CEC
Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Œuvres » Œuvres par titre » E
- E 15 (11:50 / 1974) — Peter Kolman
- EA concerts 1990-1991 — VA
- Eagles (1977) — Kevin Austin
- Eärendil — Mark Schultz
for flute and tape - Earle Brown: Four Systems for Four Amplified Cymbals (5:05 / 1964) — Max Neuhaus
- Early one Friday… (6:05 / 1981) — John Wells
- Earth Ascending (16:30 / 2000) — Elainie Lillios
- Earth Haze (13:54 / 1996) — Natasha L. Barrett
- The Earth is the Circle which is the Measure of All (8:30 / 1988) — Robert Keefe
- Earthlight (1985) — Tim J. Lawrence
- Earthlight [= «Illuminations»] (11:23 / 1985) — Tim J. Lawrence
- Earthlight [=
«Revelation»] (1985) — Tim J.
Lawrence
Mouvement de Illuminations - Earthspheres (14:45 / 1987) — Erik Larson
- Earthy Delights (1984) — Kevin
Austin, Doris May
for tape and slides - East Wind (10:55 / 1981) — Barry D.
Truax
amplified recorder and 4 soundtracks - Easus Belli (1:54) — Unknown / Inconnu
- L’eau Imposture (13:28) — Chantal Dumas
- Eceon Elektro (1988) — Andrew
Horka
pour flûte et bande - Échantillonage (1981) — R. Megalaz
- L’Échapee (5:50) — Monique Jean
- Echos (8:30) — Beatriz Ferreyra
- Echos from the Past (1987) — Michael J. Torello
- Echo Test Over You (0:58 / 2009) — Frank Koustrup
- Eclipse (11:30) — Albert Wong
- Eclogue for an
Alpine Meadow (1985) — Claude
Schryer
pour clarinette basse, trombone, vallée - L’Éclosion (4:00 / 1954) — Otto Joachim
- ECM2 (4:30 / 1985) — Johnny Analog
- Écologie Sonore — Sylvain Paré
- Ecstacy on a Fugal Entertainment (1971) — Alexander Tilley
- Ecuatorial (11:05 / 1968) — Edgard Varèse
- Ego Sum (7:50 / 1995) — Michael Norris
- eidesis III [1971-II] (13:40 / 1971) — alcides lanza
for orchestra and tape, with lights [possible with two conductors] - Eight Step
Minuet (The No More Blues Daniel Waltz) (10:28 / 1983) — Daniel Feist
for Casio, modular synthesizer and (guitar) - Eight-Tone Canon — John Robinson Pierce
- Eikasia (12:15 / 1999) — Hans Tutschku
- Eine Alpensymphonie (1992) — Dieter Kaufman
- Ein Tropfen Mondgestein (7:18 / 1989-91) — Thomas Gerwin
- ekphonesis IV [1971-III] (14:41 / 1971) — alcides lanza
electronic music, with optional instrumental drone, slides - ekphonesis V [1979-I] (15:31 / 1979) — alcides lanza
Mouvement 1 de «La Trilogie»
for voice and tape - ekphonesis VI [1988-I] (25:23 / 1988) — alcides lanza
Mouvement 3 de «La Trilogie»
for voice and tape - Élan B (14:00 / 1988) — John A.
