CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

Œuvres » Œuvres par titre » C

Œuvres

Le Cacanome (14:08 / 1978) — R. Dominique Bassal
Café-Rencontre 7e Printemps 20 Oct. 1992 (1992) — VA
Café-rencontre à l'Espace ACREQ Ake Parmerud 1992/09/30 (1992) — Åke Parmerud
Cage de Fer (2:08 / 1986) — René Lussier, Fred Frith
Cage de Verre (3:38 / 1986) — René Lussier, Fred Frith
Cain and Abel — Henk Badings
Cairu — Gabriel Poulard
Calling Deer Lake 1 (2:26 / 1987) — Frank Koustrup
Calling Deer Lake 2 (2:28 / 1987) — Frank Koustrup
Cambrian Sea (6:18 / 1968) — Peter Klausmeyer
Camille Claudel suivi du Bali — Ginette Bertrand
Mouvement 3 de L’ombre d’un doute
Caniapiscau (7:30 / 1991) — Emmanuel Madan
Canon (12:29) — Alfred Janson
CANON (10:30 / 1983) — David R. Keane
for stereo tape and 35mm slide projection
Cantametamorphoses (2:41) — F. Monneret
Canto (17:05 / 1985) — Andrew Czink
for voice and tape
Canzona (16:00 / 1988) — Sergio Barroso
Caravan of Lights (Tabla-ture) (5:13 / 1987) — John Loughrey
Careless Four (1996) — Jørgen Teller
Careless Love (3:35 / 1970) — Unknown / Inconnu [arr. Rick Powell]
for Moog synthesizer
Careless Nine (1996) — Jørgen Teller
Careless One (1996) — Jørgen Teller
Carillon Choral (10:45) — Ivo Malec
Carmen: Prelude To Act I; Habanera; Introduction To Act I (5:30) — Georges Bizet [arr. Andrew Kazdin, Thomas Z. Shepard]
Carnaval (1984) — Yves Daoust
The Carnelian Sea (13:30 / 1996) — Sue McGowan
Carousel — Daughter of Icelmu (33:00 / 1974) — MetaMusic
Carousel of the Planets (2:39) — Gershon Kingsley
Carrière Miron (5:25 / 1992) — VA
/cartas/rs95.car (4:25) — Aluízio Arcela
Cascade (11:40) — Michael Cassells
La cascade enchantée (1982) — David R. Keane
Cats (1977) — Kevin Austin, Karin Kloppenburg
Cats (4:55 / 1988) — Robert Wood, Bill Cramer, Dan Cramer
Cattle Call (2:35 / 1970) — Unknown / Inconnu [arr. Rick Powell]
for Moog synthesizer
Cauchemar (1994) — Olivier Cussac
Caught in an Octagon of Unaccustomed Light (15:56 / 1987-88) — Paul Dolden
Cavelands (16:00) — David Reilly
CCCP (In Memoriam: Anatoly Kuznetsov) (5:16 / 1969) — Jon H. Appleton
CCMC in concert, 1990/12/12 (1990) — John Kamevaar, Al Mattes, Paul Dutton, Michael Snow
CCMN >>PERSPECTIVES>> Discussion Tape No. 10 06/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 1 04/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 2 04/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 3 04/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 4 04/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 5 05/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 6 05/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 7 05/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 8 05/06/1991 (1993) — VA
CCMN >>PERSPECTIVES>> Discussion Tape No. 9 06/06/1991 (1993) — VA
La Celine (9:30 / 1984) — Linda Catlin Smith
Cello op. 128 (8:33 / 1980) — Eric Nordgren
Cento (1966-67) — István Anhalt
Cento (Cantata Urbana) (11:20 / 1967) — István Anhalt
Central Station Bombing (1985) — Unknown / Inconnu
Centre-élan — Gilles Tremblay
Centrifuge (3:36) — Normand Gendron
Cercle des rythmes vitaux (15:22) — Ondrej Adamek
Certaines resp… (2:15) — Dominique Petitgand
Cess Pit — John Wells
Ce temps retors (12:00 / 1986) — Claude Frenette
