CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

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Œuvres

Abandoned Lake In Maine — Mara M. Helmuth
A Bit Above (7:46) — Dennis Miller
ABO (11:00 / 1973) — Jon H. Appleton, Don Cherry
Abominable-A (24:20 / 1979-80) — Luigi Ceccarelli
for elaborated reciting voices on magnetic tape and live voices direction
Abracadabra (9:00) — Marc Patch
Abstraction No. 42 (5:30 / 1987) — John Mickel
Abstract Opera No. 1, Opus 43 (1953) — Boris Blacher
Accusation (30:00 / 1987) — Susan Stone
A Certain Place (3:57 / 1985) — Stephen Calder
A Choir of Metal (13:15 / 1983) — Chris Meloche
L’acier bien trempé (1985) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Metal Sonde Structure
A Circle in the Fire (14:00 / 1985) — Amnon Yehuda Wolman
for bass clarinet and tape
Acoustic Viola (1971) — Richard Hunt
ACREQ à CISM (Clair de terre) - 1992/09/28 (1992) — Robert Normandeau, Claude Schryer
ACREQ à Stereoton CINQ FM 21/03/1998 — VA
ACREQ CKLM 1992/09/21 (1992) — Tim Brady, Claude Schryer
ACREQ Conférence de presse 1992/09/22 (1992) — VA
ACREQ Jeune Public et Création Sonore 1992/06/14 - Quartier Italien — VA
ACREQ Radar 1992/09/22 (1992) — Tim Brady, Claude Schryer
ACREQ Reportage sur Jeune public et création sonore — 1992/12/06, 1992/12/13 (1992) — Liette Gauthier, Mario Paquet
ACREQ Réunion sur l'Orientation -3- — VA
Adagio I (7:00 / 1987) — Alan Belkin
Mouvement 2 de Night Labyrinth
Adagio III (13:20 / 1988) — Alan Belkin
Mouvement 6 de Night Labyrinth
Adagio (Samuel Barber) (4:44 / 1987) — Tim Emerson
for 3 bassoons, guitar
A Day in Harry's Life (9:03 / 1986) — Jean-François Chicoine
A Day in the life of Maggila Gorilla (7:05 / 1982) — Martin Van de Ven
Adieu (15:56 / 1966) — Karlheinz Stockhausen
A Digital Eclogue (12:45 / 1986) — Daniel Scheidt, Claude Schryer
pour clarinettes et ordinateur
A Digital Eclogue (5:00 / 1986) — Daniel Scheidt, Claude Schryer
pour clarinettes et ordinateur
A Distant Singing (1981) — Susan Frykberg, James Montgomery
A Dog's Tale (1986) — Daniel Feist
for film (NFB)
Aerial (9:30 / 1979) — Barry D. Truax
solo horn and 4 computer-synthesized soundtracks
Aérosons (14:30 / 1982) — Léo Küpper
Aether (14:00 / 1984) — Bentley Jarvis
A Few Shared Thoughts Among Friends (4:43 / 1987) — Tim Emerson
for 2 guitars, piano, bassoon
Affirmation (9:05 / 1997) — Elizabeth Hinkle-Turner
A Flight Out of Time (8:30 / 1988) — John Free, Bill Gilliam
for live electronics, guitar and tape
A Four Minute Exercise (4:22 / 1988) — Chris Taylor
African Reggae (1979) — Nina Hagen
Africo-rythme (19:10 / 1982) — Jean-François Denis
Afterglow — Paul Koonce
Aftermath (11:00) — Christopher Bailey
Afternoon — Barry D. Truax
Mouvement 2 de Song of Songs
After The Butterfly (18:19) — Morton Subotnick
Again I Have Failed to See Him (1988) — Roger Doyle
Against the Waves — B. Bawasik
Agitato (Ergo Sum) (6:04 / 1990) — John Duesenberry
Agony (9:24 / 1965) — lhan Mimaro lu
Agora Nada (9:18 / 1987) — Carlos Zingaro, Richard Teitelbaum
A Gospel Sermon — Burton Beerman
A Gradual Awakening (36:07 / 1980) — Mychael Danna, Tim Clement
AHIM (5:10 / 1998) — José Matalomi
Ah Love Ah Love (1988) — Roger Doyle
A Horse with Blinders (9:30 / 1985) — Jean-François Denis
pour bande ou en direct : glockenspiels et guitares électriques
Aiby-Aicy-Aidyai (4:30 / 1983) — Diana McIntosh
for toy piano and voice
