CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

Œuvres » Œuvres par titre » S

Œuvres

S (5:15 / 2000, rev. 2005) — Maurice Wright
Sabota (9:52 / 2004) — Robert Sazdov
Sabre Dancers (1986) — CECG/GEC
for synthesizers and tape delay
Sailor's Tale (1986) — Philip Walling
SAISHIKI X+Y (1988) — Takehito Shimazu
for MIDI system controlled by a computer
Salvation dharma band (8:56 / 1981) — Steve Tittle
for Flugelhorn and tape
Samba de Victoria (2:20 / 1969) — Richard Hayman [arr. Richard Hayman]
for Moog synthesizer
The Same Wide Wall (3:19 / 1986) — René Lussier, Fred Frith
Samplabeabeabebop — Robert Osler
Sand (25:45 / 2003) — Christopher Bailey
Sand/Water (12:17 / 1984) — Eric Brown
Sanon (4:55) — Jean-Louis Belmonte
Sans One Hundred Title — Jean Routhier
[sans titre] (1:08) — Unknown / Inconnu
Sans titre (12:35 / 1985) — Michelle Boudreau
pour trompette, piano, percussion
[sans titre] (1:44 / 1990) — Unknown / Inconnu
San Zan — Hideo Ono
for Shamisen, Hichiriki & Synthesizer
Sappho Fragments (2:00 / 2005) — David Neil Campbell
Sarabande (1:54) — George Frideric Handel [arr. Jacques Rémus, Pascal Serve]
Saratoga (1976) — Jerry Shedd
Sashasonjon (10:35 / 1981) — Jon H. Appleton
The Savers (1:43) — Gershon Kingsley, Jean Jacques Perry
Saxarba (15:00 / 1982) — Susan Frykberg
Opera for counter tenor, actress, dancer, slides, tape and synthesizers
Scatters (in memoriam Jackson Pollock) (10:34 / 1982) — John A. Celona
Scene Four (3:59 / 1980) — Barton Smith
Sch 2 (7:10) — György Kurtág jun.
Die Schachtel (31:45 / 1962-63) — Franco Evangelisti
Scherzo (8:20 / 1992, rev. 1993) — Andrew P. Lewis
Science in Action 1 (5:43 / 1982) — Chris Meloche
Science in Action 2 (1982) — Chris Meloche, Werner Albert
Science in Action (Trance Mix) (5:40 / 1982) — Chris Meloche
Scotch/Disease — John Wells
Scrambled Eggs (4:10 / 1978) — Daniel Feist
Scratch ’n Sniff (5:55 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Screaming Purple Hazel (3:22) — Philip Walling
The Sea and the Sky (1987) — George Danova
The Sea Between (13:07 / 1987) — Carlos Zingaro, Richard Teitelbaum
Sea Change I (13:37) — Anna Rubin
for computer generated tape
Seascape (9:00) — David Reilly
Season of Mist (1996) — Robert J. Dow
Second Dreamscape (8:20) — Gerhard Ginader
for solo clarinet or alto sax
Section A (11:55 / 1984-85) — Paul Dolden
Mouvement 2 de Veils: Studies in Textural Transformations
Section B (11:34 / 1984-85) — Paul Dolden
Mouvement 3 de Veils: Studies in Textural Transformations
Sediment (7:55 / 2003) — Benjamin Wilson
Selections (1982) — John Winiarz
Selections From Suite No. 2 in B Minor BWV, 1067 (1973) — Johann Sebastian Bach [arr. Wendy Carlos]
Selections from The Boy Who Wanted to Talk to Whales (13:30 / 1991) — Robert Minden, Dewi Minden, Andrea Minden, Carla Hallett
Self-Hypnosis (3:48 / 1985) — Andrew (Andy) Dowden
Self-Hypnosis (5:00 / 1985) — Andrew (Andy) Dowden
