
  Morton Subotnick - Until Spring (00:14:29)   |  |  
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                                | 1977 France
 IRCAM is founded, the beginnings of research into music and technologies.
 
 
  John Winiarz -  Vortices II (00:08:40)   
 
  Bruno Deschênes - Ne riez pas (00:08:05)   |  |  
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                                | 1978 The first polyphonic synthesizer and the first completely programmable synthesizer, the Prophet.
 
 
  Jean-Claude Eloy -  Gaku-no-Michi (Les Voies de la Musique) : I. Tokyo (00:08:40)
   
 
  Hildegard Westerkamp - Fantasie for Horns I & II (00:12:49)   |  |  
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                                | 1979 Japan
 Invention of the Walkman, a portable cassette player with excellent sound quality.
   
 
  Yves Daoust - Quatuor (00:21:04)   
 
  Eric Nordgren - Voice op. 126 (00:06:54)   
 
  Bernard Donzel-Gargand - Le chant d’Hu/Ba/Re (00:07:31)   
 
  Sergio Barroso - Yantra VI (00:15:46)   |  |  
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