CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

1988

Œuvres

*** (11:53 / 1988) — Rainer Boesch
23/1/88 (16:00 / 1988) — Pierre Dostie
2 Fuite 1, Nuit des Temps (1988) — P. Rutgé
33 337 (11:25 / 1988) — Joseph Raguin
6/2/88 (17:00 / 1988) — Pierre Dostie
7 Years (42:00 / 1988) — Michael C. Maguire
for flute, sax, french horn, cello, electric guitar marimba, piano and CPU
A Flight Out of Time (8:30 / 1988) — John Free, Bill Gilliam
for live electronics, guitar and tape
A Four Minute Exercise (4:22 / 1988) — Chris Taylor
Again I Have Failed to See Him (1988) — Roger Doyle
Ah Love Ah Love (1988) — Roger Doyle
Ailleurs et Après (1988) — F. Obringer
L’air du temps (9:15 / 1988) — John A. Celona
for MIDI saxophone and tape
Allal (9:00 / 1988) — Michael Croswell
All in Good Time (9:30 / 1988) — Diana McIntosh
pour piano, voix amplifiée, bruits de bouche et bande
Almost Catholic (3:08 / 1988) — Gene Kosowan
A Man Who Saw Very Quickly (3:00 / 1988) — James Meneses
[ Amazones ] (10:00 / 1988) — Pierre Dostie
installation sonore
Amnesia (6:32 / 1988) — Darren Copeland, John Marriott
And Into Order (5:27 / 1988) — Donovan Reimer
[ Antiphon ] (9:30 / 1988) — Pierre Sainte-Marie
[ Les arrivées sont des départs ] (15:00 / 1988) — Marcelle Deschênes
pour marimba MIDI, clavier MIDI et saxophone MIDI
Avi-Repetitive Mode (6:50 / 1988) — Esten S. Lindgren
Bachahama (7:15 / 1988) — Barry Schrader
Black Finger (5:00 / 1988) — Jamie Philp
Blowout (7:30 / 1988) — Cindy John
for 6 trombones and computer
Booting Up (55:00 / 1988) — Diana McIntosh
pour bande, percussion, voix, danseurs, saxophones et installation
Box Vox (6:35 / 1988) — Francesco Giomi, Marco Ligabue
Canzona (16:00 / 1988) — Sergio Barroso
Cats (4:55 / 1988) — Robert Wood, Bill Cramer, Dan Cramer
Caught in an Octagon of Unaccustomed Light (15:56 / 1987-88) — Paul Dolden
Charnière - Langage oublié/Langage magique (2:20 / 1988) — Michelle Boudreau
Chroniques (12:10 / 1988) — Bernard Donzel-Gargand
[ Clocks of the World ] (8:00 / 1988) — Brent Lee
for harpsichord, electric guitar, bassoon and tape
Comings and Goings (1988) — Roger Doyle
[ Composing ] (33:00 / 1988) — Hildegard Westerkamp
pour voix mixtes
Crux (version en direct) (11:15 / 1988) — Michel Tétreault
électroacoustque en direct
Curtain Music (1988) — Roger Doyle
Curtain Music (Side A) (1988) — Roger Doyle
Death of an Insect (4:55 / 1988) — Cindy John
for voice and computer
[ Derrière le regard du désir ] (21:00 / 1988) — Pierre Dostie
installation sonore
Le désir des molécules (15:35 / 1988) — László Dubrovay
La disparition (23:15 / 1988) — Christian Calon
The Dissipation of Purely Sound (17:30 / 1988) — Norma Beecroft
Don Perlimplin Has No Honour (1988) — Roger Doyle
Don’t (2:54 / 1988) — John Oswald
Dragons (5:30 / 1988) — Pascale Trudel
Dreams Heard in Light (1988) — Matt Ridgeway
The Earth is the Circle which is the Measure of All (8:30 / 1988) — Robert Keefe
Eceon Elektro (1988) — Andrew Horka
pour flûte et bande
Élan B (14:00 / 1988) — John A. Celona
électroacoustque en direct
Electic (1988) — Michael J. Torello
for electric/acoustic accordion and computer
