CEC
Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Œuvres » Œuvres par titre » W
- Waah! (2:09 / 1993) — Ian Chuprun, Frank Koustrup
- Wachet Auf (3:16) — Johann Sebastian Bach [arr. Tim J. Lawrence]
- Wait! (21:45 / 1982) — Kevin
Austin
for tape and electroacoustic processing - Waiting (6:08) — Chris Meloche
- waiting / attente (1998) — Lawrence Harvey
- Waiting for
James (JamesText I) (1983) — Kevin
Austin
for narrator, live processing and slides - Waiting on October Moon (10:01) — Sarah Peebles
- Waiting op. 132 (15:40 / 1980) — Eric Nordgren
- Wait Too! (19:45 / 1982) — Kevin
Austin
for tape and electroacoustic processing - Walking in the Streets (3:30 / 1981) — Tara Workman
- Walk The Dog (5:55 / 1981) — Laurie Anderson
- Walter (1978) —
David Grimes, David Jaeger, Larry Lake, James Montgomery
for trombone and extensions - The Wanderer and his Shadow (1982) — Chris Meloche, Werner Albert
- War of Nerves (6:18 / 1996) — John J.H. Phillips
- Warriorsong — Robert Osler
- Was der Wind zum klingen bringt, composition 1, version 1.1 (23:45 / 1989) — Peter Bosch, Simone Simons
- Washboard Band (3:14 / 1969) — Stephan von Huene
- Wasteland For Computer (6:00 / 1979) — Robin Julian Heifetz
- Watch It (1:30 / 1982) — Sam Borsuk
- Water Cycles (for Gerald & Tyler) (9:57 / 1987) — Brent Holland
- Watermelon (2:45 / 1970) — Unknown /
Inconnu [arr. Rick Powell]
for Moog synthesizer - Water Music (1960) — Toru Takemitsu
- Water
Music (6:22 / 1969) — George Frideric
Handel [arr. Wendy Carlos]
for Moog synthesizer - Water Music (13:30 / 1991) — Yves Daoust
- Water Piece (1993) —
Mike Hovancsek, John Herron
John H., percussion; Mike H., electric guitar - Water Tree (I) (14:49 / 1985) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Water Sonde Structure - Wattenmeer-Suite (1996) — Thomas Gerwin
- Wau Wau (1979) — Nina Hagen
- Wave Edge (9:15 / 1983) — Barry D.
Truax
4 computer-synthesized soundtracks - Waving at the Brave Ones (11:00 / 1985) — David G. Lindsay
- wc-12 (9:00 / 1993) — Neil
Wiernik
for pre-recorded and live signals - We Are Focused (2:14 / 2005) — Eduardo Paz Carlson
- Web (9:06 / 1988) — Lelio Camilleri
- Wedding in the Eiffel Tower (7:00) — Miroslav Ponc
- Wedding Night Music (1988) — Roger Doyle
- Weeping Rocker (8:43 / 1992) — Vivian Adelberg Rudow
- Wegwerfe
deiner Seele in die Muhliener und Warte auf der rôt Licht (25:00 / 1986) — Myke Roy
pour récitant, vidéo 3/4" et TX816 piloté par IBM ou Macintosh - The
Weight (1969) — VA
for Moog synthesizer - The Weird Entertainer No. 1 (1985) — Jean-Robert Bisaillon
- Welcome to Ellis Island (3:22 / 1985) — Gary Gini
- The Well — Pauline Oliveros
- Wenn Ich Ein Junge Wär (1979) — Nina Hagen
- Weow (27:00 / 1972) — MetaMusic
- Western Front - Backup — Jean Routhier
- We were always illegal (3:30) — Tony McAulay
- Whale Song No. 1 (14:30 / 1982) — David G. Lindsay
- Whale Song No.
2 (1985) — David G. Lindsay
for processed electric guitar and tape - What (3:40 / 1987) — Daniel Leduc
- What About This, Mr. Clementi? (1943) — Boris Blacher
- What Floyd Said To Mr Plinkin (6:13 / 1983) — Andrew (Andy) Dowden
- What Floyd Said To Mr Plinkin (1983) — Andrew (Andy) Dowden
- What Good Will Marriage Do Me? (1988) — Roger Doyle
- What I Feel (1984) — Andrew (Andy) Dowden
- What is electroacousics and what does it mean to you? (24:40) — Philip Szporer
- What is Radio (5:54) — Tim McLaughlin
- Whatky? Blooz (0:45) — Gary Martin
- What Makes You Any Different Than The Beast? (2:16) — Milton Altwasser
- What Tack To Take? (50:35) — István Anhalt
- What the Bird Saw (8:00 / 2004) — Suk-Jun Kim
- Wheel Chair (1999) — David Kolber
- When do they is not the same as why do they (13:52 / 1988) — Peter Hatch
- When the Future Collides with History (1989) — John Fekner
- When your in luv (1973) — MetaMusic
- Where words fail (5:00 / 1991) — Tom Williams
- Whirls
Apart (22:13 / 1985) — David G.
