The chosen material has two components: electronic with FM synthesis and with sampled “natural” noise and sounds. Basic for the composition was the poem “zeichen” by Austrian Ernst Jandl. Its poetic texture was not set to music in a conventional way. The poem determines the composition in two ways. At one side, the structural level of the texture was the basis for elaboration of the musical structure, because kind and accumulation of speech sounds find an equivalent, mostly in construction and order, in the electronic and sampled sounds. On the other side is the meaning level of the texture — the potential associative interpretation. The associative interpretation can also be understood to be the counterpoint of the work at the structural level.
oeuvre@41069generated by litk 0.600 on Tuesday, January 11, 2011. Development: DIM.