CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

English

1985

Œuvres

1000 Instant Crushes (3:20 / 1985) — Johnny Analog
1995 (Death of an Actor) (3:40 / 1985) — Alan Inkpen, Chris Lamb
2 Big Men (7:09 / 1985) — Andrew (Andy) Dowden
4’33" (4:39 / 1985) — David Congo
A Certain Place (3:57 / 1985) — Stephen Calder
L’acier bien trempé (1985) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Metal Sonde Structure
A Circle in the Fire (14:00 / 1985) — Amnon Yehuda Wolman
for bass clarinet and tape
A Horse with Blinders (9:30 / 1985) — Jean-François Denis
pour bande ou en direct : glockenspiels et guitares électriques
a kindred spirit (16:00 / 1985) — Claude Schryer
pour ensemble et bande
a kindred spirit (5:00 / 1985) — Claude Schryer
pour ensemble et bande
ANAGENIC (1985) — John Wiggins
An Iceman with a Horse with Blinders (13:30 / 1985) — Jean-François Denis
pour bande ou en direct : tambours, glockenspiels et guitares électriques
Another Pulse (1985) — CECG/GEC
for keyboards and tape delay
Arguements (1985) — Philip Walling
Art of Mix (8:00 / 1985) — Henry Kucharzyk
Atlantide (28:40 / 1985) — Michel-Georges Brégent
Auxferd Nightburr’d; November 2 AM (1:00 / 1984-85) — Daniel Feist
Aux nørd du Kédbèk (10:17 / 1985) — Kevin Austin, Jill Bedoukian
for tape, percussion and bass with optional processing
Bachbusters (moog) (1985) — Don Dorsey
Birds (1985) — Unknown / Inconnu
… black it stood as night (14:15 / 1985) — Denis Lorrain
Blood Brothers (1985) — Philip Walling
Bye Bye Sparky (1985) — John Toulmin
Canto (17:05 / 1985) — Andrew Czink
for voice and tape
Central Station Bombing (1985) — Unknown / Inconnu
Cheer Up (2:40 / 1985) — Andrew (Andy) Dowden
Cheer Up (2:33 / 1985) — Andrew (Andy) Dowden
Les chemins vers le plus haut amour (18:45 / 1985) — Philippe Jubard
Cinq pivoines blanches dans un vase (25:43 / 1985) — Marc Lauras
Colorful Darkness (4:02 / 1985) — Philip Pilgrim (Sebastapol)
Compgenmusic II (3:57 / 1985) — David Congo
Concerning The Amorphous Isle (5:40 / 1985) — Chris Meloche
El Corazon (9:32 / 1985) — Marie-Claude de Chevigny
Creati (4:35 / 1985) — George Todd
crystalsphere (part III of “triptych”) (2:55 / 1985) — Chris Wind
De Lub Dub (5:20 / 1985) — Andrew (Andy) Dowden
De Lub Dub (5:25 / 1985) — Andrew (Andy) Dowden
Devil’s Music One (18:47 / 1985) — Nicolas Collins
Devil’s Music Two (17:34 / 1985) — Nicolas Collins
Dialogue-Dictature; Stress; Charme; Sensualité; Fuite (12:30 / 1985) — Bernard Donzel-Gargand
Le Dima Tiva (8:04 / 1985) — Myke Roy
pour récitant et bande
Divan (21:45 / 1985) — Barry D. Truax
Diverse Kanons, BWV 1087 (7:40 / 1985) — Johann Sebastian Bach [arr. Don Dorsey]
for synthesizers
Drôles d’oiseaux (18:22 / 1985) — Francis Dhomont
DX-ture 12 - Hues (12:42 / 1985) — Kevin Austin
DX-tures - Strings (1985) — Kevin Austin
Earthlight (1985) — Tim J. Lawrence
Earthlight [= «Illuminations»] (11:23 / 1985) — Tim J. Lawrence
Eclogue for an Alpine Meadow (1985) — Claude Schryer
pour clarinette basse, trombone, vallée