Selon (1er tiers-temps, variations 1 à 6) (7:00) — Alain Savouret
Selon (1er tiers-temps, variations 7) (3:00) — Alain Savouret
Selon (2e et 3e tiers-temps) (18:04) — Alain Savouret
Send (five-minute example) (1990) — John Kamevaar, Thomas Handy, David Scurr
Sensored (2:22 / 1985) — Pierre Bouchard
Sentes aux Abîmes des Sens (15:38 / 1990) — Claude Lassonde
The Sentinel Plays Alone (14:00 / 1985) — Robert Michael Schertzer
Sentir numéro X (10:27 / 1987) — Pierre Bouchard
Sephardic Judeo-Spanish Songs: Moroccan version (of Landarico) (1:21) — Judith Cohen
Sephardic Judeo-Spanish Songs: Spanish version (of Landarico) (1:02) — Judith Cohen
Sephardic Judeo-Spanish Songs: Turkish version (of Landarico) (2:47) — Judith Cohen
Sequence of Earlier Heaven (12:00 / 1998) — Barry D. Truax
8 digital soundtracks
Sequence of Later Heaven (14:00 / 1993) — Barry D. Truax
4 or 8 digital soundtracks
Sequenza III — Luciano Berio
Sequenza V For Trombone Solo (1966) — Luciano Berio
Serenata No. 2 (1954) — Bruno Maderna
Sergeant Bluepetal's Dream (1981) — John Gray
Sergio's DX-7 Guitars — Hildegard Westerkamp
Sette ltée (9:18 / 1997) — Mikhail Kobakhidze
Seul à la plage (12:08 / 1981) — Jean-François Denis
Seven Electronic Sketches (34:54 / 1984) — Otto Joachim
Seven.Waves — Joseph Hyde
L's GA (24:20) — Salvatore Martirano
shadeless, peopled (9:40 / 1986) — Andrew Czink
Shades of Glass (1989) — Tim Emerson
Shadowed Voices (11:00 / 1988) — Diana McIntosh
pour voix, piano, percussion et délai numérique
The Shadow of the Mosque (10:00) — Steven M. Miller
«Shadowplay (Live)» : Lobo Variations / Gadnay Variations / Ambient Ratland Variations / Odessa Journey: Journey, Odessa - Confrontation - Maggot Variations (1983) — Chris Meloche, Werner Albert
The Shape of Things to Come (new mix iv-88) (12:00 / 1987) — John Free
for computer and guitar
Shards (13:08 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
She, a Solo (12:00 / 1973) — Barry D. Truax
mezzo-soprano and magnetic tape
Sheep May Safely Graze, BWV 208 (1973) — Johann Sebastian Bach [arr. Wendy Carlos]
Shéhérazade (1:58) — Robert Schumann [arr. Jacques Rémus, Pascal Serve]
Shepard’s Tones (1970) — Roger Newland Shepard
Shift (5:00 / 1995) — Michael Norris
Shimmer (11:15 / 1986) — Chris Meloche
Shoes (1977) — Kevin Austin, Brian Finch, Richard Speese, Karin Kloppenburg
Shop musique (récession musique) (7:00) — Marc Tremblay
Shore Leave (1983) — Andrew (Andy) Dowden
Shortwaves (26:16 / 1984) — Pierre Olivier
Shudder-er-er — Kevin Austin
Mouvement 3 de Vortex
SIB 2248 (7:35 / 1983) — Sam Borsuk
Sibilancesilenceimmobile (1994) — Olivier Cussac
Sibylla’s Voice (14:00) — Theodoros Lotis
Siebengesang (21:00 / 1966-67) — Heinz Holliger
Sieben Stufen — Hans Tutschku
Signals (9:38 / 1968) — Elliott Schwartz
Signals (5:00 / 1971) — John Fodi
Signé Dionysos, Opéracousmatique entre nature et artifice (35:15 / 1986-89) — Francis Dhomont
