CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

Works » Works by Title » G

Works

G (8:45 / 1987) — Ricardo Dal Farra, Arturo Gervasoni
for electronic guitar, real-time processed synthesizer
Gaku-no-Michi (Les Voies de la Musique): II. Fushiki-e (28:53 / 1978) — Jean-Claude Eloy
Gaku-no-Michi (Les Voies de la Musique): III. Banbutsu-no-ryudo (33:00 / 1978) — Jean-Claude Eloy
Gaku-no-Michi (Les Voies de la Musique): I. Tokyo; II. Fushiki-e (29:09 / 1978) — Jean-Claude Eloy
Gaku-no-Michi (Les Voies de la Musique): IV. Kaiso (40:00 / 1978) — Jean-Claude Eloy
Galactic Symphony — Hiroyuki Fujikake
Galaxy (12:55) — Bjorn Fongaard
Gallery Animal (5:54 / 1989) — Jim Goertz
Game Zone (1989) — Bentley Jarvis
La gamme (18:00 / 1981) — Yves Daoust
The Garden (1988) — Roger Doyle
Gargoyles — Otto Luening
Gaspé 1970 remote recording (1970) — Kevin Austin
Gateway Summer Sound — Ann McMillan
The Gathering of the Kings: The Hunting of the Bulls (Lost Atlantis IV) (7:37 / 1977) — Barry Schrader
GEMS Jam No. 1 (4:00 / 1992) — James Harley
GEMS Jam No. 2 (9:00 / 1992) — James Harley
Generation (15:00 / 1971) — Don Druick
for mandolin, violin, viola, piano (or harpsichord)
[ Generation-X ] (12:00 / 1988) — John Free
for guitar and computer
Générique (I) (∑) (R) (24:00 / 1974) — Denis Lorrain
Geneviève's Meeting with the Devil (1979) — Maurice Trottier
Gentle Madness (6:40 / 1984) — Tomas Dusatko
for soprano, piano and synthesizer
Genuine Electric Latin Love Machine — Richard Hayman
Georganna’s Farewell (6:10 / 1976) — Jon H. Appleton
Germans (1992) — Myra Davies, Gudrun Gut
Get Back (1969) — VA
for Moog synthesizer
Gigole Girl (4:08 / 1986) — Gerald (Jerry) Berg
Gimli Grog (5:45 / 1984) — Scott Alloy
Girl-Butterfly-Girl (song cycle) (1986) — Tsippi Fleischer
The Girl from Ipanema (3:15 / 1969) — V. de Moraes, N. Gimbel, A. Jobim [arr. Richard Hayman]
for Moog synthesizer
Girl Lying (1977) — Kevin Austin
Girl on Horse (1977) — Kevin Austin, Brian Finch
Give Me Your Hand (1992) — Bennett Hogg
for bass clarinet and tape
Glassbowls (11:10 / 1987) — Salvador E. Ferreras
Glass Chant (18:29 / 1986) — Robert MacNevin
[ Glass Harp Innuendo ] (1989) — John Loughrey
Glass Trombone (0:31 / 1958) — François Baschet, Bernard Baschet
Gloating Bleets (1981) — Robert Michael Schertzer, Tara Workman
Gloophs (1977) — Kevin Austin, Karin Kloppenburg
Glory Be (1981) — John Gray
Glossolalie (1959-60) — Dieter Schnebel
Glück ist so ein Ding (5:20 / 1989) — Thomas Gerwin
Goat Fell — Patrick E. Carpenter
Go Between (19:50 / 1984) — Diana McIntosh
for 3 pianos and tape
Godsend (5:39 / 1985) — Tim J. Lawrence
Godsend (1985) — Tim J. Lawrence
Movement of Illuminations
Goin’ Out of my Head (6:28 / 1969) — B. Weinstein, T. Randazzo [arr. Richard Hayman]
for Moog synthesizer
Golem Sketches (23:38 / 1987) — Carlos Zingaro, Richard Teitelbaum
Goma Arabica (7:17) — Eduardo Reck Miranda
Gong Song — Ann McMillan
Good Evening Ladies and Gentlemen and Welcome to a Concert… — MetaMusic
Good Morning, Love — It’s Springtime In My Heart (6:35) — Kim Hedås
Gotta Keep the Drama Going (1983) — Francine Noël
Go WHERE? : Shamana/ Junn--K/Sei/Go WHERE?/Miyori (1986) — Ushio Torikai
The Gown of Night (2:42 / 1988) — Tsippi Fleischer
Le Graal Gras (20:35 / 1989) — Paul-Bôudain Michel
texte de PB Michel, récitant D Hakier
Gradual (11:00 / 1974) — Denis Smalley
Gramaphone History of World War 2 (12:55) — Dimitry Nikolaev
Gramps (1983) — Andrew (Andy) Dowden
Grande Plongée. Douceur des fonds (6:25) — Pierre-Alain Jaffrennou
Movement 1 of Océane… ou Troisième passage de la baleine
Grande Polyphonie (19:20) — François Bayle
Grande Polyphonie (fin) (17:25) — François Bayle
Le Grand Kyrie (6:52 / 1984) — Myke Roy
Granulations (8:51) — Dennis Miller
The Great Profit Comes for a Visit (3:33 / 1986) — Gerald (Jerry) Berg
Green, Green Grass of Home (2:34 / 1970) — Traditional [arr. Rick Powell]
for Moog synthesizer
The Green Queen — Pierre Henry
Gregorian Airs (1980) — Michael Crochetière
Grenzen — R. Dodd
Gretchen am Komputer — Allan Crossman
for voice and keyboard
The Grey Earth (9:00 / 1987) — Bert Paquin
The Griffith Observer (8:34 / 1988) — Elliot E. Freedman
Ground and stampit (16:58 / 1990) — Peter Hannan
Ground Water (70:53 / 1988) — Martin S. Gotfrit
live electroacoustic theater (Text: Colin Browne)
Group Improv (59:25 / 1974) — MetaMusic
Growth? (4:49 / 1988) — Brian Schultze, Curtis Ruptash
gr, RR (26:00 / 1979) — Bruce Pennycook
for saxophone quartet, piano, double bass and tape
Grtch — Kevin Austin
Movement 1 of Vortex
Gubu (6:24 / 1997) — Donnacha Dennehy
La Guerre — Ginette Bertrand
Movement 13 of L’ombre d’un doute
Guitare graffiti (13:00) — Marc Tremblay
Guitar Study No. 6 (0:09 / 1995) — Frank Koustrup
Gut Reaction (15:00 / 1986) — Diana McIntosh
for viola and tape
Gwendolyne descendue! — Bernard Gagnon