pour synthétiseurs numériques pilotés par ordinateur
Cetus — rough mix (600:00 / 1997) — David G. Lindsay
Ceylon — Karlheinz Stockhausen
La chambre blanche (25:00 / 1986) — Robert Normandeau
Changes (15:44) — Charles Dodge
Changes (3:10 / 1987) — Tim Emerson
for 2 bassoons, guitar, bass, piano
Chanson Nocturne (8:30) — Iván Patachich
Chanson Nocturne du Poisson (9:25) — Ivan Datachich
Le Chant des harmoniques (1989) — Hugo Zemp, Tran Quang Hai
Le chant des sirènes (6:45) — Jean-Louis Belmonte
Le chant d'Hu/Ba/Re (8:00 / 1979) — Bernard Donzel-Gargand
Chant Magnétique (12:03) — Marc Patch
Chants de Maldoror (1965-66) — Rainer Riehn
Chaos Metamorphosis (6:37) — Arcangel Castillo-Oliveri
El Charleston (1:25) — Traditional
Charly (8:30 / 1984) — Ricardo Mandolini
Charnière - Langage oublié/Langage magique (2:20 / 1988) — Michelle Boudreau
Cheer Up (2:40 / 1985) — Andrew (Andy) Dowden
Cheer Up (2:33 / 1985) — Andrew (Andy) Dowden
Chef d’œuvre (2:56 / 1967) — Jon H. Appleton
Les chemins vers le plus haut amour (18:45 / 1985) — Philippe Jubard
Chew Fruit (1996) — Jørgen Teller
Chiaroscuro… ou les jeux de l’ambiguïté (17:38 / 1987) — Francis Dhomont
Chien d'or (8:00 / 1987) — Guy Pelletier
Choi-Hung (8:07 / 1996) — Juan Reyes
Choral (1:19) — Robert Schumann [arr. Jacques Rémus, Pascal Serve]
Chorale Prelude "Wachet Auf" (3:37 / 1968) — Johann Sebastian Bach [arr. Wendy Carlos]
for Moog synthesizer
Choral no 1: Réveillez-vous… (5:43) — Johann Sebastian Bach [arr. Jacques Rémus, Pascal Serve]
Chorus, Sferics, Tweeks & Whistlers (1992) — Stephen P. McGreevy
les choses (11:02 / 1994) — Jocelyn Robert
Christmas 1987 (2:45 / 1987) — Frank Koustrup
Chromatism (12:30 / 1992) — Francesco Giomi
six studies for tape
Chromemusic IV — Norman Weston
Chroniques (12:10 / 1988) — Bernard Donzel-Gargand
Chronophagie 1 — Jacques Lasry
Chronophagie 2 — Jacques Lasry
Chuckie Prophecy — Devon Haughton, Clifton Joseph
Chute/Parachute (12:30 / 1989) — Michel Gonneville
pour piano et bande
Cinco Gestos (9:14) — Mauricio Bejarano
Cinemondes (1994) — Olivier Cussac
Cinq Minutes Avant L'aube (5:00) — Pascal Liguoro
Cinq pivoines blanches dans un vase (25:43 / 1985) — Marc Lauras
Cinque Variazioni — Luciano Berio
Circles — Luciano Berio
Circular Song (7:41 / 1975) — Joan La Barbara
Circumnavigating the Sea of Shit (3:00) — Paul B.A. Steenhuisen
City of London — John Wells
Clair et obscur (6:30) — Pierre-Alain Jaffrennou
Mouvement 1 de Suite pour violoncelle et bande
Clamorous Guitars Part 1 (5:17 / 2005) — David Neil Campbell
Clamorous Guitars Part 2 (4:43 / 2006) — David Neil Campbell
Click (Off Beat program tape) (1974) — MetaMusic
Clipperfix—Super song (1983) — Joshua Bedoukian, Tabitha Bedoukian
Clique (8:00 / 1999) — Christopher R. Morgan
Clock Farm (1972) — Richard Orton
Clocks cannot tell our time of mind (1980) — Kevin Austin
[ Clocks of the World ] (8:00 / 1988) — Brent Lee
for harpsichord, electric guitar, bassoon and tape
Clones (7:40 / 1986) — Ricardo Dal Farra, Arturo Gervasoni
for electroacoustic processors (Dal Farra) and guitar (Arturo Gervasoni)
Close in Distant Cold Light (29:41 / 2001) — David Berezan
Closer (15:05 / 1992) — Darren Copeland
Closer to the Distance (in four movements) (1989) — Michael Thomas Jackson
Cloud Chamber — Jeffrey Hass, Hass-Argersinger
