CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

1986

Œuvres

10 Fragments for Oboe, Clarinet, and Bassoon (1986) — Tsippi Fleischer
for oboe, clarinet, bassoon
1986 No. 6 (1986) — Larry Kucharz
1986 No. 7 (1986) — Larry Kucharz
1986 No. 8 (1986) — Larry Kucharz
1986 No. 9 (1986) — Larry Kucharz
2:23 (1986) — John Duesenberry
A Day in Harry's Life (9:03 / 1986) — Jean-François Chicoine
A Digital Eclogue (12:45 / 1986) — Daniel Scheidt, Claude Schryer
pour clarinettes et ordinateur
A Digital Eclogue (5:00 / 1986) — Daniel Scheidt, Claude Schryer
pour clarinettes et ordinateur
A Dog's Tale (1986) — Daniel Feist
for film (NFB)
«All the Truth at Once» : concrete-combine / analog-anagrams / pieces-parts / particles-practices / mixture-music (1986) — John Wiggins
All Worked Out Lite Wurk (23:00 / 1986) — CECG/GEC
for electronic keyboards, electric basses, tape and tape delay
… À MIDI, aux réseaux AM/FM (11:30 / 1986) — Michel Tétreault
pour synthétiseurs numériques pilotés par ordinateur et bande
Ancestros (9:22 / 1986) — Ricardo Dal Farra, Jorge Cumbo
pour quena, quenacho, antara et unités de traitement
… and 8:30 in Newfoundland (9:19 / 1986) — Diana McIntosh
for spoken voice, small percussion & digital delay
And there was the sea (15:13 / 1986) — Sean Ferris
A Piece Called Piece (20:00 / 1986) — CECG/GEC
for electroacoustic ensemble
A Premiere in Frost (19:21 / 1986) — Darren Copeland, Gerard Leckey, John Marriott, David Edwards
A Work Called Work (32:00 / 1986) — CECG/GEC
for multiple keyboards
Bad Breath Under Pressure (2:06 / 1986) — David Leip
Barroso Interview No. 1 12/06/1986 (1986) — Sergio Barroso
Barroso Interview No. 2 12/06/1986 (1986) — Sergio Barroso
Beating (11:00 / 1986) — Henry Kucharzyk
for solo percussion
Blood & Sand (Movement II) (6:08 / 1986) — Micheline Roi
Cage de Fer (2:08 / 1986) — René Lussier, Fred Frith
Cage de Verre (3:38 / 1986) — René Lussier, Fred Frith
Ce temps retors (12:00 / 1986) — Claude Frenette
pour synthétiseurs numériques pilotés par ordinateur
La chambre blanche (25:00 / 1986) — Robert Normandeau
Clones (7:40 / 1986) — Ricardo Dal Farra, Arturo Gervasoni
for electroacoustic processors (Dal Farra) and guitar (Arturo Gervasoni)
Colour In Motion (3:34 / 1986) — Darren Copeland, Emeric Dowarth
Cometose (27:00 / 1986) — Kristi Allik
for tape and multi-image (Images: Robert Mulder)
Concrete People (1986) — John Fekner
Conversation (Interview) 19/06/1986 (1986) — Hildegard Westerkamp
Cordes de nuit (8:00 / 1986) — John A. Celona
Cutie Grey deux (1986) — Kevin Austin
for multiple keyboards, digitally controlled keyboard and tape delay
Cutie Grey d’un (1986) — CECG/GEC
for multiple keyboards, digitally controlled keyboard and tape delay
Dart Raider goes to Earth to… (2:33 / 1986) — Jean-François Chicoine
Deliberate Disguises (15:00 / 1986) — Brent Lee
De Memoire (1:33 / 1986) — René Lussier, Fred Frith
«Demo Tape» (5:40 / 1986) — Frank Koustrup
Dextrose-live (1986) — Pierre Bouchard
for computer controlled multiple keyboards
Dirds (13:00 / 1986) — Daniel Scheidt
Documentaire (14:35 / 1986) — Philippe Jubard
Domaine Revisited (3:41 / 1986) — René Lussier, Fred Frith
Double (5:28 / 1986) — Ricardo Dal Farra, Arturo Gervasoni
for electroacoustic processors (Dal Farra) and guitar (Arturo Gervasoni)
Duet 3 (1986) — Eric Brown
for 2 synthesizers
Elasticity (8:45 / 1986) — Robert MacNevin
Electroacoustic Pieces No. 2 (2:51 / 1986) — Chris Wind
Electryptique (35:00 / 1986) — Charles M. Wilson
Emerald Soft (11:03 / 1986) — John A. Celona
Entre-vu (24:00 / 1986) — Jean-François Denis, Gilles Corbeil
pour multi-images et bande tétraphonique
Esplamouche (7:00 / 1986) — Guy Isabelle
Et in Arcadia Ego… (1986 No. 1) (1986) — Larry Kucharz
