CEC

Communauté électroacoustique canadienne
Canadian Electroacoustic Community
GM-500 — 1455, boulevard De Maisonneuve Ouest, Montréal, QC, H3G 1M8, Canada
http://cec.sonus.ca - cec@sonus.ca

1984

Works

[ ] (12:00 / 1984) — Kathleen Yearwood
1959-1984 (15:00 / 1984) — Pierre Gauvin
1984/06/15 8:15 hrs (1984) — Alain Vaugier
Aether (14:00 / 1984) — Bentley Jarvis
A Little Suite (1984) — John Winiarz
Allan Expressway Suite (0:54 / 1984) — Martin Van de Ven
Alligator Momentum (1:44 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Allo à l’eau (1984) — Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard
Ambivalence (10:30 / 1984) — Bernard Donzel-Gargand
L'Apocalypse, un film pour l'oreille (40:33 / 1984) — Xavier Garcia
Aqui, alla y en todas partes… (12:05 / 1984) — Jorge Rapp
L'arbre aux souhaits (9:00 / 1984) — Denis Dion
pour hautbois, guitare, violoncelle, harpe, percussion
Augery Music (1984) — John Oliver
for instrumental ensemble
Baby (1984) — Barbara Golden
Backburner (1984) — Barbara Golden
Beasts of England (1984) — Philip Walling
Bienvenue / Welcome (7:50 / 1984) — Jean R. Séguin
The Blind Seer (6:45 / 1984) — Stephen Rieck
Blue (Azure) Part 1 (3:00 / 1984) — Kathleen Yearwood
Blue (Azure) Part 2 (3:00 / 1984) — Kathleen Yearwood
Bombyx: Machines seules (1984) — Jacques Rémus
Bribes d'hiver (13:31 / 1984) — James Giroudon
Carnaval (1984) — Yves Daoust
La Celine (9:30 / 1984) — Linda Catlin Smith
Charly (8:30 / 1984) — Ricardo Mandolini
Conte-a-nino (10:00 / 1984) — Philippe Ménard
Cosmological Impressions (1984) — Wendy Carlos
Deer Barks (9:00 / 1984) — Kevin Austin
for live, tape and tape delay
Deuxième passage de la baleine (13:30 / 1984) — Pierre-Alain Jaffrennou
Divertimento for Latecomers (1984) — John Oliver, Claude Schryer
Dreamer (1984) — Barbara Golden
Earthy Delights (1984) — Kevin Austin, Doris May
for tape and slides
Electroacoustic Pieces No. 1 (3:51 / 1984) — Chris Wind
Elektronikus Mozaik (10:45 / 1984) — David R. Keane
Elle eleveille l'alarme (1984) — Alain Vaugier
E.L.V.I.S. (Électro-lux, vertige illimité synthétique) (15:00 / 1984) — Alain Thibault
Erstarrung (15:00 / 1984) — Rodney Sharman
Escarpment (9:15 / 1984) — Bob Pritchard
E T Picture Show (Escape II) (5:20 / 1984) — George Danova
Etude (10:15 / 1984) — Barry D. Truax
Étude de comportement et d’expression mélodique (6:00 / 1984) — A. Jacques Coutu
Étude électroacoustique (1984) — Jean R. Séguin, Jacques Mayrand
for bass and electronics
Evening Music (7:45 / 1984) — Jan Jarvlepp
for Carillon
Fine Line (1984) — Andrew (Andy) Dowden
Forty-three (1984) — Pril Smiley
Four Cuban Colonial Dances (1984) — Sergio Barroso
Four Fragments and Epilogue (13:40 / 1984) — John Winiarz
Four or Five For Four or Five (12:00 / 1984) — Diana McIntosh
for recorder, oboe, bassoon, harpsichord, percussion and tape
Froggy Bits (29:00 / 1984) — Kevin Austin
Gentle Madness (6:40 / 1984) — Tomas Dusatko
for soprano, piano and synthesizer
Gimli Grog (5:45 / 1984) — Scott Alloy
Go Between (19:50 / 1984) — Diana McIntosh
for 3 pianos and tape
Le Grand Kyrie (6:52 / 1984) — Myke Roy
Harpsichord Piece (6:53 / 1984) — Jan Jarvlepp