Ailleurs et Après (1988) — F. Obringer
L’air du temps (9:15 / 1988) — John A. Celona
for MIDI saxophone and tape
Air on a G String (2:27 / 1968) — Johann Sebastian Bach [arr. Wendy Carlos]
for Moog synthesizer
Airwaves (realities) (10:00 / 1987) — Maggi Payne
a.k.a. February 13th (24:33 / 1979) — Al Mattes, Casey Sokol, Michael Snow, Nobuo Kubota
Akimbo (4:59 / 1980) — Barton Smith
a kindred spirit (16:00 / 1985) — Claude Schryer
pour ensemble et bande
a kindred spirit (5:00 / 1985) — Claude Schryer
pour ensemble et bande
Alambic Rhythms (23:00 / 1987) — Kristi Allik
for tape and multi-image (Images: Robert Mulder)
À la recherche du Bukitroq — Jean Routhier
Alarum (8:18 / 1991-92) — Robert Ablenas
Alba Sud (4:30) — Elsa Justel
Aleluia — Frederico Richter
Algo 1 (22:21 / 1993) — Vincenzo P. Menanno
Algo 2 (22:04 / 1993) — Vincenzo P. Menanno
Algonquin Window (1993) — Mike Hovancsek, David Westling
"Algo piece" (1993) — Vincenzo P. Menanno
Algorithms I, Version I (9:15 / 1968) — Lejaren Hiller
Algorithms I, Version IV (9:15 / 1968) — Lejaren Hiller
Alice (8:30 / 1987) — Thomas Gerwin
A Little Suite (1984) — John Winiarz
Alla Barocca, ma non troppo (1:07) — Estelle Lemire
Allal (9:00 / 1988) — Michael Croswell
Allan Expressway Suite (0:54 / 1984) — Martin Van de Ven
Allegro ma non troppo (13:00 / 1994) — Unsuk Chin
Alleluia Mundi (2002) — Giuseppe Rapisarda
Alligator Momentum (1:44 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
All in a Whisper (3:00 / 1996) — Jon Welstead
All in Good Time (9:30 / 1988) — Diana McIntosh
pour piano, voix amplifiée, bruits de bouche et bande
Allo à l’eau (1984) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
«All the Truth at Once» : concrete-combine / analog-anagrams / pieces-parts / particles-practices / mixture-music (1986) — John Wiggins
Allting Runt Omkring (18:00 / 1998) — John Young
All Worked Out Lite Wurk (23:00 / 1986) — CECG/GEC
for electronic keyboards, electric basses, tape and tape delay
Almost Catholic (3:08 / 1988) — Gene Kosowan
Alpages Celestes (1994) — Olivier Cussac
Alptraum (1979) — Nina Hagen
Alterego (1981) — Iván Patachich
for solo percussion & tape
Alterego (1981) — Iván Patachich
for solo percussion & tape
AL-UN (14:45 / 1982) — Michel Tétreault
Always Becoming Somebody Else (9:20 / 1991-92) — Darren Copeland
A Man Who Saw Very Quickly (3:00 / 1988) — James Meneses
A Maze (with Grace) — Thomas Albert
[ Amazones ] (10:00 / 1988) — Pierre Dostie
installation sonore
Amber ’75 — Ann McMillan
Ambience (6:23) — Richard Allan Robinson
Ambi-Schlagfluss (2005) — Joachim Heintz
Ambivalence (10:30 / 1984) — Bernard Donzel-Gargand
… À MIDI, aux réseaux AM/FM (11:30 / 1986) — Michel Tétreault
pour synthétiseurs numériques pilotés par ordinateur et bande
A Mitzvah for the Dead (26:30) — Michael Sahl
Amkéa — Léo Küpper
AMM Group (23:22) — VA
Amnesia (6:32 / 1988) — Darren Copeland, John Marriott
Amorgos (12:39) — François-Bernard Mâche
pour 12 instruments et bande
Amundsen — Karel Odstrcil
anacoluthic catachresic circumlocutions (27:25 / 1987) — CECG/GEC
for electroacoustic ensemble
Anaconda (14:00) — Michael Rosas Cobian
for flute and tape
Anacrusis — Paul Koonce
ANAGENIC (1985) — John Wiggins
Anais (8:50) — Diane Thome
Analisi (10:02 / 1981) — Iván Patachich
for violin and tape
Analisi (10:02 / 1981) — Iván Patachich
for violin and tape
Anamnesis (6:07 / 2005) — Bradley D. Decker
