CEC
Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca
Works » Works by Year » 1988
- *** (11:53 / 1988) — Rainer Boesch
- 23/1/88 (16:00 / 1988) — Pierre Dostie
- 2 Fuite 1, Nuit des Temps (1988) — P. Rutgé
- 33 337 (11:25 / 1988) — Joseph Raguin
- 6/2/88 (17:00 / 1988) — Pierre Dostie
- 7
Years (42:00 / 1988) — Michael C.
Maguire
for flute, sax, french horn, cello, electric guitar marimba, piano and CPU - A Flight Out
of Time (8:30 / 1988) — John Free,
Bill Gilliam
for live electronics, guitar and tape - A Four Minute Exercise (4:22 / 1988) — Chris Taylor
- Again I Have Failed to See Him (1988) — Roger Doyle
- Ah Love Ah Love (1988) — Roger Doyle
- Ailleurs et Après (1988) — F. Obringer
- L’air du
temps (9:15 / 1988) — John A.
Celona
for MIDI saxophone and tape - Allal (9:00 / 1988) — Michael Croswell
- All
in Good Time (9:30 / 1988) — Diana
McIntosh
pour piano, voix amplifiée, bruits de bouche et bande - Almost Catholic (3:08 / 1988) — Gene Kosowan
- A Man Who Saw Very Quickly (3:00 / 1988) — James Meneses
- [ Amazones
] (10:00 / 1988) — Pierre Dostie
installation sonore - Amnesia (6:32 / 1988) — Darren Copeland, John Marriott
- And Into Order (5:27 / 1988) — Donovan Reimer
- [ Antiphon ] (9:30 / 1988) — Pierre Sainte-Marie
- [ Les arrivées
sont des départs ] (15:00 / 1988) — Marcelle Deschênes
pour marimba MIDI, clavier MIDI et saxophone MIDI - Avi-Repetitive Mode (6:50 / 1988) — Esten S. Lindgren
- Bachahama (7:15 / 1988) — Barry Schrader
- Black Finger (5:00 / 1988) — Jamie Philp
- Blowout (7:30 / 1988) — Cindy
John
for 6 trombones and computer - Booting
Up (55:00 / 1988) — Diana
McIntosh
pour bande, percussion, voix, danseurs, saxophones et installation - Box Vox (6:35 / 1988) — Francesco Giomi, Marco Ligabue
- Canzona (16:00 / 1988) — Sergio Barroso
- Cats (4:55 / 1988) — Robert Wood, Bill Cramer, Dan Cramer
- Caught in an Octagon of Unaccustomed Light (15:56 / 1987-88) — Paul Dolden
- Charnière - Langage oublié/Langage magique (2:20 / 1988) — Michelle Boudreau
- Chroniques (12:10 / 1988) — Bernard Donzel-Gargand
- [ Clocks of
the World ] (8:00 / 1988) — Brent
Lee
for harpsichord, electric guitar, bassoon and tape - Comings and Goings (1988) — Roger Doyle
- [ Composing
] (33:00 / 1988) — Hildegard
Westerkamp
pour voix mixtes - Crux (version
en direct) (11:15 / 1988) — Michel
Tétreault
live electroacoustics - Curtain Music (1988) — Roger Doyle
- Curtain Music (Side A) (1988) — Roger Doyle
- Death of an Insect (4:55 / 1988) — Cindy John
for voice and computer - [ Derrière le
regard du désir ] (21:00 / 1988) — Pierre
Dostie
installation sonore - Le désir des molécules (15:35 / 1988) — László Dubrovay
- La disparition (23:15 / 1988) — Christian Calon
- The Dissipation of Purely Sound (17:30 / 1988) — Norma Beecroft
- Don Perlimplin Has No Honour (1988) — Roger Doyle
- Don’t (2:54 / 1988) — John Oswald
- Dragons (5:30 / 1988) — Pascale Trudel
- Dreams Heard in Light (1988) — Matt Ridgeway
- The Earth is the Circle which is the Measure of All (8:30 / 1988) — Robert Keefe
- Eceon Elektro (1988) — Andrew
Horka
pour flûte et bande - Élan B (14:00 / 1988) — John A.