Celona
électroacoustque en direct - Elasticity (8:45 / 1986) — Robert MacNevin
- Electic (1988) —
Michael J. Torello
for electric/acoustic accordion and computer - Electric
Waves (12:07 / 1988) — Tim Brady
for electric guitar, DDL and harmonium - Electroacoustic History, Tape 10: Dhomont, Calon, Denis — Ned Bouhalassa
- Electroacoustic History, Tape 11: Normandeau, Pennycook, Mattes — Ned Bouhalassa
- Electroacoustic History, Tape 1: LeCaine, Ciamaga, Young, Montgomery — Ned Bouhalassa
- Electroacoustic History, Tape 2: Montgomery, Anhalt, Joachim — Ned Bouhalassa
- Electroacoustic History, Tape 3: Austin, Truax, Prevost — Ned Bouhalassa
- Electroacoustic History, Tape 4: Dolden, Celona, Barroso — Ned Bouhalassa
- Electroacoustic History, Tape 5: Westerkamp, Frykberg, Steenhusien, Hamel — Ned Bouhalassa
- Electroacoustic History, Tape 6: Jarvis, Scheidt, Degazio, Allik, Keane — Ned Bouhalassa
- Electroacoustic History, Tape 7: Keane (Pt. 2), Lake, Jaeger, Smith — Ned Bouhalassa
- Electroacoustic History, Tape 8: Bartley, Schryer, Piché — Ned Bouhalassa
- Electroacoustic History, Tape 9: de Mestral, Daoust — Ned Bouhalassa
- Electroacoustic Pieces No. 1 (3:51 / 1984) — Chris Wind
- Electroacoustic Pieces No. 2 (2:51 / 1986) — Chris Wind
- Electronic Composition (5:25 / 1973, rev. 2004) — Maurice Wright
- Electronic Composition No. 2 ("Sine Nomine II") (8:45 / 1959) — István Anhalt
- Electronic Composition No. 3 "Birds & Bells" (11:00 / 1960) — István Anhalt
- Electronic Composition No. 4 ("On the Beach") (12:40 / 1961) — István Anhalt
- Electronic Impulses (1965) — Boris Blacher
- "Electronic
Media: The Fine Line Between Noise and Information" (118:00 / 1990) — Chris Meloche, Brian Hannigan
Meloche: Narration, electronic sounds, media collages, live mix & engineering. Brian Hannigan: Narration, clips & blips. - Electronic Music (1974) — MetaMusic
- Electronic Music No. 1 (6:21 / 1960) — Bulent Arel
- Electronic Purgatory — Kristi Allik, Robert Mulder
- Electronics (17:32) — Remi Gassman
- Electronic Study No. 1 — Mario Davidovsky
- Electronic Suite from Moon-Whales and Other Moon Songs (20:40 / 1983) — Barry Schrader
- Electronic Zen Garden (14:47) — Kristi Allik, Bentley Jarvis
- Electroplating (3:30 / 1993) — Doug Carroll, Tom Nunn
- Electropoème (6:00 / 1967) — Léo Küpper, Exequiel Virasoro
- Electryptique (35:00 / 1986) — Charles M. Wilson
- Elegia for a Dying Hero (1980) — Frederico Richter
- Elegy for
Double Bass and Tape Recorder — David R.
Keane
for double bass, tape recorder - Elektronikus Mozaik (10:45 / 1984) — David R. Keane
- Elemental… (12:00 / 1973) — John Wells
- Elements (35:24 / 1979) — Mychael Danna
- Elevator Music (3:00 / 1994) — Steve Heimbecker
- Elim-rue-Kobah (4:00 / 1997) — Ray Watts
- Eliptosonics (13:00 / 1979) — Diana McIntosh
- Elizabethan Love Song (0:46) — Gary Martin
- Ella (She) (15:21 / 1985) — Juan Blanco
- Elle eleveille l'alarme (1984) — Alain Vaugier
- Ellipse / Ici-Même — Jean Routhier
- E.L.V.I.S. (Électro-lux, vertige illimité synthétique) (15:00 / 1984) — Alain Thibault
- Embryonic Climactus (6:55 / 1989) — Elizabeth F. Hayden Pizer
- Emerald Soft (11:03 / 1986) — John A. Celona
- Emerald Soft (11:12 / 1987) — Salvador E. Ferreras
- Emergence (7:22 / 1976) — Russell Pinkston
- The Emergence (of us all) (1987) — Robert Osler
- Emersion. Nage
