CEC
Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Works » Works by Title » P
-
Pacific (36:00 / 1990) —
Barry D. Truax
4 digital soundtracks - Pacific Rims (9:16 / 1987) — John A. Celona
- The Pact (1987) — Robert Osler
- Pagaille (3:00 / 1978) — William Edward Miller
- Paintings (1) (4:34 / 1991) — Chris Wind
- Paintings (7) (4:35 / 1991) — Chris Wind
- La Paix des Étoiles (25:00) — Jacques Diennet
- Panchromatic Souvenirs (1985) — Charles de Mestral
- Pandemic (14:31) — Peter Hannan
- Panoramique lent (16:18 / 1986) — CECG/GEC
for electroacoustic ensemble - Panoramique moyen (14:15 / 1986) — CECG/GEC
for electroacoustic ensemble - Panoramique rapide (16:06 / 1986) — CECG/GEC
for electroacoustic ensemble - The Papal Drum (1980) — Philip Walling
- Paper Music (1968-70) — Josef Anton Riedl
- Paradigm (18:00 / 1968) — Lukas Foss
- Paradigms (10:10 / 1990) — Phillip Djwa
- Paradis (19:50 / 1984) — Christian Calon
- Paradoxe (4:49) — F. Monneret, P. Jaubert
- Paraptra (14:00 / 1991) — Cort Lippe
- Para Todos Ellos (9:42 / 1987) — Ricardo Dal Farra
pour guitare MIDI, synthétiseur numérique et instruments électroniques - Le Parcours du
Jour (15:20 / 1983) — John
Winiarz
for three pianos in sixths of tones - pARTicle mUSic (1985) — John Wiggins
- Par
ton souffle (17:00 / 1984) — Claude
Frenette
pour ensemble de vents, percussions, dispositif de réinjection et bande magnétique - Passacaille (7:40 / 1981) — Gisèle
Ricard
pour voix, violoncelle, vibraphone, flûte, cor, ARP 2600, et bande (Texte : Daniel Dutil) - Passages (10:32) — Kathy Kennedy
- Passages 13 - The Fire (25:10 / 1970-71) — Lucia Dlugoszewski
- Pastiche (18:20 / 1983) — Louis-Gilles Lajoie
- Pastorale (10:21 / 1985) — Jon Siddall
- The Path of Violencez (7:15 / 2005) — Eduardo Paz Carlson
- Patrick’s Plight (16:00) — Gregory Jay Lowe
- Paulina Street (1986) — Larry Kucharz
- P-A, version “Luminy” (11:30 / 1976) — Denis Lorrain
- Paysages intérieurs (12:45 / 1988) — Stéphane Roy
- Paysage / vitesse (15:00 / 1986) — Annette Vande Gorne
- The Peanut
Vendor (3:42 / 1969) — A. Gamse,
L. Wolfe-Gilbert, M. Simons [arr. Richard Hayman]
for Moog synthesizer - Pear of / bowlers / in her setting (1983) — Andrew Czink
- Penetration — Shawn Pinchbeck
- penetrations VII [1972-III] (15:42 / 1972) — alcides lanza
Movement 2 of «La Trilogie»
for voice and tape - Pentagram (4:55) — Greg Fish
- Perception (1993) —
Mike Hovancsek, Paul Guerguerian, John Herron
John H., percussion; Paul G., percussion; Mike H., gu zheng - Percussion (1:15 / 1985) — Frank Koustrup
- Percussion of
the Air (12:30 / 1987) — Claude
Schryer
for marimba and tape - Per Foramen
Acus Transire (15:00 / 1987) — James
Harley
for solo flute/bass flute and tape - Perhaps, at Last, Some Such Hours Passed (8:00 / 1985) — Amnon Yehuda Wolman
- Perihelion (8:50 / 1980) — Barton Smith
- periphratic pleonasm (18:20 / 1987) — CECG/GEC
for electroacoustic ensemble - Perlimplin Dies (1988) — Roger Doyle
- Perlimplin Dreams (1988) — Roger Doyle
- Perpetuum locomobile op. 101 (6:32) — Eric Nordgren
- Persian Surgery Dervishes - 1971 LA (1971) — Terry Riley
- Persian Surgery Dervishes - 1972 Paris (1972) — Terry Riley
- Personal Geometry (1982) — Jon Siddall
- >>PERSPECTIVES>> No. 1 by Wende Bartley (Toronto), in English (28:55 / 1991) — Wende Bartley
- >>PERSPECTIVES>> No. 2 by Wende Bartley (Toronto), in English (29:05 / 1991) — Wende Bartley
- >>PERSPECTIVES>> No. 3 by Philip Szporer (Montréal), in English (24:40 / 1991) — Philip Szporer
- >>PERSPECTIVES>> No. 4 by Philip Szporer (Montréal), in English (30:05 / 1991) — Philip Szporer
- >>PERSPECTIVES>> No. 5 par Jean-François Denis (Montréal), en français (28:40 / 1991) — Jean-François Denis