for harpsichord
Heartfelt Words (1984) — Andrew (Andy) Dowden
The Hidden Godhead (19:20 / 1984) — Sean Ferris
I am Eve (6:06 / 1984) — Chris Wind
for live and tape
I am Eve (6:06 / 1984) — Chris Wind
for live and tape
I Go Bananas (1984) — Philip Walling
I'll Get It In My Lunch (12:00 / 1984) — Gerald (Jerry) Berg
Improvisation No. 18 (6:07 / 1984) — Stephen Rieck
Improvisation No. 8 (5:02 / 1984) — Stephen Rieck
Inside (1984) — Yves Knockaert
Instances (15:00 / 1984) — Philippe Moënne-Loccoz
pour orchestre de chambre et bande
In the Mountains, At the Equator (21:00 / 1984) — Stephen Fai
The Invalidity of Monuments (14:35 / 1984) — Laurie Radford
I've a Notion it's the Sea (19:10 / 1984) — Kevin Austin
Jazz Compositions (40:16 / 1984) — Vladimir Tarasov, Vladimir Chekasin, Vyacheslav Ganelin
Jour de lenteur (1984) — Bernard Fort
Jour «J» (Éco-Fable-Atomique) (1984) — Marcelle Deschênes
… just a pulse (10:25 / 1984) — Claude Schryer
pour piano et bande
… just a pulse (10:25 / 1984) — Claude Schryer
pour piano et bande
Knock; Turn (18:00 / 1984) — Kathleen Yearwood
Konzert Tone No. 1 (1984) — Kevin Austin
for double bass, percussion, voice and extensions and tape
Krikits (25:30 / 1984) — Kathleen Yearwood
The Large Noise (4:10 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
La leçon de composition (10:20 / 1984) — Luc Ferrari
Manito (13:10 / 1984) — James Tallon
Mask Soundtrack (1984) — Vangelis Papathanassiou
Maveriana (8:00 / 1984) — Joseph Raguin
Megawonder Electrics Company (5:12 / 1984) — Stephen Rieck
Métamorphose du cri (4:56 / 1984) — Richard Désilets
pour orchestre de chambre
Metamorphosis III (1984) — John Winiarz
Midsummer Night Solstice (300:00 / 1984) — Kevin Austin
Miniatures (4, count ’em 4) (10:00 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
MmnnnNmmn NmNnm (8:43 / 1984) — Myke Roy
Moments I (1984) — Kevin Austin, Shawn Bell
for guitar, double bass and tape
Moonscapes (1984) — Wendy Carlos
More News After This Word from our Sponsor (5:15 / 1984) — Stephen Rieck
… mourir un peu (45:58 / 1984) — Francis Dhomont
… mourir un peu, Itinéraire 1 (20:40 / 1984) — Francis Dhomont
Movements in Trans-Art (8:33 / 1984) — Pierre Bouchard
Mozart in the Hatteras (7:48 / 1984) — Kevin Austin
Music against Films (7:02 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Music for Quiet Spaces (20:00 / 1984) — Robin Minard
for vibraphone and tape delay
Mystery of South and East (12:29 / 1984) — Jon Siddall
Narration de «Seating Arrangement» (1984) — Francine Noël
Neila (10:54 / 1984) — Normand Gendron
New Rochelle I, II, III, IV, V, VI, VII (60:00 / 1984) — Violeta Dinescu
Nigh Night Flower (1984) — John Winiarz
Night Music (3:22 / 1984) — Jan Jarvlepp
for Carillon
Night on Moot Point (8:26 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Randy Raine-Reusch, Andreas Kahre, Mark A. Parlett
Nogood Connection (8:19 / 1984) — Martin Van de Ven
Nuits (9:30 / 1984) — François Guérin
OBEAH… a sonic ritual (1984) — David G. Lindsay
Océane… ou Troisième passage de la baleine (32:26 / 1984) — Pierre-Alain Jaffrennou
1. Grande Plongée. Douceur des fonds (6:25)