libre et enjouée (7:02) — Pierre-Alain
Jaffrennou
Mouvement 2 de Océane… ou Troisième passage de la baleine - eMotion (2002) — Jon Welstead
- Enclave (10:50 / 1993) — Laurie Radford
- Enclaves Intérieures — Paul B.A. Steenhuisen
- L'enclume des forces (12:45 / 1971) — Léo Küpper, Exequiel Virasoro
- En concert, 11 improvisations, No. 1 (3:10 / 1994) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 10 (3:20 / 1992) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 11 (6:00 / 1993) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 2 (6:40 / 1993) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 3 (5:35 / 1994) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11
improvisations, No. 4 (6:35 / 1993) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
Jean-François Jenny-Clarck (contrebasse), Patrick Scheyder (piano) - En concert, 11 improvisations, No. 5 (3:10 / 1993) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 6 (4:40 / 1992) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 7 (8:00 / 1992) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 8 (2:45 / 1993) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En concert, 11 improvisations, No. 9 (5:40 / 1994) — Bernard Donzel-Gargand, Peter Ehrnrooth, Philippe Moënne-Loccoz
- En
couleur (22:00 / 1987) — CECG/GEC
for electroacoustic ensemble - Encounter (5:00) — Ka Nin Chan
- The End… And Beyond (20:00) — David Reilly
- Endangered Species (Clones of Dr. Loopenstein) (8:07 / 2004) — Samuel Pluta
- Endgame (12:58) — Chris Meloche
- The End of the Wharf (14:00 / 1987) — Brent Holland
- Energizer (0:28) — Peter Jarvis
- En Febrero
Mueren Las Flores (1987) — Sergio
Barroso
for violin and tape - Engine (3:00 / 1992) — Steve Heimbecker
- Enlarged Sounds (12:00 / 1985) — Albert Wong
- Ensembles for Music Computer (8:12 / 1987) — David Congo
- En Train Un (12:12 / 1985) — Jill Bedoukian
- Entre deux eaux (0:51) — Unknown / Inconnu
- Entretiens avec Marcelle Deschênes (1987) — Kevin Austin, Roxane du Berger
- Entre-vu (24:00 / 1986) — Jean-François Denis, Gilles Corbeil
pour multi-images et bande tétraphonique - Entropie,
agglutination, genèse (15:00 / 1988) — Denis Saindon
pour marimba MIDI, clavier MIDI et saxophone MIDI - Entropy (40:00 / 1974) — MetaMusic
- Entwicklung einer stimme (7:25 / 1977) — Peter Castine
- Environmental Disorder (28:30 / 1985) — Robert Burns
- Environs De La Cite (4:26) — Frédéric Roverselli
- Eolia (11:20 / 2002) — Sebastián Castagna
- E P A E — Charles de Mestral, Pierre Dostie
- Les èphèmères — Knud Viktor
- Episode — Ann McMillan
- Epitaffio (9:50) — Arne Nordheim
- Epitaph for Nicolaus Copernicus (19:20 / 1973) — Roman Berger
- Eqivoque (5:00 / 1985) — Christos
Hatzis
for accordion & two computer-controlled synthesizers; accordion: Joseph Petric - … erinnerung… (10:10 / 1996) — Hans Tutschku
- Erosphère : La Fin du Bruit / Eros Noir / Eros Rouge / Toupie dans le Ciel / Eros Bleu — François Bayle
- Erotic Ratbag — John Wells
- Erstarrung (15:00 / 1984) — Rodney Sharman
- ES 1 (2:00 / 1969) — John Fodi
- ES 2 (4:00 / 1970) — John Fodi
- ES 3 (3:30 / 1971) — John Fodi
- Escalier de Service (1988) — Philippe Blanchard
- The Escape (7:30 / 1983) — George Danova
- Escarpment (9:15 / 1984) — Bob Pritchard
- Escena 28 (8:04) — Juan Reyes
- Escrita… Al Borde Del Mar (11:00 / 2001) — Jorge Sad