Anaphora II (7:00 / 1971, rev. 1972) — John Rea
for solo piano
Anastasis — John P. Mallia
Ancestros (9:22 / 1986) — Ricardo Dal Farra, Jorge Cumbo
pour quena, quenacho, antara et unités de traitement
Ancien début — Marie Bas
Ancient Music (1982) — Harry Kirschner
… and 8:30 in Newfoundland (9:19 / 1986) — Diana McIntosh
for spoken voice, small percussion & digital delay
… And Even Stone Would Cry (8:04 / 1982) — Vitazoslav Kubicka
And Into Order (5:27 / 1988) — Donovan Reimer
… and nature is alone — Scott A. Wyatt
Androgyny (17:00 / 1978) — Barry D. Truax
4 computer-synthesized soundtracks
And there was the sea (15:13 / 1986) — Sean Ferris
… and with this final breath (5:30) — Chris Meloche
Ange (1979) — Jean Piché
Angelus (16:40 / 1996) — Alejandro Iglesias-Rossi
An Iceman with a Horse with Blinders (13:30 / 1985) — Jean-François Denis
pour bande ou en direct : tambours, glockenspiels et guitares électriques
Animal-Derived Music (1987) — Frank Koustrup, Kevin Curtis-Norcross
Animé (9:40) — Pierre-Alain Jaffrennou
Mouvement 2 de Suite pour violoncelle et bande
Animus 1 (13:00 / 1966) — Jacob Druckman
Animus III (15:39) — Jacob Druckman
Anisotrope (12:40) — Aliocha Van Der Avoort
Annales (8:50 / 1982) — Iván Patachich
Anna’s Magic Garden (1982) — Trevor Wishart
Another Pulse (1985) — CECG/GEC
for keyboards and tape delay
The Answer Which The Court Gives (12:10 / 1996) — Chris Rolfe
Anteriorities (6:00 / 1989) — Brent Lee
Antifonia, Soprano Solo I (1977) — Lars-Gunnar Bodin
Anti-Muzak No. 1 (1981) — Gerard van Herk
[ Antiphon ] (9:30 / 1988) — Pierre Sainte-Marie
Antiphony — Pierre Henry
Antiphony III (Pearl-White Moments) (16:24 / 1962) — Kenneth Gaburo
for 16 voices & electronics
Antiphony IV (Poised) (9:24 / 1967) — Kenneth Gaburo
for voice, piccolo, bass trombone, double-bass & electronics
A Piece Called Piece (20:00 / 1986) — CECG/GEC
for electroacoustic ensemble
L'Apocalypse, un film pour l'oreille (40:33 / 1984) — Xavier Garcia
Apolliana (5:14 / 1969) — Jon H. Appleton
Apostrophe (8:21 / 1995) — Lelio Camilleri
appel (12:05 / 1994-95) — Benjamin Thigpen
A Prayer for Peace (1989) — Tim Emerson
A Premiere in Frost (19:21 / 1986) — Darren Copeland, Gerard Leckey, John Marriott, David Edwards
Après — Ginette Bertrand
Mouvement 14 de L’ombre d’un doute
Apreslude, Opus 57 (1958) — Boris Blacher
A Promise to Keep (4:40 / 1987) — Shawn Pinchbeck
Aqua Babble (20:00 / 1993) — Sarah Peebles
for Ondes Mt., String Tel., computer, sho, video
Aquarius/Let the Sunshine In (1969) — VA
for Moog synthesizer
Aqui, alla y en todas partes… (12:05 / 1984) — Jorge Rapp
Arabesque (8:01) — Daria Semegen
A Radio Play in Two Parts: Both of Which Are Me (11:45 / 1978) — Daniel Feist
for voice, modular synthesizers, piano and tape
A Radio Program About Radio (11:45 / 1977-78) — Howard Bloomfield
A Rainbow in Curved Air (18:40) — Terry Riley
L'arbre aux souhaits (9:00 / 1984) — Denis Dion
pour hautbois, guitare, violoncelle, harpe, percussion
L’arbre et cætera (15:42) — Alain Savouret
Arcana (16:05 / 1927) — Edgard Varèse
Arcana (1983) — Christos Hatzis
L'Archipel (8:04 / 1963-67) — François Bayle
L'architecture de l'UQAM (15:00 / 1982) — David G. Lindsay
Architorture (5:11) — Robert Osler
L’argent… toujours l’argent! (11:17) — Marc Tremblay
arghanum IV [1987-III] (17:05 / 1987) — alcides lanza
arghanum V [1990-I] π (14:03 / 1990) — alcides lanza
piano and tape
