Guided Listening Tour

Claude Schryer	… just a pulse (for piano and tape)	In this work the pianist plays pulsed notes against a tape of sustained sounds. The combination creates a play of opposition... [+]	The harmonic, melodic and timbral elements of “… just a pulse” were created using a SCRIPT program generated by the Synclavier... [+]
Iván Patachich	Analisi (for violon and tape)	An example of a piece in which the acoustic sounds — used both with and without electroacoustic treatment — originate from a single source: a violin... [+]
Pierre-Alain Jaffrennou	Suite pour violoncelle et bande magnétique (Suite for Cello and Tape): 1st movement	Despite first impressions, this piece is in fact mixed. The electroacoustic processing essentially doubles the cello sound... [+]	The unity of this three-movement suite is built on the use of a single sound source: the cello... [+]
Bernard Donzel-Gargand	Transparence (for tape and percussion)	Here the hybridization of percussion instruments and “invented” instruments is achieved through the use... [+]	In composing this work, I was inspired by the work of Kandinsky... [+]
Robert Rudolf	Something to Say (for trumpet and tape)	This work uses sound elements created by a solo trumpet, and sounds produced... [+]
Brunce Pennycook	Praescio I (for sax and synthesized sounds)	Here the saxophone sound is paired with sounds generated electronically using MIDI. The instrument has a brief ... [+]
Andrew Czink	Canto (for voice and tape)	The voice is used here both for its interest as a sound source... [+]	"… in the gloom, the gold gathers the light about it."... [+]