- >>PERSPECTIVES>> No. 6 par Claude Schryer (Montréal), en français (29:30 / 1991) — Claude Schryer
- Petite étude (1:38) — Robert Schumann [arr. Jacques Rémus, Pascal Serve]
- Petite musique du soir (8:38 / 1986) — Philippe Moënne-Loccoz
- Petite musique sentimentale (10:18 / 1985) — Yves Daoust
- Petite symphonie intuitive pour un paysage de printemps — Luc Ferrari
- Petit Poucet magazine (17:30) — Beatriz Ferreyra
- Phantasy VI (8:00 / 1988) — Dennis Patrick
- Phase Patterns (16:35 / 1970) — Steve Reich
- Phase Transitions (10:30 / 1989) — Maggi Payne
- phête Canton (ou la mécanique du Père Noël) (5:02) — Jean Routhier
- Phoenix and the Harlequin (9:34 / 1999) — Allen Strange
- Phoenix
Calling (10:00 / 1993) — Sarah
Peebles
for bugaku dancer, gagaku instruments, "world" percussion & electronic tape - Phonothese (1965-66) — Zoltan Pongrácz
- Phosphone (1971) — Emmanuel Ghent
- [ Photon IV
] (30:00 / 1988) — Pierre Dostie
pour bande et clavier MIDI - Photon One — Tim J. Lawrence
- Photon Two — Tim J. Lawrence
- Piano (32:58) — Unknown / Inconnu
- Piano 4 (10:12 / 1985) — Sean Ferris
- Pianocentrix (18:20 / 1988) — David R. Keane
- Piano Mechanics (19:57) — Gordon Monahan
- Piano Music For Performer And Composer (7:42 / 1966) — lhan Mimaro lu
- Piano piece (5:40 / 1989) — Matthew Suttor
- Piano Study No 1 (1984) — Susan Frykberg
- Piano Study Number Two (18:00 / 1986) — John Free
- Piano Whales (8:19 / 1987) — David
Morris
for piano and tape - The Pick of
the Crop (35:00 / 1989) — Diana
McIntosh
video by Doug McCartney - Picture Me in These (Ceremony of Innocence) (7:00 / 1987) — Tom Hajdu
- Piece for Four-Track Tape Recorder Canada Unlimited Number One (1970) — Kevin Austin
- Piece for Four-Track Tape Recorder Canada Unlimited Number Two — subtitled Sam McGee (55:00 / 1970-73) — Kevin Austin
- Piece for Four-Track Tape Recorder Canada Unlimited Number Two — subtitled Sam McGee (55:00 / 1970-73) — Kevin Austin
- Piece for Four-Track Tape Recorder Canada Unlimited Number Two — subtitled Sam McGee (55:00 / 1970-73) — Kevin Austin
- Piece for Four-Track Tape Recorder Canada Unlimited Number Two — subtitled Sam McGee (1970-73) — Kevin Austin
- Piece for Four-Track Tape Recorder Canada Unlimited Number Two — subtitled Sam McGee (III. Scherzo) (10:20 / 1970-73) — Kevin Austin
- Piece for Guitar (2:30 / 1981) — Stephen Calder
- Piece for piano + ensemble (10:00 / 1978) — David Grimes, David Jaeger, Larry Lake, James Montgomery
- Piece for Solo Syn-Ket No. 3 — John Eaton
- Piece for Synthesizer (5:49 / 1984) — Stephen Rieck
- Pièces de corps; le corps complet (49:45 / 1981) — Robert Rayher
- Pièces détachées (24:00 / 1988) — Jean-François Denis
- Pieces for piano, op. 1 (21:00) — Chris Wind
- Pieza en forma de té (10:50 / 1999) — Elsa Justel
- Pika Pika — Hideo Ono
for Shamisen, Hichiriki & Synthesizer - Pilgrimace (11:22 / 1989) — Darren Copeland, John Marriott
- Pink Pleasure (3:50 / 1990) — Barbara Golden, Bill Thibault
- Pins (13:05) — Paul Koonce
- Pioneers of the Stars (2:46) — Perrey-Andy Badale
- Pique/tréfle (4:38 / 1992) — Kathy Kennedy, Zeena Parkins, Danielle P. Roger, Joane Hétu, Claire Marchand
- Pitchers at an Exhibition — MetaMusic
- Les Plaisirs (0:54) — Gary Martin
- Plaisirs Instantanes (2:52 / 1986) — René Lussier, Fred Frith
- Planes, Spiders and Motion Pictures at English Bay (1990) — Jean Piché, Tom Sherman
- Planxty Bowerbird (8:15 / 1985) — Anne LeBaron
for harp and tape - Plastiches (7:09 / 2005) — Felipe Otondo
- Plastic Would (1985) —
Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
for Plastic Would Sonde Structure - Player Piano I (1977) — John A.