arghanum V [1990-I] Cue 1 (3:53 / 1990) — alcides lanza
tape
arghanum V [1990-I] Cue 2 (3:51 / 1990) — alcides lanza
tape
arghanum V [1990-I] pet (13:23 / 1990) — alcides lanza
for accordion and tape
arghanum V [1990-I] pet (13:16 / 1990) — alcides lanza
Arguements (1985) — Philip Walling
Aria Condizionata (12:30 / 1987) — Joseph Raguin
Aria del Taco: Drive Thru Hamburgers (3:20) — Greg Fish
Arlington (1989) — Elizabeth F. Hayden Pizer
Arras (10:00 / 1980) — Barry D. Truax
4 computer-synthesized soundtracks
[ Les arrivées sont des départs ] (15:00 / 1988) — Marcelle Deschênes
pour marimba MIDI, clavier MIDI et saxophone MIDI
Art of Mix (8:00 / 1985) — Henry Kucharzyk
Arythmie (9:00) — Marc Tremblay
Ascendance (12:00 / 1979) — Barry D. Truax
Ascent (12:00 / 1994, rev. 1997) — Andrew P. Lewis
A Secret and a Lie (1983) — Andrew (Andy) Dowden
Ashes, Ashes (13:30) — Benjamin Thigpen
A Sketch for Prometheus Bound (8:25 / 1989) — Darren Copeland
A Sky Of Cloudless Sulphur (14:44) — Morton Subotnick
As Much Love As Possible — Digs Dorfman
A Soliloquy is when… (6:08) — Albert Wong
Assemblée générale (11:28 / 1983) — Claude Lavigne
Assign No. 5 — Chris Beardsley
Assoupissement de la baleine (4:39) — Pierre-Alain Jaffrennou
Mouvement 3 de Océane… ou Troisième passage de la baleine
As the Lion Sleeps (9:12) — Robert del Buono
Astrology — Pierre Henry
A Theme based on Variations (incomplete) (8:00) — Gerald (Jerry) Berg
Atlantide (28:40 / 1985) — Michel-Georges Brégent
Atlas Eclipticalis + Winter Music + Cartridge Music — John Cage
A Tribute to Bach in D minor (1987) — Robert Osler
At the Brain Drain — Donna Lytle
At the Corner of Alive and Jesus (30:00 / 1987) — Barbara Golden
Au 197,0 (5:40 / 1976) — Sten Hanson
Au coeur du cristal (10:00) — Pascal Liguoro
Audiciones (5:10 / 1983) — Ricardo Dal Farra
for analog electronic instruments
Auditions — Louis Montpetit
Auf'm Rummel (1979) — Nina Hagen
Augery Music (1984) — John Oliver
for instrumental ensemble
Augustine’s Message (2001) — Robert MacKay
Au loin… bleu (11:30 / 1997) — Elsa Justel
Aural Spectrum (1987) — CECG/GEC
for electroacoustic ensemble
Aurora Borealis op. 87 (9:03) — Eric Nordgren
Aussi lourd que le vent (1981) — Francine Noël
Austinato (6/iii/77) (1977) — Kevin Austin, Barbara Golden, Richard Speese, Karin Kloppenburg, Brian Roach, Joanne Milon
Automatismes Sonores (25:42 / 1971) — Léo Küpper, Exequiel Virasoro
Automatopoiea: Study 1 (2006) — Steven Naylor
Autophagia 22 (1993) — Mike Hovancsek, Barry Chabala
Barry C., waterphone; Mike H., metals
Autoportrait No. 1 — Marc Tremblay
Auxferd Nightburr’d; November 2 AM (1:00 / 1984-85) — Daniel Feist
Aux Mains de l'Espace (15:09 / 1993) — Gerald Eckert
Aux nørd du Kédbèk (10:17 / 1985) — Kevin Austin, Jill Bedoukian
for tape, percussion and bass with optional processing
Available Forms I (8:50 / 1961) — Earle Brown
for chamber orchestra
A Variation of Six Notes (8:00 / 1983) — Gerald (Jerry) Berg
for soloist and computer
Avi-Repetitive Mode (6:50 / 1988) — Esten S. Lindgren
A Visit to the Doctor (3:12 / 1979) — Philip Walling
Awaiting (2:24 / 1996) — Joelle Ciona, Jean Routhier
A Walking Tour of Trois Rivières — Myke Roy, Nancy Paterson
A Walk Through the City (16:00 / 1981) — Hildegard Westerkamp
A Work Called Work (32:00 / 1986) — CECG/GEC
for multiple keyboards
Ayes des Alma — Sergio Barroso
Azirthmyth (4:10 / 1980) — Barton Smith