Cloud of Forgetting (12:00 / 1995-96) — John Levack Drever
Cloud Types for Auditors (13:14 / 2004) — Fergal Dowling
Clown (1994) — Steven Naylor
Club des solitaires (2:55 / 1992) — André Duchesne
Coco le Huajolote Prend un Bain — Jean Routhier
COdeOsC (4:48 / 2006) — James Hegarty
Coeur/pique (3:03 / 1992) — Kathy Kennedy, Zeena Parkins, Danielle P. Roger, Joane Hétu, Claire Marchand
Cognitive Dissonance (11:00 / 2004) — Christopher R. Morgan
Cold Light (11:53 / 2001) — David Berezan
Cold Sweat in the Night — Robert Michael Schertzer
Collage (5:37 / 1980) — David Congo
Collassi (1983) — Albert Mayr
Colony V (8:30 / 1982) — Bill Schottstaedt
Colorful Darkness (4:02 / 1985) — Philip Pilgrim (Sebastapol)
Colors (1987) — Peter Bosch, Simone Simons
Color Studies for Contrabass — Jon Deak
Colour In Motion (3:34 / 1986) — Darren Copeland, Emeric Dowarth
Come Out (12:58) — Steve Reich
Cometose (27:00 / 1986) — Kristi Allik
for tape and multi-image (Images: Robert Mulder)
Comings and Goings (1988) — Roger Doyle
La Comparsa (1969) — E. Lecuona [arr. Richard Hayman]
for Moog synthesizer
Compgenmusic II (3:57 / 1985) — David Congo
[ The Complicated Art of Solar War ] (12:00 / 1989) — Michael Bussière
Composicion 1999 — Dante Grela
[ Composing ] (33:00 / 1988) — Hildegard Westerkamp
pour voix mixtes
Composition for Synthesizer — Milton Babbitt
Composition Seminar (Reel II of II) (1971) — Kevin Austin
Composition Seminar (Reel I of II) (1971) — Kevin Austin
«Compositions pour groupes (Side A) / Musique électroacoustique (Side B)» — Marie-Claude de Chevigny
Compost Sonore (9:35 / 1990) — Michel Tétreault
Compression Ices ’72 (1972) — Martin Gellhorn
Computer Cantata (1963) — Lejaren Hiller, Robert Baker
Computer Suite from "Little Boy" (1970) — Jean-Claude Risset
Concept 2018957 — Louis Dufort
Concerning The Amorphous Isle (5:40 / 1985) — Chris Meloche
Concertante No.1 (13:55 / 1955-57) — Otto Joachim
Concerto des ambiguites (1950) — Pierre Henry
Concerto for Cello, Tape and Orchestra (1974) — Meyer Kupferman
Concerto for Pianos, Percussion, & Audience (1968) — Sergio Barroso
Concerto for Violin with Percussion Orchestra — Lou Harrison
Concerto Grosso I (15:00 / 1974) — Ted Dawson
Concerto in Three Movements for Piano and Tape — Tom Ingoldsby
Concert Piece for Syn-Ket & Symphony Orchestra (13:20 / 1967) — John Eaton
for Syn-Ket and orchestra
Concrete People (1986) — John Fekner
Condensations (8:45 / 2001) — Jan Jacob Hofmann
Conférences / Concerts - 6, 13, 20 juin (R. Murray Schafer, Gilles Tremblay, Hildegard Westerkamp) (6:10 / 1992) — VA
Confortare (8:00 / 1991-92) — Robert Ablenas
La Connaissance — Ginette Bertrand
Mouvement 15 de L’ombre d’un doute
Consecuenza op. 17 fur Soloposaune (1966) — Carlos Roque Alsina
Constellation I (19:00 / 1981) — Micheline Coulombe Saint-Marcoux
La Construction du temple — Ginette Bertrand
Mouvement 7 de L’ombre d’un doute
cont — Knud Viktor
Contact! (9:23 / 1989) — Brent Holland
Conte-a-nino (10:00 / 1984) — Philippe Ménard
Contemplation II (5:37 / 1987) — Lloyd Reschke
Conte sous la lune (15:20) — Marc Tremblay
Continental Rift — Randall A. Smith
Continuo (8:00) — Bruno Maderna
The Continuous Present (3:00 / 1993) — Tim Dallett, Diptee Rahman, Loris Ognibene, Ben Hong