Electric Waves (12:07 / 1988) — Tim Brady
for electric guitar, DDL and harmonium
Entropie, agglutination, genèse (15:00 / 1988) — Denis Saindon
pour marimba MIDI, clavier MIDI et saxophone MIDI
Escalier de Service (1988) — Philippe Blanchard
Etapper (14:30 / 1988) — Cecilie Ore
Fall (18:30 / 1988) — Jean-François Denis
Fandance (6:15 / 1988) — Rodney Sharman
for 12 instruments
Fantasia Chromatica (13:00 / 1988) — Tim J. Lawrence
Feast (UTAGE) (17:30 / 1988) — Takehito Shimazu
for six tape recorders
Flight Paths (9:00 / 1988) — Bob Pritchard
The Garden (1988) — Roger Doyle
[ Generation-X ] (12:00 / 1988) — John Free
for guitar and computer
The Gown of Night (2:42 / 1988) — Tsippi Fleischer
The Griffith Observer (8:34 / 1988) — Elliot E. Freedman
Ground Water (70:53 / 1988) — Martin S. Gotfrit
live electroacoustic theater (Text: Colin Browne)
Growth? (4:49 / 1988) — Brian Schultze, Curtis Ruptash
Have You Ever Been Tokyo-fied? (44:00 / 1988) — Jørgen Teller
Hermosa (20:00 / 1988) — John A. Celona
for 3 percussionist, digital keyboard and sampler
He Writes Me Letters (1988) — Roger Doyle
L’homme de la nuit (3:48 / 1988) — Brent Holland
… horizones (15:00 / 1988) — Michel Smith
pour marimba MIDI, clavier MIDI et saxophone MIDI
House (5:10 / 1988) — Dan Cramer
[ Hypothesis of Memory ] (15:00 / 1988) — Michael Bussière
I am an American… My Government Will Reward You (13:59 / 1988) — Anne LeBaron
for amplified harp and digital tape, with percussion
If you stand on a log long enough, tout le monde va partir (14:00 / 1988) — Myke Roy
Industrielles (9:30 / 1988) — John Mickel
I Wish I'd Never Read Franz Kafka (3:16 / 1988) — John Oparyk
Jazz 1 (2:15 / 1988) — Francesco Giomi, Marco Ligabue
Jazz 2 (2:15 / 1988) — Francesco Giomi, Marco Ligabue
Jazz 3 (1:30 / 1988) — Francesco Giomi, Marco Ligabue
Jazz 4 (0:25 / 1988) — Francesco Giomi, Marco Ligabue
Jeu décors (1988) — Agnès Poisson
Just Say Yes (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
Keith's Conundrum (5:36 / 1988) — John Wells
électroacoustque en direct
Ladders and Plains (28:00 / 1988) — Amnon Yehuda Wolman
The Last Days of Good & Evil (1988) — John Fekner
Laurian (5:41 / 1988) — Nicolas Sordet
Living It Out — In The Dead Air — Space (52:00 / 1987-88) — Darren Copeland
Love, Love That Here Lies Wounded (1988) — Roger Doyle
Lumina (11:30 / 1988) — David R. Keane
pour ténor, multi-image et bande/for tenor, multi-image and tape
Mécanique de la foudre (8:41 / 1988) — Pierre Bouchard
The Metamorphosis — Mix 2: Cylinderrde (4:53 / 1988) — Paul B.A. Steenhuisen
Michael Jackson (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
Mixed Unicum 1 (7:00 / 1988) — Pietro Grossi
The Modulation Suite (10:10 / 1988) — David Leip
Moments of Laughter (19:00 / 1988) — Hildegard Westerkamp
for female voice and tape
Momentum (1988) — Hae Yon Kim
for computer graphics and tape
The Moods (15:00 / 1988) — Michael J. Torello
Move It Out Now (3:52 / 1988) — Bruce Atchison
[ Music from the Zone of Silence ] (26:30 / 1988) — Hildegard Westerkamp
Nadir (7:00 / 1988) — Christos Hatzis
for viola, recorder and computer-generated tape; recorder: Peter hannan; viola: Douglas Perry.