Sikxo (10:50 / 1989) — Elsa Justel
for saxo and tape
Silence… On Fait Du Bruit (12:16) — Marc Tremblay
Silence, parole et mémoire (11:52 / 1986) — James Giroudon, Jean-François Estager
Silicon/Sand (16:00 / 2006) — Arne Eigenfeldt
Silver Apples of The Moon (31:30) — Morton Subotnick
[ Simili ] (15:30 / 1989) — Pierre Sainte-Marie
Simple Electronic Symphony (22:10 / 1975) — Miro Bázlik
Simple Song (3:22 / 1987) — Tim Emerson
for guitar, 2 voices, bassoon
Simultaneity (10:31 / 1986) — Albert Wong
Sinfonia: “The Voices of Silence” (17:00 / 1987) — Ezequiel Viñao
Sinfonia to Cantata No. 29 (3:20 / 1968) — Johann Sebastian Bach [arr. Wendy Carlos]
for Moog synthesizer
Sing-Sing (2:55 / 1985) — Marie-Claude de Chevigny
Sirens (4:20 / 1997) — Leon W. Couch, Bonnie Miksch
Sirius (95:53 / 1975-77) — Karlheinz Stockhausen
Situation de jeu (6:50 / 1981) — Denis Dufour, Yann Geslin, Laurent Cuniot
pour 3 synthétiseurs
Six Dark Questions (14:03 / 1979) — Dexter Morrill
Six Hour Study — Kevin Austin
Six pieces for guitar (7:25 / 1971) — Otto Joachim
Six Preludes For Magnetic Tape (15:35 / 1966) — lhan Mimaro lu
Skin (5:27 / 1988) — Peter Jarvis
for actor and tape
Skratch (2006) — China Blue
Skyscrapers (4:00) — Bruno Degazio
Skyway (1985) — Robert Carl
Sleepwalk/Dirge (6:47 / 1995-97) — Michael Robert Barnhart
The Sleepwalker (7:50 / 1986) — Gerald (Jerry) Berg
Sleeze — Kevin Austin
Mouvement 5 de Vortex
Sleeze (1977) — Brian Finch, Richard Speese
Sleight of Hand (9:00 / 1988) — Jean Piché
for oboe and tape
Slider — Max V. Mathews
Slow Dance on a Burial Ground (23:00 / 1983) — Stephen Montague
Slow Kotekans Breaking (10:53 / 2004) — James Wyness
SlowLife (2005) — John Gibson
S-Matrix Symphony (19:57 / 1988) — Stephen Melillo
Snail (1977) — Richard Speese, Karin Kloppenburg
Snap, crackle & pop — Tony Kemplen
Snapospheres (9:00 / 1983) — Eric Fergusson
Snapshots (7:00 / 2006) — Hsiao-Lan Wang
The Sneeze (8:22) — David G. Lindsay
Snip-ette (2:29 / 1982) — Chris Meloche
Snow Evolved (13:45 / 1979) — Daniel Feist
The Snow Queen (1983) — Jon H. Appleton
Snow, Snow Evolving (13:45 / 1979) — Daniel Feist
for tape, filters, modular synthesizers, clarinet, piano and voice
Sny (Hudba pre cinel a jeho flazolet) [The Dreams (Music for cymbal and its Harmonics)] (8:33 / 1987) — Juraj uri
Societe II (27:27) — Luc Ferrari
Soirée ACREQ - Max en Mars - 1994/03/08 No. 1 — Jean Piché
Soirée ACREQ - Max en Mars - 1994/03/08 No. 2 — Luc Fortin
Solar Ellipse (10:50 / 1984-85) — Barry D. Truax
4 computer-synthesized soundtracks
Solarsystemless (11:40) — Robert del Buono
Solar Wind (9:55 / 1983) — Maggi Payne
Soldier of Fortune (5:50 / 1987) — Brent Holland
Solea (1976) — Michael Kleniec
Soledad (23:45 / 1988) — Sergio Barroso
Le soleil et l’acier (13:30 / 1988) — Alain Thibault
pour soprano et bande
Soleil Sonore: Coucher (7:13) — Christof Migone
Soleil Sonore: Lever (7:09) — Christof Migone