Fantasia for Marimba and Tape (2:19 / 1986) — Albert Wong
for marimba and tape
Fields of Light: The Eternal Feminine (1986) — Michael Bussière
for sopano solo, double choir & computer-generated tape
Final Approach (6:30 / 1986) — Chris Meloche, Gerry Collins
Flowers of Emptiness (5:45 / 1986) — Linda Catlin Smith
for acoustic or electric string trio
The Fox and the Tiger (1986) — Daniel Feist
for film (NFB)
Fractal Jam (2:00 / 1986) — Bruno Degazio
Fractal Study I (4:15 / 1986) — Bruno Degazio
Gigole Girl (4:08 / 1986) — Gerald (Jerry) Berg
Girl-Butterfly-Girl (song cycle) (1986) — Tsippi Fleischer
Glass Chant (18:29 / 1986) — Robert MacNevin
Go WHERE? : Shamana/ Junn--K/Sei/Go WHERE?/Miyori (1986) — Ushio Torikai
The Great Profit Comes for a Visit (3:33 / 1986) — Gerald (Jerry) Berg
Gut Reaction (15:00 / 1986) — Diana McIntosh
for viola and tape
Harbour Symphony (8:00 / 1986) — Hildegard Westerkamp
Have a Change of Heart (5:15 / 1986) — Gerald (Jerry) Berg
Iceberg (6:03 / 1986) — René Lussier, Fred Frith
Il faut regarder les étoiles (11:43 / 1986) — Richard Désilets
I Like Eggs (too) (8:00 / 1986) — Jean-François Denis
Influences (14:51 / 1986) — Jean-François Denis
pour bande ou en direct : voix, traitements, DX7 et bande
Integra (10:00 / 1986) — Kristi Allik
for tape and multi-image (Images: Robert Mulder)
Integrados (8:02 / 1986) — Ricardo Dal Farra, Arturo Gervasoni
for electroacoustic processors (Dal Farra) and guitar (Arturo Gervasoni)
Interview with Otto Joachim (1986) — Michael O. Gericke
In Three Parts / 3 parties (2:26 / 1986) — René Lemire
Into The Wind (7:04 / 1986) — Chris Meloche
J'aime la Musique (5:00 / 1986) — René Lussier, Fred Frith
Japanese Landscape (21:15 / 1986) — Chris Meloche
Just Another Metaphor (1986) — CECG/GEC
for electronic keyboards and tape delay
Karma (5:58 / 1986) — Ricardo Dal Farra
Ketsui (5:02 / 1986) — René Lussier, Fred Frith
Klang (7:48 / 1986) — Chris Meloche, Gerry Collins
Klang II (7:48 / 1986) — Chris Meloche, Gerry Collins
Konzert Tone No. 2 [ reveriesenvisioned; ] (1986) — Kevin Austin
for horn, keyboards, processed voice, slides and tape
Lament for the Lost (1986) — Nathen Aswell
for solo electric bass
Limit(e)s (15:00 / 1986) — Jean-François Denis
pour voix, traitement et synthétiseurs pilotés par ordinateur
Listening is not a Hearing (1986) — Susan Clarkson
Litanea (18:00 / 1986) — Léo Küpper
Locus (14:30 / 1986) — Michel Tétreault
pour diffusion en 14 voix et œuvre multidisciplinaire
Le magasin pittoresque (11:15 / 1986) — Michelle Boudreau
pour bande seule ou multidisciplinaire : vidéo et bande
Maple Truffé (9:26 / 1986) — Normand Gendron
Matrechka (13:45 / 1986) — Robert Normandeau
Mental Note (8:05 / 1986) — Chris Meloche
Motility (43:03 / 1968-69, rev. 1986) — Michael Horwood
Motion Sickness (7:45 / 1986) — Chris Meloche
Musiques Actuelles 1986/05/04 (1e printemps electroacoustique) (120:00 / 1986) — VA
Neptune sous la neige (7:12 / 1986) — Richard Désilets
pour violoncelle, Quatuor vocal, percussion et bande magnétique
NonPulsed (1986) — CECG/GEC
for keyboards and tape delay
Obsessions III (12:00 / 1986) — Keith Hamel
for clarinet, keyboards, percussion, bass and tape
Ondes / Arborescences (9:40 / 1986) — Stéphane Roy
One or More (14:06 / 1986) — Chris Meloche
Orpheus of the Winds (14:45 / 1986) — Walter Winslow
Oscillation (Intégrale) (1986) — Philippe Moënne-Loccoz
pour bande et orchestre de chambre (mvmts 1, 2, 4, 6)
Out (14:00 / 1986) — Alain Thibault
Panoramique lent (16:18 / 1986) — CECG/GEC
for electroacoustic ensemble
Panoramique moyen (14:15 / 1986) — CECG/GEC
for electroacoustic ensemble
Panoramique rapide (16:06 / 1986) — CECG/GEC
for electroacoustic ensemble
Paulina Street (1986) — Larry Kucharz