Celona
live electroacoustics - Electic (1988) —
Michael J. Torello
for electric/acoustic accordion and computer - Electric
Waves (12:07 / 1988) — Tim Brady
for electric guitar, DDL and harmonium - Entropie,
agglutination, genèse (15:00 / 1988) — Denis Saindon
pour marimba MIDI, clavier MIDI et saxophone MIDI - Escalier de Service (1988) — Philippe Blanchard
- Etapper (14:30 / 1988) — Cecilie Ore
- Fall (18:30 / 1988) — Jean-François Denis
- Fandance (6:15 / 1988) — Rodney
Sharman
for 12 instruments - Fantasia Chromatica (13:00 / 1988) — Tim J. Lawrence
- Feast (UTAGE) (17:30 /
1988) — Takehito Shimazu
for six tape recorders - Flight Paths (9:00 / 1988) — Bob Pritchard
- The Garden (1988) — Roger Doyle
- [ Generation-X
] (12:00 / 1988) — John Free
for guitar and computer - The Gown of Night (2:42 / 1988) — Tsippi Fleischer
- The Griffith Observer (8:34 / 1988) — Elliot E. Freedman
- Ground Water (70:53 / 1988) — Martin
S. Gotfrit
live electroacoustic theater (Text: Colin Browne) - Growth? (4:49 / 1988) — Brian Schultze, Curtis Ruptash
- Have You Ever Been Tokyo-fied? (44:00 / 1988) — Jørgen Teller
- Hermosa (20:00 / 1988) — John A.
Celona
for 3 percussionist, digital keyboard and sampler - He Writes Me Letters (1988) — Roger Doyle
- L’homme de la nuit (3:48 / 1988) — Brent Holland
- …
horizones (15:00 / 1988) — Michel
Smith
pour marimba MIDI, clavier MIDI et saxophone MIDI - House (5:10 / 1988) — Dan Cramer
- [ Hypothesis of Memory ] (15:00 / 1988) — Michael Bussière
- I
am an American… My Government Will Reward You (13:59 / 1988) — Anne LeBaron
for amplified harp and digital tape, with percussion - If you stand on a log long enough, tout le monde va partir (14:00 / 1988) — Myke Roy
- Industrielles (9:30 / 1988) — John Mickel
- I Wish I'd Never Read Franz Kafka (3:16 / 1988) — John Oparyk
- Jazz 1 (2:15 / 1988) — Francesco Giomi, Marco Ligabue
- Jazz 2 (2:15 / 1988) — Francesco Giomi, Marco Ligabue
- Jazz 3 (1:30 / 1988) — Francesco Giomi, Marco Ligabue
- Jazz 4 (0:25 / 1988) — Francesco Giomi, Marco Ligabue
- Jeu décors (1988) — Agnès Poisson
- Just Say Yes (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
- Keith's Conundrum (5:36 / 1988) — John Wells
live electroacoustics - Ladders and Plains (28:00 / 1988) — Amnon Yehuda Wolman
- The Last Days of Good & Evil (1988) — John Fekner
- Laurian (5:41 / 1988) — Nicolas Sordet
- Living It Out — In The Dead Air — Space (52:00 / 1987-88) — Darren Copeland
- Love, Love That Here Lies Wounded (1988) — Roger Doyle
- Lumina (11:30 / 1988) — David R.
Keane
pour ténor, multi-image et bande/for tenor, multi-image and tape - Mécanique de la foudre (8:41 / 1988) — Pierre Bouchard
- The Metamorphosis — Mix 2: Cylinderrde (4:53 / 1988) — Paul B.A. Steenhuisen
- Michael Jackson (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
- Mixed Unicum 1 (7:00 / 1988) — Pietro Grossi
- The Modulation Suite (10:10 / 1988) — David Leip
- Moments of
Laughter (19:00 / 1988) — Hildegard
Westerkamp
for female voice and tape - Momentum (1988) —
Hae Yon Kim
for computer graphics and tape - The Moods (15:00 / 1988) — Michael J. Torello
- Move It Out Now (3:52 / 1988) — Bruce Atchison
- [ Music from the Zone of Silence ] (26:30 / 1988) — Hildegard Westerkamp
- Nadir (7:00 / 1988) — Christos
Hatzis
for viola, recorder and computer-generated tape; recorder: Peter hannan; viola: Douglas Perry. - Nature Dance (6:10 / 1988) — Simon K. Millward
- Nautilus (10:30 / 1988) — David R.