Solera (12:30 / 1981) — Chris Chafe
Soliloquim IV (7:35 / 1976) — Arne Mellnas
Soliloquy for ESQ 1 (3:20 / 1987) — David Congo
Solimilitude (11:45 / 1987) — Denis Dion
pour voix de femme, harpe, piano & bande magnétique
Solitudes (13:15 / 1990) — David Eagle
for Disklavier piano
Solitude Synching Into Something — William J. Peltier
Solo de la Diva — Ginette Bertrand
Mouvement 2 de L’ombre d’un doute
Solo En Re Mineur (1:26 / 1986) — René Lussier, Fred Frith
Solo for Flute (3) (2:44 / 1984) — Chris Wind
Solo fur Melodie-Instrument mit Ruckkoppling (1966) — Karlheinz Stockhausen
Solo fur Melodieinstrument mit Ruckkopplung (12:55 / 1966) — Karlheinz Stockhausen
So Lonely Blooming — Chin-Chin Chen
Some Enchanted Evening (3:02) — Chris Wind
Some Find Me… — Charles Norman Mason
Something… (1977) — Lars-Gunnar Bodin
Something to Say (8:16 / 1987) — Robert Rudolf
for trumpet and tape
Sometimes it rains only under the trees (10:00 / 1984) — Jean-François Denis
pour quatuor à cordes et percussion ou bande
Some Voices in Some Cave (1987) — Robert Osler
Somewhere Else (5:46 / 1987) — Tim Emerson
for piano, bass, bassoon
Somewhere Else (9:51 / 1992) — Al Mattes, Paul Dutton, Michael Snow
Sonata (10:35 / 1954) — István Anhalt
Sonata Eroica, Op. 150 (9:55) — Mauro Giuliani
Sonata for 2 pianos and percussion (1st movement) — Bela Bartók
Sonata for Cello and Piano (8:25 / 1954) — Otto Joachim
Sonata for Piano, Opus 39 (1951) — Boris Blacher
Sonata for Trumpet & Piano (7:10 / 1955) — Peter Maxwell Davies
Sonata for Violin Solo (11:50 / 1968) — Robert Hall Lewis
Sonata in D Major, L. 164 / K. 491 (3:50 / 1969) — Domenico Scarlatti [arr. Wendy Carlos]
for Moog synthesizer
Sonata in D Major, L. 465 / K. 96 (2:25 / 1969) — Domenico Scarlatti [arr. Wendy Carlos]
for Moog synthesizer
Sonata in E Major, L. 430 / K. 531 (1:52 / 1969) — Domenico Scarlatti [arr. Wendy Carlos]
for Moog synthesizer
Sonata in G Major, L. 209 / K. 455 (1:38 / 1969) — Domenico Scarlatti [arr. Wendy Carlos]
for Moog synthesizer
Sonata No. 3 For Violin And Piano (1970) — Lejaren Hiller
Sonatine (1:02) — Jan Ladislav Dussek [arr. Jacques Rémus, Pascal Serve]
Sonergie (16:15 / 1980) — Alain Thibault
Sones de San Blas (6:20 / 1970) — Jon H. Appleton
Songe d'un chamane en exil (16:00 / 1988) — Pierre Dostie
Songes (9:05 / 1979) — Jean-Claude Risset
Song for Circular Space (8:00 / 2004) — Peter V. Swendsen
Song for Mr. V (1:23 / 1987) — John Loughrey
Song for Voices (34:00 / 1983) — Kathleen Yearwood
Song of Revolution (Part II) (1987) — Robert Osler
Song of Songs (19:00 / 1992) — Barry D. Truax
oboe d'amore, English horn, 2 digital soundtracks and computer graphic images by Theo Goldberg
1. Morning
2. Afternoon
3. Evening (3:04)
4. Night and Daybreak
Song of the Canadian Loon (2:45) — VA
Song of the Ocean (1989) — Tim Emerson
Songs and Dances of the Automobile (4:50 / 1988) — Eric Moe
Songs for R.P.B.: 1. Repose of Rivers — John Eaton