2. Emersion. Nage libre et enjouée (7:02)
3. Assoupissement de la baleine (4:39)
4. Imminence du danger (7:15)
5. Final: Scherzo de la baleine (7:16)
Ode à l’anonyme (10:02 / 1984) — Myke Roy
pour flûte, modulateurs en anneaux et écho par réinjection directe
O D (The Escape III) (7:30 / 1984) — George Danova
Orbites (3:07 / 1984) — Richard Désilets
pour orchestre de chambre
Oscillation: No. 0 (9:10 / 1984) — Philippe Moënne-Loccoz
Paradis (19:50 / 1984) — Christian Calon
Par ton souffle (17:00 / 1984) — Claude Frenette
pour ensemble de vents, percussions, dispositif de réinjection et bande magnétique
Piano Study No 1 (1984) — Susan Frykberg
Piece for Synthesizer (5:49 / 1984) — Stephen Rieck
Political Freedom (4:59 / 1984) — Andrew (Andy) Dowden
Possible Orchestras (at the 21st harmonic) (12:41 / 1984) — John A. Celona
Pot pourri [OPÉRAaaaAH (Deschênes) ; Métal (Thibault)] (23:00 / 1984) — Marcelle Deschênes, Alain Thibault
Prelude and Ode to the Critics (1984) — John Winiarz
Quanta Affected by Observation (5:00 / 1984) — Brian Belet
Ramon (1984) — Barbara Golden
Rays (1984) — John Winiarz
Road to Knossos (3:30 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Sand/Water (12:17 / 1984) — Eric Brown
Scratch ’n Sniff (5:55 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Seven Electronic Sketches (34:54 / 1984) — Otto Joachim
Shards (13:08 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Shortwaves (26:16 / 1984) — Pierre Olivier
Solo for Flute (3) (2:44 / 1984) — Chris Wind
Sometimes it rains only under the trees (10:00 / 1984) — Jean-François Denis
pour quatuor à cordes et percussion ou bande
Sparrows (10:00 / 1984) — Kathleen Yearwood
Spats (2:49 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
Spellbinding (5:53 / 1984) — Martin Van de Ven
Spelunking (3:04 / 1984) — D.B. Boyko, Martin S. Gotfrit, Kenneth Newby, Andreas Kahre, Mark A. Parlett
: . . Stoles (9:20 / 1984) — Michelle Boudreau
pour cinq percussionnistes
Strawberry Sermon (16:00 / 1984) — Andrew Czink
Strophes I (11:27 / 1983-84) — Robert Coburn
for violin and tape
Suddenly… we found ourselves Alone (One is split in two) (21:30 / 1984) — Stephen Fai
Suite No. 1 from “The Songs a Metal Child Would Sing” (1984) — Keith Daniel
Suite No. 2 from “The Songs a Metal Child Would Sing” (1984) — Keith Daniel
Tao, 1er élément : Eau (16:15 / 1984) — Annette Vande Gorne
Tao, 2ème élément : Feu (14:30 / 1984) — Annette Vande Gorne
Tayori (22:45 / 1984) — Michel Tétreault
pour installation et bande tétraphonique
Tone Poem No. 6 (4:14 / 1984) — Stephen Rieck
Tree Around (1984) — CECG/GEC
for strings and synthesizers
Trenholme Park after Dark (1984) — Jill Bedoukian
Trial and Beat It (slender version) (1984) — Neil Schwartzman
Trois nocturnes (Fêtes dyonisiaques; Le Domaine d'écho; Les Incantations de Silène) (19:35 / 1984) — Marc Favre-Marinet
Trumpet Solo (5:00 / 1984) — Gerald (Jerry) Berg
Turnout Tourniquet (5:55 / 1984) — DK
Vai (11:22 / 1984) — George Arasimowicz
Veuillez agréger les sentiments mes plus distincts (1:59 / 1984) — Denis Dion
What I Feel (1984) — Andrew (Andy) Dowden
Woodblocks and a Mountain Stream (7:35 / 1984) — Stephen Rieck