Celona
for pianos - Playground Music/Rain (2:05) — Jessica Krash, Steve Schecter
- Play Power II (13:25 / 1976) — Sten Hanson
- Pleasant Guitar (1:21 / 1980) — Barton Smith
- Pluie acide (15:30 / 1985-86) — Jean R. Séguin
- Plume Voyage (15:00 / 1996) — Marc Favre-Marinet
- Plus (1:15 / 1977) — Lars-Gunnar Bodin
- Plusieurs
Bonsoirs (5:00 / 1982) — Claude
Schryer
for violin and tape - (Plus or Minus
Two Seconds) ± 2" (13:10 / 1983) — David
G. Lindsay
for live and tape - Le plus proche village (16:53 / 1986) — Daniel Leduc
- Pneuma (7:59 / 1987) — Peter
Hatch
for free-bass accordion and real time computer instrument - Pocket (3:22 / 1988) — John Oswald
- Poe-Debussy,
Autour de la maison Usher (41:00 / 1988) — Francis Dhomont
musique de scène - Poème électronique (8:05 / 1958) — Edgard Varèse
- The Point of No Return (10:56 / 1988) — John Estacio
- Points cardinaux (22:00 / 1988) — Bernard Donzel-Gargand
- Points de fuite (13:20 / 1982) — Francis Dhomont
- Poke Salad
Annie (1969) — Unknown / Inconnu
[arr. Gil Trythall]
for Moog synthesizer - Polaris (10:30 / 1989) — David
Eagle
for piano and computer-generated tape - Polifonica-Monodia-Ritmica (1951) — Luigi Nono
- Political Freedom (4:59 / 1984) — Andrew (Andy) Dowden
- Political Freedom (5:11 / 1985) — Andrew (Andy) Dowden
- Polyester Pope (4:15 / 1988) — Joe Parrish
- Polygonum (1968) — Josef Anton Riedl
- Pont Victoria (5:00 / 1995) — Frank Koustrup
- Poppy Nogood and the Phantom Band (21:40) — Terry Riley
- Les portes du sombre dis (25:00 / 1979) — Denis Lorrain
- Portrait d’un visiteur (17:10 / 1985) — Christian Calon
- Portrait Of A Friend (21:00 / 1986) — Vivian Adelberg Rudow
for tenor and tape - Portrait of Convergence (58:25) — David Olds
- Portraits in a landscape (20:00 / 1988) — Ted Dawson
- Positive Thinking (1993) — Anne Deane
- Possible Orchestras (at the 21st harmonic) (12:41 / 1984) — John A. Celona
- Postcard Edit (9:41 / 1982) — Chris Meloche
- Post Modern Cowboy (2:34 / 1989) — Paul David
- Pot pourri [OPÉRAaaaAH (Deschênes) ; Métal (Thibault)] (23:00 / 1984) — Marcelle Deschênes, Alain Thibault
- Potsdam Buchla Blue Boogie (1980) — Kevin Austin
- [ Pour M:
] (5:38 / 1987) — Gustav Ciamaga
live electroacoustics - Pour Voix et
Violoncelle — Benoît Flis
texte de Benoît Flis; voix: Michel Duperial; cello: Véronique Tat; réalisation acousmatique: Christine Lesort-Pajot - PRAESCIO-I (11:00 / 1987) — Bruce
Pennycook
for soprano saxophone, tape and live MIDI electronics controlled by computer - PRAESCIO-II:
Amnesia (10:00 / 1988) — Bruce
Pennycook
for soprano, flute, DX7IIFD, violin, cello and live computer-controlled MIDI electronics (Text: Tessa McWatt) - PRAESCIO-III: Extended harpsichord, computer and MIDI synthesizers (15:00 / 1988) —
Bruce Pennycook
pour clavecin MIDI et ordinateur - PRAESCIO-IV — Bruce Pennycook