for piano, Syn-Ket, and soprano
Songs for R.P.B.: 2. Mirage — John Eaton
for piano, Syn-Ket, and soprano
Songs for R.P.B.: 3. The Return — John Eaton
for piano, Syn-Ket, and soprano
Songs of Children — Robert Conveny
Songs of Life and Love (1987) — John Miller, Tas Abdelali, Rosemary Miller, Béatrice Cale, Claude Rivest
for electroacoustic ensemble
Songs of the Masked Dancers — Michael Matthews
Sonic Circuits (Toronto) (tracks 1-24) — VA
Sonic Contours — Otto Luening, Vladimir Ussachevsky
Sonic Landscape No. 1 (1970) — Barry D. Truax
for horn and tape
Sonic Landscape no. 2 (1971) — Barry D. Truax
Sonic Landscape no. 3 (16:00 / 1975, 77) — Barry D. Truax
4 computer-synthesized soundtracks
Sonic Landscape No. 4 (9:00 / 1977) — Barry D. Truax
for organ and tape
Son of Icelmu (1974) — MetaMusic
Soon She Would (1977) — Lars-Gunnar Bodin
Sopiana (11:46) — François-Bernard Mâche
pour flute, piano et bande
Soprano Solo 2 (1977) — Lars-Gunnar Bodin
… Soretes de Punta (7:50) — Damián Keller
Sorge — Karel Odstrcil
… sorry you can't get through… (9:43) — Claudio Parodi
Sorties (15:12) — Jonty Harrison
Souffle (2:05 / 1983) — Richard Désilets
pour 3 flûtes, 2 percussionnistes, violoncelle
Sound Assemblings (13:30 / 1983) — Diana McIntosh
for piano and tape/CD
Sound for film by Bernie Lavigne — MetaMusic
Sound for Jean Jetté's film Le Vide — Kevin Austin
Sounding Sculptures (1:10 / 1965-72) — Harry Bertoia
Sounding Sculptures (b) (1:31 / 1965-72) — Harry Bertoia
The Sound of America Screaming (6:15 / 1989) — David Zicarelli
Sound Patterns: Human Sounds/Musical Sounds/Natural Sounds/Location Sounds (1953) — VA
Soundscape I (11:00) — Ganesh Anandan
Soundscape III (9:00) — Ganesh Anandan
Soundscape Study (21:25 / 1974) — Barry D. Truax
Soundscape V (8:00) — Ganesh Anandan
Soundscape VI (8:00) — Ganesh Anandan
Sounds Unseen (1972) — R. Murray Schafer
Sound tracks for animated films — Kevin Austin
Soupe du Jour (0:37) — Gary Martin
Soupire (7:06) — Kathy Kennedy
Source of Uncertainty (8:47 / 1993) — Evelyn Ficarra
Sous le regard d’un soleil noir (50:41 / 1981) — Francis Dhomont
Southern Fried Style (1:10 / 1996) — Joelle Ciona, Jean Routhier
Souvenirs de Tadoussac (13:30 / 1989) — John Winiarz
for flute and tape
Spacecraft (19:53 / 1967) — Alvin Curran, Richard Teitelbaum, Frederic Rzewksi, Ivan Vandor
Space is A Diamond (10:29 / 1970) — Lucia Dlugoszewski
Spanish Eyes (2:15 / 1969) — E. Snyder, C. Singleton, B. Kaempfert [arr. Richard Hayman]
for Moog synthesizer
Spare Parts No. 7 — VA
Sparky's Last Dance (1985) — John Toulmin
Sparky's Ocean (1985) — John Toulmin
Sparky, we hardly knew ya… (1985) — John Toulmin
Sparrows (10:00 / 1984) — Kathleen Yearwood
Spatial Triangles (3:33 / 1987) — Salvador E. Ferreras
Spats (2:49 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Speaker Swinging (15:50 / 1987) — Gordon Monahan
La speakrine suivi de la ronde des nations — Ginette Bertrand