Keane
for clarinet and tape - Nautilus (23:00 / 1988) — Amnon
Yehuda Wolman
for 2 sopranos, tenor and tape - Never Should Have Gone (7:55 / 1988) — Mark Mercury
-
Night Labyrinth (80:00 /
1988) — Alan Belkin
for MIDI trio (DX7, WX7, KAT)- Adagio I (7:00 / 1987)
- Adagio III (13:20 / 1988)
- No. 4 (3:40 / 1988) — Mark Wasarab
- Ô Arbre Roi des Tropiques (1988) — Bertrand Chenier
- Octo in primis (8:10 / 1988) — Albert Mayr
- Les oiseaux (7:30 / 1988) — Pascale Trudel
- The Old
Country (Music for PS, Part 2, Section V) (6:30 / 1988) — Eric Brown
for computer controlled synthesizer - On
Growth And Form (12:06 / 1988) — Bruno
Degazio
pour instruments et bande/for instruments and tape - Only/Other/Always
(1988) — Steve Tittle
pour hautbois et bande - On the Death of Johannes Kepler (10:50 / 1988) — Robert Keefe
- Op. 7, La Complainte des Eaux Creuses (1988) — Marc Ouellette
- Opening Music (1988) — Roger Doyle
- Origophonie (14:35 /
1988) — Laurie Radford
for two 12-voice choirs, 6 percussion, electroacoustic music - Osmose métro (1988) — Jean-Robert Bisaillon
- Paysages intérieurs (12:45 / 1988) — Stéphane Roy
- Perlimplin Dies (1988) — Roger Doyle
- Perlimplin Dreams (1988) — Roger Doyle
- Phantasy VI (8:00 / 1988) — Dennis Patrick
- [ Photon IV
] (30:00 / 1988) — Pierre Dostie
pour bande et clavier MIDI - Pianocentrix (18:20 / 1988) — David R. Keane
- Pièces détachées (24:00 / 1988) — Jean-François Denis
- Pocket (3:22 / 1988) — John Oswald
- Poe-Debussy,
Autour de la maison Usher (41:00 / 1988) — Francis Dhomont
musique de scène - The Point of No Return (10:56 / 1988) — John Estacio
- Points cardinaux (22:00 / 1988) — Bernard Donzel-Gargand
- Polyester Pope (4:15 / 1988) — Joe Parrish
- Portraits in a landscape (20:00 / 1988) — Ted Dawson
- PRAESCIO-II:
Amnesia (10:00 / 1988) — Bruce
Pennycook
for soprano, flute, DX7IIFD, violin, cello and live computer-controlled MIDI electronics (Text: Tessa McWatt) - PRAESCIO-III: Extended harpsichord, computer and MIDI synthesizers (15:00 / 1988) —
Bruce Pennycook
pour clavecin MIDI et ordinateur - Praise of Life (11:22 / 1988) — Hanus Domansky
- Precipice (4:39 / 1988) — David Eagle
- Preparations for the Wedding Night (1988) — Roger Doyle
- Pretender (2:46 / 1988) — John Oswald
- [ Prismes nus
] (23:00 / 1988) — Pierre Dostie
installation sonore - Profile (6:13 / 1988) — Lelio Camilleri
- Quelques bestioles (6:28 / 1988) — Pierre Olivier
- Refrains (9:00 / 1988) — Michael Schell
- La règle du
jeu (15:00 / 1988) — Robert
Normandeau
pour marimba MIDI, clavier MIDI et saxophone MIDI - Le rêve du corniste (11:00 / 1988) — Peter Ehrnrooth
- Ricochet (9:31 / 1988) — John Winiarz
- Rocks (1) (3:42 / 1988) — Chris Wind
- Rocks (2) (3:31 / 1988) — Chris Wind
- Rocks (3) (3:11 / 1988) — Chris Wind