ECM2 (4:30 / 1985) — Johnny Analog
Ella (She) (15:21 / 1985) — Juan Blanco
Enlarged Sounds (12:00 / 1985) — Albert Wong
En Train Un (12:12 / 1985) — Jill Bedoukian
Environmental Disorder (28:30 / 1985) — Robert Burns
Eqivoque (5:00 / 1985) — Christos Hatzis
for accordion & two computer-controlled synthesizers; accordion: Joseph Petric
Ethanol by the Liver (8:53 / 1985) — Jean-Robert Bisaillon
… et lisser son visage comme au fil du temps… (53:07 / 1985) — Claude Frenette
…et lisser son visage comme au fil du temps… : 2e partie (23:00 / 1985) — Claude Frenette
Extensions (1985) — George Arasimowicz
for flute and extensions
Extra Echo (3:13 / 1985) — Steven Slater
Face of the Country (1985) — Unknown / Inconnu
Fanfare (4:00 / 1985) — Gerald (Jerry) Berg, Bentley Jarvis
Fanfare (Mitchell) / Sketch for Susan (Szava) / Yada (Stephen) / Ramon Natalli (Stephen) / Megalith (Mitchell) / Prelude (Stephen) / Teaser's Light (Stephen) / NDOverture (Mitchell) / Lo sun yat (Stephen) / I november you (Szava) / Japan (Mitchell) / Variables (Szava) / Super-musak (Szava) / Data (Digital Music Software for Yamaha CX5M) (1985) — Susan Hunter, Bruce Mitchell, Greg Stephen, Dominik Szava
Fernmist (part I of “triptych”) (4:50 / 1985) — Chris Wind
Fine ’R’ Fire (15:00 / 1985) — Jean R. Séguin
Fireplay (5:12 / 1985) — Tim J. Lawrence
Fleeting Images (12:30 / 1985) — John Rimmer
Fog (5:20 / 1985) — Chris Woods
Fun 1 (2:42 / 1985) — Andrew (Andy) Dowden
Fusions (8:18 / 1984-85) — David Congo
Godsend (5:39 / 1985) — Tim J. Lawrence
Heap (1985) — Unknown / Inconnu
He Man (2:48 / 1985) — Andrew (Andy) Dowden
He Man (2:43 / 1985) — Andrew (Andy) Dowden
Here & There, A Crack (12:00 / 1985) — Rosemary S. Mountain
Hexachords (1985) — Martin Bartlett
for recorder and computer controlled electronics
House with a View (53:56 / 1985) — Susan Stone
How to get there (1:55 / 1985) — Robert Ablenas
Humble Dumpling (1985) — CECG/GEC
for voices
Hyperspace (7:09 / 1985) — George Danova
If Thorns… (14:00 / 1985) — Amnon Yehuda Wolman
Illuminations (1985) — Tim J. Lawrence
1. Fireplay (1985)
2. Godsend (1985)
3. Syncadence (1985)
4. Earthlight [= «Revelation»] (1985)
5. Revelation (1985)
Inland Islands (10:08 / 1985) — James Tallon
In Search of Prey (2:12 / 1985) — Nash The Slash
Íreme (11:48 / 1985) — Sergio Barroso
for voice (soprano or tenor), percussion and tape
Italian Concerto, BWV 971 (11:29 / 1985) — Johann Sebastian Bach [arr. Don Dorsey]
for synthesizers
Jesu, Joy of Man's Desiring (from Cantata 147) (6:09 / 1985) — Johann Sebastian Bach [arr. Don Dorsey]
for synthesizers
Jill reads Haiku (7:00 / 1984-85) — Jill Bedoukian
La Jolla Shores (8:00 / 1985) — John A. Celona
Just Another Pulse (1985) — CECG/GEC
for keyboards and tape delay
Kiddin’ Carolyn (1985) — Unknown / Inconnu
Latitudes - Peking at 40 (1985) — David G. Lindsay
for synthesizers
Life Pours In (1985) — Unknown / Inconnu
Limbic Rotatory (6:30 / 1985) — David Butler
Little Venice (11:30 / 1985) — Linda Catlin Smith