Mouvement 18 de L’ombre d’un doute
Specks (8:31 / 1982) — John Winiarz
SPECTRA 1988/02/26, 1988/02/27 (1988) — VA
Spectral Sightings (1987) — Nathen Aswell, John Wells
for electroacoustic ensemble
Speeches for Dr Frankenstein (16:00 / 1981) — Bruce Pennycook
for soprano and tape (Text: Margaret Atwood)
Spellbinding (5:53 / 1984) — Martin Van de Ven
Spelunking (3:04 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Spheres, Chains, Corridors and Passage (24:00 / 1980) — Kevin Austin
for tape
Spinning Wheel (1969) — VA
for Moog synthesizer
Spiral (16:05 / 1968) — Karlheinz Stockhausen
Spiral (18:00 / 1983) — Bruno Degazio
The Spirit of Marcel Duchamp (25:10 / 1987) — Chris Meloche
Spring (1972) — Wendy Carlos
Spring (3:42 / 1988) — John Oswald
Spring Fever I & II — Daniel Feist
Spring Mods (5:25 / 1982) — Chris Meloche
_/-||_-<||. (squiggly line) (8:12 / 2005) — Shane Turner
Squirt — John Wells
Srivox Filonga (15:22 / 1988) — John A. Celona
électroacoustque en direct
SSSG Samples (1970) — Kevin Austin
Stadium (1977) — Kevin Austin
Standard Deviance (13:00 / 1988) — Daniel Scheidt
Stand Dwelling Persistent Surround (16:00 / 1983) — Andrew Czink
Starkweather (1985) — Unknown / Inconnu
Star Wink (45:00 / 1983) — Kevin Austin
State of Illusions (5:07 / 1994) — Patricia Lynn Connelly
Static Arches (13:50 / 1981) — Thierry Lancino
Static Gesture Ir - III - I (1987) — Kevin Austin
Static Gestures III (Drip Rhapsody) (1:55 / 1987) — Kevin Austin
for Synthi 100
Static Gestures I (Shepard) (2:40 / 1987) — Kevin Austin
Static Gestures IV (Three Bells for St Steve) (13:10 / 1987) — Kevin Austin
for Synthi 100
statics (Appulse 3): cyclian and convergence — Stephen Frank Lilly
ST-Clair West (1:53) — Egils Bebris
Steel Guitar Rag (2:30 / 1970) — Unknown / Inconnu [arr. Rick Powell]
for Moog synthesizer
Steps (1:00 / 1995) — Claude Schryer
step, under (13:55 / 1998) — Benjamin Thigpen
Stereo Electronic Music No. 1 — Bulent Arel
Stereo Head (3:32 / 1991) — Paul Dutton
Stewart Hall (6:40 / 1986) — Eric Brown
Still Hidden (7:33 / 1997) — Scott A. Wyatt
Still Life (8:00 / 1991) — Michael Schell
for prepared autoharp and live electronics
Stimmung (35:36) — Karlheinz Stockhausen
Stimulus à Goad (12:00 / 1973) — Otto Joachim
for guitar and synthesizer
Stochastic Quartet (1970) — James Tenney
Stokhastês (15:40 / 1987) — Philippe Moënne-Loccoz
: . . Stoles (9:20 / 1984) — Michelle Boudreau
pour cinq percussionnistes
Stonehenge (12:05 / 1983) — Jean-François Denis
Stones (11:41 / 1987) — Janos Decsenyi
Stone Steps 2 — Bentley Jarvis
Stop (20:31 / 1965) — Karlheinz Stockhausen
Stories (1990) — Matthew Suttor
The Story of Glass (6:04 / 1998) — Philip N. Thomson
Strain (5:20 / 1999) — Christopher Burns
Strange Attractions (7:30 / 1986) — Bruno Degazio
Strangers in the Night (2:56) — E. Snyder, C. Singleton, B. Kaempfert
Stranger than Fiction (13:00 / 1985) — Sean Ferris