’contrepoint’ de ’farewell to farwathie’ (1987) — Claude Lavigne
’contrepoint’ de ’Gene’s Song’ (1987) — Claude Lavigne
Control (1991) — Myra Davies, Gudrun Gut
>convergence< 1 (en français) (1989) — Chantal Dumas
>convergence< 2 (en français) (60:05 / 1989) — Robert Normandeau
>convergence< 3 (in English) (58:28 / 1989) — David Olds
>convergence< 4 (in English) (118:28 / 1989) — Hildegard Westerkamp
Conversation avec R. Murray Schafer (1991) — R. Murray Schafer
Conversation (Interview) 19/06/1986 (1986) — Hildegard Westerkamp
Conversations (6:18) — Robert Osler
Conversation with John Cage — A Work Untitled In Advance (12:00 / 1987) — John Free
Coral Island (1962) — Toru Takemitsu
El Corazon (9:32 / 1985) — Marie-Claude de Chevigny
Cordes de nuit (8:00 / 1986) — John A. Celona
Corps Gras (3:55) — Jean-Jacques Palix
Cortez — Ingram Marshall
El Cortezza (1:06) — Gary Martin
Cosmological Impressions (1984) — Wendy Carlos
CounterBlast (9:21 / 1989-90) — Randall A. Smith
Counterklok (2:35 / 1993) — Doug Carroll, Tom Nunn
Coyote I: Digital manipulations and re-presentations of a sampling of a natural sound source (5:08) — R.J. Fleck
Coyote I: for Viola Solo (5:10) — R.J. Fleck
James Negyesy, viola
CPR (1980) — Denis L’Espérance
Crash (35:03) — Bruno Degazio
Creati (4:35 / 1985) — George Todd
Creation - Prologue — Vladimir Ussachevsky
Creatures of the Ice (4:46 / 2006) — Eldad Tsabary
Cricket Voice (10:55 / 1987) — Hildegard Westerkamp
Cristaux liquides (9:16) — Mario Rodrigue
Croma (6:02) — Jean-Louis Belmonte
Crossing The Borders of Consciousness (21:41) — John Toulmin
Crow’s Bicycle Ride (5:45) — Gregory Jay Lowe
Cruor (11:00) — Daniel Boucher
Crusade — David G. Lindsay
Crux (11:15 / 1987) — Michel Tétreault
pour installation et bande tétraphonique
Crux (version en direct) (11:15 / 1988) — Michel Tétreault
électroacoustque en direct
Crystal Ball (1970) — Kevin Austin
The Crystal Dream (1989) — Tim Emerson
crystalsphere (part III of “triptych”) (2:55 / 1985) — Chris Wind
Cuban Lawyer, Juan Blanco, Variation 11: Kennedy Center Combination of Variations (6:41 / 2001) — Vivian Adelberg Rudow
Cuban Lawyer, Juan Blanco, Variation 1: Musician (0:42 / 2000) — Vivian Adelberg Rudow
Cuban Lawyer, Juan Blanco, Variation 2: Preparing for an electroacoustic music festival (0:58 / 2000) — Vivian Adelberg Rudow
Cuban Lawyer, Juan Blanco, Variation 3: Never More A Lawyer (1:25 / 2000) — Vivian Adelberg Rudow
Cuban Lawyer, Juan Blanco, Variation 9: Never Ever Abandon Love Of Music (0:13 / 2000) — Vivian Adelberg Rudow
The Cube (6:39) — Peter Jarvis
Cultivar (2:24 / 1991-92) — Robert Ablenas
Cumulos — Gabriel Valverde
Cœur Pour Batteur — Positively Yes (10:11) — Sylvano Bussotti
for electronics and percussion
Current Directions in Computer Music Research — VA
Curtain Music (1988) — Roger Doyle
Curtain Music (Side A) (1988) — Roger Doyle
Cutie Grey deux (1986) — Kevin Austin
for multiple keyboards, digitally controlled keyboard and tape delay
Cutie Grey d’un (1986) — CECG/GEC
for multiple keyboards, digitally controlled keyboard and tape delay
Cut-Up (1995) — Rémy Carré
Cybernetics III (22:52 / 1969) — Roland Kayn
Le Cycle d'Icarc — Jacques Lejeune
Cycle plus haut — Denis L’Espérance
Cyclone (9:00 / 1983) — José Augusto Mannis
[ Cymbal Simon ] (7:45 / 1989) — John J. Dodge