Nature Dance (6:10 / 1988) — Simon K. Millward
Nautilus (10:30 / 1988) — David R. Keane
for clarinet and tape
Nautilus (23:00 / 1988) — Amnon Yehuda Wolman
for 2 sopranos, tenor and tape
Never Should Have Gone (7:55 / 1988) — Mark Mercury
Night Labyrinth (80:00 / 1988) — Alan Belkin
for MIDI trio (DX7, WX7, KAT)
1. Adagio I (7:00 / 1987)
2. Adagio III (13:20 / 1988)
No. 4 (3:40 / 1988) — Mark Wasarab
Ô Arbre Roi des Tropiques (1988) — Bertrand Chenier
Octo in primis (8:10 / 1988) — Albert Mayr
Les oiseaux (7:30 / 1988) — Pascale Trudel
The Old Country (Music for PS, Part 2, Section V) (6:30 / 1988) — Eric Brown
for computer controlled synthesizer
On Growth And Form (12:06 / 1988) — Bruno Degazio
pour instruments et bande/for instruments and tape
Only/Other/Always (1988) — Steve Tittle
pour hautbois et bande
On the Death of Johannes Kepler (10:50 / 1988) — Robert Keefe
Op. 7, La Complainte des Eaux Creuses (1988) — Marc Ouellette
Opening Music (1988) — Roger Doyle
Origophonie (14:35 / 1988) — Laurie Radford
for two 12-voice choirs, 6 percussion, electroacoustic music
Osmose métro (1988) — Jean-Robert Bisaillon
Paysages intérieurs (12:45 / 1988) — Stéphane Roy
Perlimplin Dies (1988) — Roger Doyle
Perlimplin Dreams (1988) — Roger Doyle
Phantasy VI (8:00 / 1988) — Dennis Patrick
[ Photon IV ] (30:00 / 1988) — Pierre Dostie
pour bande et clavier MIDI
Pianocentrix (18:20 / 1988) — David R. Keane
Pièces détachées (24:00 / 1988) — Jean-François Denis
Pocket (3:22 / 1988) — John Oswald
Poe-Debussy, Autour de la maison Usher (41:00 / 1988) — Francis Dhomont
musique de scène
The Point of No Return (10:56 / 1988) — John Estacio
Points cardinaux (22:00 / 1988) — Bernard Donzel-Gargand
Polyester Pope (4:15 / 1988) — Joe Parrish
Portraits in a landscape (20:00 / 1988) — Ted Dawson
PRAESCIO-II: Amnesia (10:00 / 1988) — Bruce Pennycook
for soprano, flute, DX7IIFD, violin, cello and live computer-controlled MIDI electronics (Text: Tessa McWatt)
PRAESCIO-III: Extended harpsichord, computer and MIDI synthesizers (15:00 / 1988) — Bruce Pennycook
pour clavecin MIDI et ordinateur
Praise of Life (11:22 / 1988) — Hanus Domansky
Precipice (4:39 / 1988) — David Eagle
Preparations for the Wedding Night (1988) — Roger Doyle
Pretender (2:46 / 1988) — John Oswald
[ Prismes nus ] (23:00 / 1988) — Pierre Dostie
installation sonore
Profile (6:13 / 1988) — Lelio Camilleri
Quelques bestioles (6:28 / 1988) — Pierre Olivier
Refrains (9:00 / 1988) — Michael Schell
La règle du jeu (15:00 / 1988) — Robert Normandeau
pour marimba MIDI, clavier MIDI et saxophone MIDI
Le rêve du corniste (11:00 / 1988) — Peter Ehrnrooth
Ricochet (9:31 / 1988) — John Winiarz
Rocks (1) (3:42 / 1988) — Chris Wind