- Rocks (4) (3:15 / 1988) — Chris Wind
- Rocks (5) (3:27 / 1988) — Chris Wind
- Rocks (6) (3:12 / 1988) — Chris Wind
- RPV (4:33 / 1988) — Wilfred Kozub
- Russian Robotiods (6:45 / 1988) — Esten S. Lindgren
- Russian Robotiods (Version 2) (12:10 / 1988) — Esten S. Lindgren
- SAISHIKI
X+Y (1988) — Takehito Shimazu
for MIDI system controlled by a computer - Shadowed
Voices (11:00 / 1988) — Diana
McIntosh
pour voix, piano, percussion et délai numérique - Skin
(5:27 / 1988) — Peter Jarvis
for actor and tape - Sleight of Hand (9:00 /
1988) — Jean Piché
for oboe and tape - S-Matrix Symphony (19:57 / 1988) — Stephen Melillo
- Soledad (23:45 / 1988) — Sergio Barroso
- Le soleil et l’acier
(13:30 / 1988) — Alain Thibault
pour soprano et bande - Songe d'un chamane en exil (16:00 / 1988) — Pierre Dostie
- Songs and Dances of the Automobile (4:50 / 1988) — Eric Moe
- SPECTRA 1988/02/26, 1988/02/27 (1988) — VA
- Spring (3:42 / 1988) — John Oswald
- Srivox Filonga (15:22 / 1988) — John
A. Celona
live electroacoustics - Standard Deviance (13:00 / 1988) — Daniel Scheidt
- Sunk deep in the night (9:00 / 1988) — Tom Williams
- Svelt (12:30 / 1988) — André Ruschkowski
- Synthétiseur Additif FDSSStudio Cassette de Démonstration (1988) — Gerard Jones
- System of Judgement (60:00 / 1988) — David Rosenboom
- Tangentes (5:00 / 1988) — Alejandro Jose
- Themes (5:00 / 1988) — Jay Styles
- There's No Harm In Trying (4:50 / 1988) — Jim Serediak
- Tongues of Angels (13:15 / 1988) — Barry D. Truax
oboe d'amore, English horn and 4 digital soundtracks - Too Much Testosterone (1988) — Chris Brown, Barbara Golden, Kenneth Atchley, Willie Winant, Johanna Poethig, Barney Jones
- Tracers (4:22 / 1988) — John Duesenberry
- Traces, chutes… etc. (11:30 / 1988) — Philippe Moënne-Loccoz
- Trajectoires (10:11 / 1988) — Jean-François Denis
pour DX7(E!) et TX7 - Trajectoires
parallèles (12:45 / 1988) — Jean-François
Denis
pour synthétiseurs pilotés par ordinateur/for computer controlled synthesizers - Trees (1) (5:26 / 1988) — Chris Wind
- Trees (2) (4:18 / 1988) — Chris Wind
- Trees (3) (4:15 / 1988) — Chris Wind
- Trees (4) (5:12 / 1988) — Chris Wind
- [ Twyliyt
Zaulne ] (15:00 / 1988) — Myke
Roy
pour marimba MIDI, clavier MIDI et saxophone MIDI - Upon the Banks of the River (1988) — Roger Doyle
- Veils (6:54 / 1988) — Diane Thome
- Voix
blanche (13:00 / 1988) — Gilles
Gobeil
pour Ondes Martenot et bande - Web (9:06 / 1988) — Lelio Camilleri
- Wedding Night Music (1988) — Roger Doyle
- What Good Will Marriage Do Me? (1988) — Roger Doyle
- When do they is not the same as why do they (13:52 / 1988) — Peter Hatch
- Whirl Without End (1988) — John Wiggins
- [ Zénith sur
la place de la mairie ] (20:00 / 1988) — Pierre Dostie
installation sonore