Lindsay, John Wells
for synthesizer, guitar and delays - Whirl Without End (1988) — John Wiggins
- Whispering Modulation (4:00) — Mickey Helms
- Whispers and More Whispers (1987) — Robert Osler
- Whispers for tape alone (11:20 / 1996) — Burton Beerman
- Whisper Study (11:30 / 1975) — Hildegard Westerkamp
- Whitewash (9:04 / 1992) — Paul Koonce
- Wichita
Lineman (1969) — Unknown / Inconnu
[arr. Gil Trythall]
for Moog synthesizer - Wien (1991) — Francisco López
- Wig Band ’92 (8:15) — Barbara Golden, Johanna Poethig
- The Wild Bull (27:50) — Morton Subotnick
- Wilsie Bridge (18:47 / 1991) — Petr Kotik
- Winchester Cathedral (2:14) — Geoff Stephens
- The Wind — Tamara Smyth
- Wind, Fire + Maurice (1:00 / 1995) — Claude Schryer
- The Windmills
of Your Mind (from The Thomas Crown Affair) (5:56 / 1969) — M. Bergman, M. Legrand-A. [arr. Richard Hayman]
for Moog synthesizer - Wind on Wind (22:00 / 1986) — Chris Meloche
- Window on World (1977) — Kevin Austin
- Windows Above;
a tribute to the idea of heaven (12:30 / 1989) — Paul Scriver
for tenor saxophone and pre-recorded tenor saxophone track; tenor sax: Simon Stone - Wind-Song (7:00 / 1973)
— Alexander Tilley
for mezzo-soprano, guitar/mandolin, violin, viola, cello, piano - Windsound — Mark Schultz
- Wind, Water and Stone (1989) — Tim Emerson
- Wing Command (1982) — Chris Meloche, Werner Albert
- Wingshot Cries Like Wildfire — Robin Julian Heifetz
- The
Wings of Nike (16:00 / 1987) — Barry D.
Truax
computer graphic slides and 2 or 8 soundtracks - Winnnak (1985) — Unknown / Inconnu
- Winter (1972) — Wendy Carlos
- Wire — Paul B.A. Steenhuisen
- Wired Society, General Meeting (1986) — VA
- Wireless Graffiti June 22 Tape 1 — VA
- Wireless Graffiti June 22 Tape 2 — VA
- Wireless Graffiti June 22 Tape 3 — VA
- Wireless Graffiti June 22 Tape 4 — VA
- Wir Leben Immer Noch (lucky number) (1979) — Nina Hagen
- Wishful Thinking About Winter (1970) — Wayne Slawson
- With Love, a fantasy for live cello and decorated cello cases (prepared tape), in memory of
Myrtle Hollins Adelberg (16:14 / 1986) — Vivian Adelberg Rudow
for live cello and prepared tape - Without a Song (18:00 / 1980) — Al Mattes, Casey Sokol, Michael Snow, Nobuo Kubota
- Without Within (3:36 / 1989) — David Zicarelli
- Witness to the Holocaust (1981) — John Gray
- Die wohltemperierte Mascine, pilot-study (14:30) — Peter Bosch, Simone Simons
- the woman who
loved the Moon — Gisèle Ricard
for soprano, viola, tape - Womb (etudes) (12:48) — Michael Rosas Cobian
- Woodblocks and a Mountain Stream (7:35 / 1984) — Stephen Rieck
- Woolemesyn (10:36) —
Iván Patachich
for percussion quartet and tape - The Word of Prophet (11:38) — Dimitry Nikolaev
- Words About Yugoslavia (11:01) — Dimitry Nikolaev
- «Working Tape», 1986/04/15 — Daniel Feist
- Worm Songs — Susan Frykberg
- The Wrong Miracle
(1993) — Mike Hovancsek, Gino Robair
Gino R., gender; Mike H., cybal, metals - WYSYG (1989) — Marek
Choloniewski
for light and computer