1965–1970

COMPOSER(S)		WORK TITLE		EXPLANATION		COMPOSER'S NOTES
Jozef Malovec		Orthogenesis		This piece combines — in an astonishingly convincing manner, given the year in which it was composed — concrete sound sources... [+]		This is an analog and mixed composition, the first one ever made in the Electroacoustic Studio Czechoslovak of Radio Bratislava... [+]

1971–1975

COMPOSER(S)		WORK TITLE		EXPLANATION		COMPOSER'S NOTES
Miro Bázlik		Simple Electronic Symphony		This piece demonstrates some of the technical and compositional advances made in less than a decade following... [+]

1976–1980

COMPOSER(S)		WORK TITLE		EXPLANATION		COMPOSER'S NOTES
John Wells		Rock in the Water		In this Canadian work, we see just how far electroacoustic techniques have evolved... [+]

1981–1985

COMPOSER(S)		WORK TITLE		EXPLANATION		COMPOSER'S NOTES
José Augusto Mannis		Cyclone		Combining the use of stereophonic recording, electroacoustic treatments and hybridization of natural sounds... [+]
Guy Isabelle		Viscères symphoniques		The selected excerpt features very complex sounds that when layered upon one another could very easily create... [+]		In Viscères symphoniques, I sought to create sonorities that were organic, animal-like... [+]
László Dubrovay		Symphonia		This piece effectively demonstrates the level of transparency attainable in this period... [+]

1986–1990

COMPOSER(S)		WORK TITLE		EXPLANATION		COMPOSER'S NOTES
Jacques Lejeune		Messe aux oiseaux : 1. Kyrie		During this period, postmodernist ideas and æsthetics made their way into all art forms... [+]
Pierre Bouchard		Mécanique de la foudre		In this example the composer has created a counterpoint of structures that have greatly divergent dynamic levels... [+]		Mécanique de la foudre is the growth of a unique sound material — a metal-like crunch — being transformed in many different ways... [+]
Elliot E. Freedman		The Griffith Observer		A few concrete sounds, a sampler and a fairly transparent digital reverb are all the composer needed to create several broad sonic planes... [+]		Upon the heels of the introductory resonant gestures, the Griffith Observer proceeds to explore a granular network of sound... [+]