for Bb clarinet, vibraphone, piano, violin, viola and double bass
Living Water (8:20 / 1985) — Jill Bedoukian
Mahwje’s Outlook (1985) — Darren Copeland, Ed Troscianczuk
for synthesizers, percussion, clarinet, voice and tape manipulation
March Storm (1985) — Kevin Austin
for processing, tape and tape delay
Me and My PDP-11/23 No. 1 (4:05 / 1985) — Robert Tzopa
Melody on Mars (5:00 / 1985) — Alan Inkpen
Mexican Contours 1-2-3 Olé (20:30 / 1985) — Daniel Feist
Minuit caché (14:30 / 1985) — Laurie Radford
for 2 percussionists, lights and tape
Movement 1 (1985) — Vangelis Papathanassiou
Movement 2 (1985) — Vangelis Papathanassiou
Movement 3 (1985) — Vangelis Papathanassiou
Movement 4 (1985) — Vangelis Papathanassiou
Movement 5 (1985) — Vangelis Papathanassiou
Movement 6 (1985) — Vangelis Papathanassiou
Musique Autour de l’Epitaphe de Seikilos (24:00 / 1985) — John Winiarz
for soprano (playing crotales) and tape; soprano: Elise Bedard
My Little Sister (3:06 / 1985) — Edwin Cameron
My Pleasure (8:30 / 1985) — Barbara Golden
Nature Pieces (1985) — John Abram
Nightfall's Curtain Call (8:04 / 1985) — Chris Meloche
Nobody wants to hear from your t-shirt, anyway (9:20 / 1985) — Jean-François Denis
pour basse électrique et bande
No Pulse (1985) — CECG/GEC
for keyboards and tape delay
Not Just Another Pulse (9:30 / 1985) — CECG/GEC
for keyboards and tape delay
Obscure Japanese Monster Movie (1985) — Unknown / Inconnu
Open • Sky • Window • Light (12:00 / 1985) — Mychael Danna
Our Child (1:38 / 1984-85) — Daniel Feist
Panchromatic Souvenirs (1985) — Charles de Mestral
pARTicle mUSic (1985) — John Wiggins
Pastorale (10:21 / 1985) — Jon Siddall
Percussion (1:15 / 1985) — Frank Koustrup
Perhaps, at Last, Some Such Hours Passed (8:00 / 1985) — Amnon Yehuda Wolman
Petite musique sentimentale (10:18 / 1985) — Yves Daoust
Piano 4 (10:12 / 1985) — Sean Ferris
Planxty Bowerbird (8:15 / 1985) — Anne LeBaron
for harp and tape
Plastic Would (1985) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Plastic Would Sonde Structure
Political Freedom (5:11 / 1985) — Andrew (Andy) Dowden
Portrait d’un visiteur (17:10 / 1985) — Christian Calon
Prière (11:20 / 1985) — Jean-François Estager
The Process (3:22 / 1985) — Chris Meloche
Procession (4:45 / 1985) — Chris Meloche
Psalm (1985) — Larry Lake
pour hautbois et bande
Pulse (1985) — CECG/GEC
for keyboards and tape delay
La queue tigree d'un chat comme pendentif de parebrise (22:00 / 1985) — Jean Claude Bustros
Redundant I (6:10 / 1985) — Bill Alves
Reiteration (1985) — David G. Lindsay
for synthesizers
Remembering (10:30 / 1985) — Paul Théberge
for soprano, violoncello, piano, percussion, tape and tape delay
Rencontre (22:00 / 1985) — Philippe Moënne-Loccoz
pour chorale, trio instrumental, micro-ordinateur et bande
Réunions (15:00 / 1985) — Pierre Gauvin
Revelation (16:44 / 1985) — Tim J. Lawrence
Rêves opaques (13:40 / 1985) — Philippe Moënne-Loccoz
Rubber-gag Poem (1985) — Unknown / Inconnu