Strawberry Sermon (16:00 / 1984) — Andrew Czink
Streams (16:11 / 1999) — Jonty Harrison
Streetmusic (27:00 / 1982) — Hildegard Westerkamp
Stries [2 mouvements] (27:17 / 1983) — Bernard Parmegiani
pour 3 synthétiseurs et bande magnétique
String Mobiles (1983) — Kevin Austin
for string and tape delay
String Quartet for tape alone — Burton Beerman
String Quartet No. 1 (19:40 / 1956) — Otto Joachim
String Quartet No. 2 (1960-64) — Henry Weinberg
String Quartet No. 2 op. 24 — Arthur Digby Kurtz
Strophes I (11:27 / 1983-84) — Robert Coburn
for violin and tape
Structures Sonores — Henri Lazarof
Student Studies from Saratoga — Kevin Austin
Studien fur Elektronische Klange II, I, IV (1959-62) — Josef Anton Riedl
Studies for Plastic Fetus and Guitar (1:52 / 1994) — Frank Koustrup
Study for Voice and Stereo Phasing (0:37 / 1992) — Frank Koustrup
Study No. 1 (3:35) — Andrés Lewin-Richter
Study No. 1 for Player Piano and Tape (1957) — Hugh Le Caine
for Player Piano and Tape
Study No. 2 (6:21 / 1962) — Mario Davidovsky
Stuff: An Assortment of Things Occuring at Particular Times (10:00 / 1986) — Daniel Scheidt
subalqueous (2:41 / 1987) — Robert Vigneault
subaltern (2:23 / 1987) — Robert Vigneault
subconscious (1:49 / 1987) — Robert Vigneault
Subconscious Dwellings Two (in three places) (1989) — Michael Thomas Jackson
subcutaneous (2:41 / 1987) — Robert Vigneault
subdivide (2:49 / 1987) — Robert Vigneault
subduction (2:09 / 1987) — Robert Vigneault
subdue (1:07 / 1987) — Robert Vigneault
subheading (1:38 / 1987) — Robert Vigneault
subhuman (1:03 / 1987) — Robert Vigneault
subject (2:15 / 1987) — Robert Vigneault
subjugate (2:12 / 1987) — Robert Vigneault
sublimate (1:28 / 1987) — Robert Vigneault
Sublime (3:06 / 1991-92) — Robert Ablenas
subliminal (1:27 / 1987) — Robert Vigneault
[ Submerged ] (10:05 / 1989) — Michael Cassells
submit (2:01 / 1987) — Robert Vigneault
subnormal (2:34 / 1987) — Robert Vigneault
suborn (1:28 / 1987) — Robert Vigneault
sub -prefix (0:19 / 1987) — Robert Vigneault
subreption (1:58 / 1987) — Robert Vigneault
subserve (2:33 / 1987) — Robert Vigneault
subside (2:04 / 1987) — Robert Vigneault
subsist (2:35 / 1987) — Robert Vigneault
subsoil (2:07 / 1987) — Robert Vigneault
subsonic (3:01 / 1987) — Robert Vigneault
substance (2:37 / 1987) — Robert Vigneault
Substances Mémorielles (30:00) — Pierre Dostie
substitute (0:39 / 1987) — Robert Vigneault
subterfuge (2:27 / 1987) — Robert Vigneault
subterranean (1:49 / 1987) — Robert Vigneault
subtle (2:02 / 1987) — Robert Vigneault
subvert (2:33 / 1987) — Robert Vigneault
subway (2:13 / 1987) — Robert Vigneault
Suddenly… we found ourselves Alone (One is split in two) (21:30 / 1984) — Stephen Fai
Suite (12:30 / 1982) — László Dubrovay
Suite Fnacque — Philippe Ménard
Suite for Toy Piano no. 5 — John Cage [arr. Jacques Rémus, Pascal Serve]
Suite From Anna Magdalena Notebook (1973) — Johann Sebastian Bach [arr. Wendy Carlos]