- Prag (1990) — Anton Saier
- Praise of Life (11:22 / 1988) — Hanus Domansky
- Prayer op. 134 (12:20 / 1980) — Eric Nordgren
- Precipice (4:39 / 1988) — David Eagle
- Pregnant Period — John Wells
- Prelude (6:18 / 1978) — David Congo
- Prelude 1 (2:34 / 1987) — Chris Wind
- Prelude and
Fugue No. 2 in C Minor (2:43 / 1968) — Johann Sebastian Bach [arr. Wendy Carlos]
for Moog synthesizer - Prelude and
Fugue No. 7 in E-Flat Major (7:07 / 1968) — Johann Sebastian Bach [arr. Wendy Carlos]
for Moog synthesizer - Prelude and Ode to the Critics (1984) — John Winiarz
- Prélude et fugue en Ré mineur (1:58) — Johann Sebastian Bach [arr. Jacques Rémus, Pascal Serve]
- Prélude et fugue en Sol Majeur (2:05) — Johann Sebastian Bach [arr. Jacques Rémus, Pascal Serve]
- Prelude in E major (from Partita No. 3) (4:25) — Johann Sebastian Bach
- Prelude in G-sharp Major (1:41 / 1980) — Barton Smith
- Prelude No. 3, in A minor (5:50) — Heitor Villa-Lobos
- Prelude to Act III (Sketches for Blood Wedding) (1:55 / 1970) — Kevin Austin
- Prelude to "Myshkin" — John Eaton
- Preparations for the Wedding Night (1988) — Roger Doyle
- Presque Rien No. 1 (20:42) — Luc Ferrari
- Press (9:10 / 1986) — Adolfo Núñez
- Pretender (2:46 / 1988) — John Oswald
- Preview Maggies Workshop (1983) — John Wells
- Prière (11:20 / 1985) — Jean-François Estager
- Primary Structures (5:35 / 1976) — Lars-Gunnar Bodin
- Primer on Organizational Life (9:32 / 1993) — Paul Albert
- Primitive
Cool (15:00 / 1986) — John A.
Celona
for percussion and tape - Primitive Cool (3:48 / 1987) — Salvador E. Ferreras
- [ Prismes nus
] (23:00 / 1988) — Pierre Dostie
installation sonore - Private Play (6:00 / 1997) — Scott A. Wyatt
- The Process (3:22 / 1985) — Chris Meloche
- Procession (4:45 / 1985) — Chris Meloche
- Process Piano (9:39 / 1989) — Egils Bebris
- The Process
Project (1986) — Robert Tzopa
for painting and tape - Profile (6:13 / 1988) — Lelio Camilleri
- Projectile (3:32 / 1987) — John Duesenberry
- Projection I — Morton Feldman
- Proximités (7:23 / 1986) — Yann Orlarey
- Proyecto Inmaterial (9:52) — Pedro Bericat
- Psalm (7:15 / 1960) — Otto Joachim
- Psalm (1985) — Larry Lake
pour hautbois et bande - P'tit Blues — Kristoff K. Roll
- Pulse (1985) — CECG/GEC
for keyboards and tape delay - Pulse of the Planet — Jim Metzner
- The Pulses of Time (19:45 / 1979) — Denis Smalley
- Punk Song 1 (1:19 / 1987) — Frank Koustrup
- Purple
Shoes (1986) — Eric Brown
for computer controlled synthesizer - Purple Shoes
Three (4:28 / 1986) — Eric Brown
for computer controlled synthesizer - Puzzle (1:48 / 1972) — Vivian Adelberg Rudow
- Puzzle Wood (13:20 / 1995) — Natasha L. Barrett
- PYMFS, l’ombre de l’ombre de l’ombre de l’… (22:30 / 1982-83) — Myke Roy
- Pythian I (1973) —
Gary J. Hayes
for soprano, guitar/mandolin, violin, viola, cello, piano, percussion