Rye, PBX (2:49 / 1985) — David Barteaux, Andrew Finch, Steven Slater, Billy Duggan, Clancy Dennehy
Sans titre (12:35 / 1985) — Michelle Boudreau
pour trompette, piano, percussion
Self-Hypnosis (3:48 / 1985) — Andrew (Andy) Dowden
Self-Hypnosis (5:00 / 1985) — Andrew (Andy) Dowden
Sensored (2:22 / 1985) — Pierre Bouchard
The Sentinel Plays Alone (14:00 / 1985) — Robert Michael Schertzer
Sing-Sing (2:55 / 1985) — Marie-Claude de Chevigny
Skyway (1985) — Robert Carl
Solar Ellipse (10:50 / 1984-85) — Barry D. Truax
4 computer-synthesized soundtracks
Sparky's Last Dance (1985) — John Toulmin
Sparky's Ocean (1985) — John Toulmin
Sparky, we hardly knew ya… (1985) — John Toulmin
Starkweather (1985) — Unknown / Inconnu
Stranger than Fiction (13:00 / 1985) — Sean Ferris
swirlstorm (part II of “triptych”) (3:45 / 1985) — Chris Wind
Symphonia (24:15 / 1985) — László Dubrovay
Symposium (9:00 / 1985) — Keith Hamel
for percussion and tape
Syncadence (4:54 / 1985) — Tim J. Lawrence
Techno-PANT (13:00 / 1985) — Debbie Danbrook
Three Portraits (16:25 / 1985) — Shawn Bell
for DX7 and tape
Tiger (4:13 / 1985) — Marie-Claude de Chevigny
Time Basing (4:25 / 1985) — David Barteaux
Time Piece (5:30 / 1985) — Susan Clarkson
Toccata & Fugue in D minor, BWV 565 (8:56 / 1985) — Johann Sebastian Bach [arr. Don Dorsey]
for synthesizers
Today Every Four Hours (9:30 / 1985) — Claude Rivest
Traces (6:30 / 1985) — Gilles Gobeil
The Transition Area (5:00 / 1985) — Chris Meloche
Twelve Windows (Disco Mix) (1985) — John Wells
Two & Three Part Inventions (Nos. 1, 8, 10, 12, 15) (10:58 / 1985) — Johann Sebastian Bach [arr. Don Dorsey]
for synthesizers
Under my Umbrella (2:20 / 1985) — Philip Pilgrim (Sebastapol)
Untitled (1) (1:22 / 1985) — Andrew Finch
Untitled (2) (5:07 / 1985) — Andrew Finch
Untitled (3) (0:50 / 1985) — Andrew Finch
Upon Closer Inspection (25:00 / 1985) — Gerald (Jerry) Berg
Veils: Studies in Textural Transformations (28:32 / 1984-85) — Paul Dolden
1. Introduction (5:07 / 1984-85)
2. Section A (11:55 / 1984-85)
3. Section B (11:34 / 1984-85)
Vernis sauvage (19:00 / 1985) — Marc Favre-Marinet
pour synthétiseur et bande
Very Loud Silence (1985) — Unknown / Inconnu
Viscères symphoniques (13:00 / 1985) — Guy Isabelle
Visions of Japan (5:00 / 1985) — Geoff Johnson
Voices (1985) — Brian Schober
for computer generated tape
Voices For the Wilderness (70:00 / 1985) — Hildegard Westerkamp
Water Tree (I) (14:49 / 1985) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Water Sonde Structure
Waving at the Brave Ones (11:00 / 1985) — David G. Lindsay
The Weird Entertainer No. 1 (1985) — Jean-Robert Bisaillon
Welcome to Ellis Island (3:22 / 1985) — Gary Gini
Whale Song No. 2 (1985) — David G. Lindsay
for processed electric guitar and tape
Whirls Apart (22:13 / 1985) — David G. Lindsay, John Wells
for synthesizer, guitar and delays
Winnnak (1985) — Unknown / Inconnu
You’ve got yours (7:02 / 1985) — Michael Fernandez
Y---OW (18:45 / 1985) — Roxanne Turcotte
Zone of Silence Story (40:00 / 1985) — Hildegard Westerkamp