Paysage / vitesse (15:00 / 1986) — Annette Vande Gorne
Petite musique du soir (8:38 / 1986) — Philippe Moënne-Loccoz
Piano Study Number Two (18:00 / 1986) — John Free
Plaisirs Instantanes (2:52 / 1986) — René Lussier, Fred Frith
Pluie acide (15:30 / 1985-86) — Jean R. Séguin
Le plus proche village (16:53 / 1986) — Daniel Leduc
Portrait Of A Friend (21:00 / 1986) — Vivian Adelberg Rudow
for tenor and tape
Press (9:10 / 1986) — Adolfo Núñez
Primitive Cool (15:00 / 1986) — John A. Celona
for percussion and tape
The Process Project (1986) — Robert Tzopa
for painting and tape
Proximités (7:23 / 1986) — Yann Orlarey
Purple Shoes (1986) — Eric Brown
for computer controlled synthesizer
Purple Shoes Three (4:28 / 1986) — Eric Brown
for computer controlled synthesizer
La queue tigrée d'un chat — suite (47:45 / 1986) — CECG/GEC
Race (5:31 / 1986) — James Green
Resonances/Dissonances (10:50 / 1986) — George Arasimowicz
for video (Video: Donald Spencer)
Resuscitation: 5 miniatures for cello solo (1986) — Tsippi Fleischer
Riaville Bump (2:14 / 1986) — René Lussier, Fred Frith
Rivage (8:45 / 1986) — Gilles Gobeil
Riverrun (20:00 / 1986) — Barry D. Truax
4 or 8 computer-synthesized soundtracks
The Road to Chaos (6:30 / 1986) — Bruno Degazio
Sabre Dancers (1986) — CECG/GEC
for synthesizers and tape delay
Sailor's Tale (1986) — Philip Walling
The Same Wide Wall (3:19 / 1986) — René Lussier, Fred Frith
shadeless, peopled (9:40 / 1986) — Andrew Czink
Shimmer (11:15 / 1986) — Chris Meloche
Silence, parole et mémoire (11:52 / 1986) — James Giroudon, Jean-François Estager
Simultaneity (10:31 / 1986) — Albert Wong
The Sleepwalker (7:50 / 1986) — Gerald (Jerry) Berg
Solo En Re Mineur (1:26 / 1986) — René Lussier, Fred Frith
Stewart Hall (6:40 / 1986) — Eric Brown
Strange Attractions (7:30 / 1986) — Bruno Degazio
Stuff: An Assortment of Things Occuring at Particular Times (10:00 / 1986) — Daniel Scheidt
Suite pour violoncelle et bande (22:40 / 1986) — Pierre-Alain Jaffrennou
pour violoncelle et bande
1. Clair et obscur (6:30)
2. Animé (9:40)
3. Désert (6:30)
Summer Sun (7:15 / 1986) — Chris Meloche
Sway (6:35 / 1986) — Chris Meloche
Tao, 3ème élément : Bois (15:00 / 1986) — Annette Vande Gorne
There is a solitude about such a shore (14:03 / 1986) — Sean Ferris
There Will Be Fog (1986) — Philip Walling
«The Three Faces» : An Introduction / The Three Faces / Colour In Motion / Spirits Danse / The Be-wild-erness (The World They Live In) / The Faces In Movement / Oe Tere (Their Minds Were Ruined) (50:00 / 1986) — Darren Copeland
Throttle Up (8:05 / 1986) — Chris Meloche
Tilt (6:43 / 1986) — Mario Rodrigue
To the Fruit of my Land (Guitar) (1986) — Tsippi Fleischer
Tour of the Mind I (2:11 / 1986) — David Leip
Les traces du rêve (17:13 / 1986) — Francis Dhomont
musique de film (réalisateur : J D Lafond, ONF)
Two Squares and Three Circles (6:29 / 1986) — René Lussier, Fred Frith
Um Sonho da Primavera (6:03 / 1986) — Rui Ferreira
Unspiked Purple Shoes (1986) — Eric Brown
for computer controlled synthesizer
Variations on a Common Theme (1986) — Susan Clarkson
Vive les bonnes laveuses à tordeur (3:55 / 1986) — Guy Michel
VOX-5 (1986) — Trevor Wishart
for “supervoice” in sound-surround
Wegwerfe deiner Seele in die Muhliener und Warte auf der rôt Licht (25:00 / 1986) — Myke Roy
pour récitant, vidéo 3/4" et TX816 piloté par IBM ou Macintosh
Wind on Wind (22:00 / 1986) — Chris Meloche
Wired Society, General Meeting (1986) — VA
With Love, a fantasy for live cello and decorated cello cases (prepared tape), in memory of Myrtle Hollins Adelberg (16:14 / 1986) — Vivian Adelberg Rudow
for live cello and prepared tape
Yearning this Quarternion Beast (11:50 / 1986) — Pierre Bouchard
for digital synthesizers, computers and tape