Rocks (2) (3:31 / 1988) — Chris Wind
Rocks (3) (3:11 / 1988) — Chris Wind
Rocks (4) (3:15 / 1988) — Chris Wind
Rocks (5) (3:27 / 1988) — Chris Wind
Rocks (6) (3:12 / 1988) — Chris Wind
RPV (4:33 / 1988) — Wilfred Kozub
Russian Robotiods (6:45 / 1988) — Esten S. Lindgren
Russian Robotiods (Version 2) (12:10 / 1988) — Esten S. Lindgren
SAISHIKI X+Y (1988) — Takehito Shimazu
for MIDI system controlled by a computer
Shadowed Voices (11:00 / 1988) — Diana McIntosh
pour voix, piano, percussion et délai numérique
Skin (5:27 / 1988) — Peter Jarvis
for actor and tape
Sleight of Hand (9:00 / 1988) — Jean Piché
for oboe and tape
S-Matrix Symphony (19:57 / 1988) — Stephen Melillo
Soledad (23:45 / 1988) — Sergio Barroso
Le soleil et l’acier (13:30 / 1988) — Alain Thibault
pour soprano et bande
Songe d'un chamane en exil (16:00 / 1988) — Pierre Dostie
Songs and Dances of the Automobile (4:50 / 1988) — Eric Moe
SPECTRA 1988/02/26, 1988/02/27 (1988) — VA
Spring (3:42 / 1988) — John Oswald
Srivox Filonga (15:22 / 1988) — John A. Celona
électroacoustque en direct
Standard Deviance (13:00 / 1988) — Daniel Scheidt
Sunk deep in the night (9:00 / 1988) — Tom Williams
Svelt (12:30 / 1988) — André Ruschkowski
Synthétiseur Additif FDSSStudio Cassette de Démonstration (1988) — Gerard Jones
System of Judgement (60:00 / 1988) — David Rosenboom
Tangentes (5:00 / 1988) — Alejandro Jose
Themes (5:00 / 1988) — Jay Styles
There's No Harm In Trying (4:50 / 1988) — Jim Serediak
Tongues of Angels (13:15 / 1988) — Barry D. Truax
oboe d'amore, English horn and 4 digital soundtracks
Too Much Testosterone (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
Tracers (4:22 / 1988) — John Duesenberry
Traces, chutes… etc. (11:30 / 1988) — Philippe Moënne-Loccoz
Trajectoires (10:11 / 1988) — Jean-François Denis
pour DX7(E!) et TX7
Trajectoires parallèles (12:45 / 1988) — Jean-François Denis
pour synthétiseurs pilotés par ordinateur/for computer controlled synthesizers
Trees (1) (5:26 / 1988) — Chris Wind
Trees (2) (4:18 / 1988) — Chris Wind
Trees (3) (4:15 / 1988) — Chris Wind
Trees (4) (5:12 / 1988) — Chris Wind
[ Twyliyt Zaulne ] (15:00 / 1988) — Myke Roy
pour marimba MIDI, clavier MIDI et saxophone MIDI
Upon the Banks of the River (1988) — Roger Doyle
Veils (6:54 / 1988) — Diane Thome
Voix blanche (13:00 / 1988) — Gilles Gobeil
pour Ondes Martenot et bande
Web (9:06 / 1988) — Lelio Camilleri
Wedding Night Music (1988) — Roger Doyle
What Good Will Marriage Do Me? (1988) — Roger Doyle
When do they is not the same as why do they (13:52 / 1988) — Peter Hatch
Whirl Without End (1988) — John Wiggins
[ Zénith sur la place de la mairie ] (20:00 / 1988) — Pierre Dostie
installation sonore