Suite from “Pathways from the Dream Spell Series” (16:35 / 1987) — Charles Bestor
Suite No. 1 from “The Songs a Metal Child Would Sing” (1984) — Keith Daniel
Suite No. 2 from “The Songs a Metal Child Would Sing” (1984) — Keith Daniel
Suite pour Contrebasse seule — Marcel Bitsch
Suite pour violoncelle et bande (22:40 / 1986) — Pierre-Alain Jaffrennou
pour violoncelle et bande
1. Clair et obscur (6:30)
2. Animé (9:40)
3. Désert (6:30)
Suite Quatorze (9:15) — Pierre Schaeffer
Summer (1972) — Wendy Carlos
Summer Solstice Splendiferousness (284:00) — Kevin Austin, David G. Lindsay
Summer Sun (7:15 / 1986) — Chris Meloche
Sundance (12:56) — J. Peter Allen
Sundance III (13:10) — J. Peter Allen
Sunflower Space (10:31) — Diane Thome
Sunk deep in the night (9:00 / 1988) — Tom Williams
Sunset over HP (4:59) — Simon Running
Sun Surge (5:04 / 1997) — Carla Scaletti
Superior Mother (10:00) — Bentley Jarvis
Supermarket Music!!! (1987) — Robert Osler
Sur Deux Îles de K.B. (4:35 / 1989) — Denis L’Espérance
Surfaces (20:15 / 1994-95) — Frank Koustrup, Abigail Amies
Surfaces II (13:14 / 1982) — Harry Kirschner
Surfacing (13:36 / 2003) — Annie Mahtani
The Suspended Triangle (15:00) — Sean Ferris
Suspicious (8:00 / 1978) — Daniel Feist
for voice, concrete sound and tape
Susurrus For Two-Channel Tape (4:38 / 1978) — Robin Julian Heifetz
Sveln — Myke Roy
Svelt (12:30 / 1988) — André Ruschkowski
Svit för Kvartonspiano, Op. 11 (6:30) — Alois Hába
Swansong (1970) — John Robinson Pierce
Sway (6:35 / 1986) — Chris Meloche
The Sweet Dreams of Miss Pamela Beach (11:30 / 1981) — Jon H. Appleton
Swept Away (12:00 / 1987) — Chris Meloche, Brian Lambert
Swimming in the Radiophonic Ether (9:29) — Wayne Morris
swirlstorm (part II of “triptych”) (3:45 / 1985) — Chris Wind
Switched Off… (1990) — Marek Choloniewski, Krzysztof Knittel
for instruments and computers
Switched on… (1990) — Marek Choloniewski
for objects and computers
The Sydsing Camklang (6:45 / 1976) — Jon H. Appleton
Sylvano Bussotti: Coeur Pour Batteur - Positively Yes (10:11 / 1965) — Max Neuhaus
Symphonia (24:15 / 1985) — László Dubrovay
Symphonie au bord d’un paysage — Jacques Lejeune
Symphonie pour un Homme Seul (1949-50) — Pierre Henry, Pierre Schaeffer
Symphony No. 1 (1:07) — Gary Martin
Symposium (9:00 / 1985) — Keith Hamel
for percussion and tape
Synapse Valentine (18:21) — Jacob Druckman
Syncadence (4:54 / 1985) — Tim J. Lawrence
Syncadence (1985) — Tim J. Lawrence
Mouvement de Illuminations
Syneidesis IV (10:32 / 1987) — Elma Miller
for bassoon and DEP-5 processor
Synprov (for JA) (10:00 / 1983) — John Oliver
Synthesis 3 (6:11 / 1987) — Lloyd Reschke
Synthesism (4:35) — Barry Vercoe
Synthesizer Variations (1978) — Mel Powell
Synthétiseur Additif FDSSStudio Cassette de Démonstration (1988) — Gerard Jones
Syntrophia (9:02 / 1977) — Jon H. Appleton
Syrinx — Ann McMillan
System of Judgement (60:00 / 1988) — David Rosenboom