- Espace clos 1 (8:19 / 2005) — Joda Clément
- Espaces inhabitables (18:00 / 1968) — François Bayle
- Espacios De Tiempo (9:15) — Ana María Romano Gomez
- Espacios II (8:00 /
1983) — Juan Blanco
for guitar and tape - España (6:17) — Emmanuel Chabrier [arr. Andrew Kazdin, Thomas Z. Shepard]
- Esplamouche (7:00 / 1986) — Guy Isabelle
- Espoirs et illusions d'une société rugueuse (30:00 / 1979) — R. Dominique Bassal
- Esta Casa o el Oceano (10:50) — Gerardo Dirié
- Ester (6:31) — Jean-Louis Belmonte
- L’Estran (20:00 / 1995) — Christian Eloy
- Estudio Sobre Ritmo Y Espacio (1:03 / 1982) — Ricardo Dal Farra
for concrète sound with real-time computer processing - Estudio Sombre Una Configuración Fractal (12:18) — Daniel Eimbaldo
- Etapper (14:30 / 1988) — Cecilie Ore
- Ethanol by the Liver (8:53 / 1985) — Jean-Robert Bisaillon
- Ether (12:30) — Elizabeth Anderson
- Et in Arcadia Ego… (1986 No. 1) (1986) — Larry Kucharz
- … et lisser son visage comme au fil du temps… (53:07 / 1985) — Claude Frenette
- …et lisser son visage comme au fil du temps… : 2e partie (23:00 / 1985) — Claude Frenette
- Étoile exigue (11:00) — Pierre Dostie
- E T Picture Show (Escape II) (5:20 / 1984) — George Danova
- Étroits sont les vaisseaux (46:18 / 1981) — Xavier Garcia
- Etude (10:15 / 1984) — Barry D. Truax
- Etude aux Allures (3:45) — Pierre Schaeffer
- Étude aux Objets (16:40) — Pierre Schaeffer
- Etude aux Sons Animes (4:15) — Pierre Schaeffer
- Étude d'attaques et de résonnances (4:00 / 1983) — A. Jacques Coutu
- Etude de Bruits (12:25) — Pierre Schaeffer
- Étude de comportement et d’expression mélodique (6:00 / 1984) — A. Jacques Coutu
- Etude de Matière, d'Espace de Rythme (13:45) — Jacques Lejeune
- Étude
électroacoustique (1984) — Jean R.
Séguin, Jacques Mayrand
for bass and electronics - Etude (Gyakorlat) (1:15) — Ch. Mayer [arr. Jacques Rémus, Pascal Serve]
- EuCuE 14 No. 12 — VA
- Eulogy (1:04) — Gary Martin
- Evening (3:04) — Barry D.
Truax
Mouvement 3 de Song of Songs - Evening
Music (7:45 / 1984) — Jan
Jarvlepp
for Carillon - The Everlasting
Voices (9:00) — Ka Nin Chan
for horn and tape - Everyone's Talking at Once (11:35 / 1981) — David G. Lindsay
- Exercice I — Jean Routhier
- Exercise I — Unknown / Inconnu
- exercise I [1965-V] (8:45 / 1965, rev. 1969) — alcides lanza
- Exhibition Tour — Andrew Culver
- Exil, chant II (22:35 / 1983) — Annette Vande Gorne
- The Exile (1987) — Robert Osler
- Exit Music II: Fat Millie’s
Lament (4:34 / 1965) — Kenneth
Gaburo
for concrète & electronic sounds - Exit Music I: The Wasting of
Lucrecetzia (3:43 / 1964) — Kenneth
Gaburo
for concrète & electronic sounds - Exocet — A. Basso
- Exoteric Trauma (14:04 / 1989) — Wes R.D. Wraggett
- The Expansion
of an Infinitely Large Point (JamesText III) (1983) — Kevin Austin
for live and processing - Exposiciónes (for Sampled Microtonal Schoenhut Toy Piano) — Andrián Pertout
- Expression (11:30 / 2006) — Andre Bartetzki
- Expression d'un rêve (14:41 / 1983) — Jean-François Denis
- Extensions (1985) — George
Arasimowicz
for flute and extensions - Extensions II (10:00) — Chris Meloche
- Extensions III (10:00) — Chris Meloche
- Extensions IV (10:00) — Chris Meloche
- Extra Echo (3:13 / 1985) — Steven Slater
- extrémités lointaines (16:00 / 1998) — Hans Tutschku
- Eyeless in Wonderland (5:45 / 1987) — Chris Meloche